Book Quotes - Page 530

Books can be terrible snobs.

There are too many good comic book writers out there. I'd rather remain a fanboy.

Even I would find a book about my life pretty dull.

The thing about humour is that the super-ego is also at play, so what interested me, particularly in the last chapter which is key to the book -and no one seems to have picked this up in writings on Freud - is that, in the later Freud, the essence of humour is the ability to look at myself and find myself ridiculous. That makes me laugh.

Have I got a black book? Yes, it's called a mobile phone. I do get offers. There is no shortage of people if you want to go on dates - working in TV, living in L.A., it is there if you want it.

I guess my approach to adapting books is to treat them with a deep respect on one level and at another level part them to one side and go, 'I'm doing something completely different here.'

I do like comic book movies, but only the ones that I read as a kid.

I grew up surfing on the north coast of New South Wales, and on most of the beaches, women never wore tops. When we were 10 or 11, me and my mates couldn't drive, so they'd take us surfing and then sit on the beach topless and read a book. I don't know if I quite saw them sexually, but there was physical intrigue.

It is an accurate statement that the followers of Witchcraft do not usually proselytize, which means you aren't going to find us standing on your local street corner thumping our Books of Shadows. Nor do you have to worry about jumping out of the shower to answer our serene and smiling faces at the door with your clothes stuck to various uncomfortable places on your wet body. But just because we (hopefully) aren't the forcible type doesn't mean we don't exist.

Without him (Jean-Christophe) I would never have understood the splendour of taking free andindependent action as an individual. Up until this stolen encounter with brains had been incapable of graspingthe notion of one man standing up against the whole world...................To me it was the ultimate book: once youhad read it, neither your own life nor the world you lived in would ever look the same.

Nobody wants to see the truth. Everybody wants to have the fantasy. When I look back at the books I was reading in my childhood were selling some sort of fantasy as well. Most stories are not going to tell the deep suffering of every day. No book prepared me for the suffering I would experience in life because the word "suffering" does not even describe what the suffering is. No story is going to tell you that, and no words can tell you that.

I've been drawing authors and politicians for newspapers for many years. I try to read up on the person; in the case of authors, read one of their books. I watch interviews via YouTube and collect pictures via the Internet.

Sandeep Jauhar’s Doctored is a passionate and necessary book that asks difficult questions about the future of medicine. The narrative is gripping, and the writing is marvelous. But it was the gravity of the problem—so movingly told—that grabbed and kept my attention throughout this remarkable work.

People say, "Look, your book [Tales and Wisdom from Duck Dynasty's Favorite Uncle] is about tall tales." And I said, "No, you don't understand, OK? The book is tall tales, OK, by me. But look, those tall tales are my life, OK? And look, I added some spices in there. That's the five percent. You know the one about the wolves chasing me? The only thing about that - they wasn't wolves, they was coyotes".

When I first began to combine letters other than Hebrew, I read every book in German that came my way, and from these I certainly received according to the nature of my soul.

i really like kingdom hearts its like the best book ever

I'm writing a book and working on my one-woman show, Learning To Be Human.

I was already doing a lot of splendid research reading all the books about ghosts I could get hold of, and particularly true ghost stories - so much so that it became necessary for me to read a chapter of _Little Women_ every night before I turned out the light - and at the same time I was collecting pictures of houses, particularly odd houses, to see what I could find to make into a suitable haunted house.

In the circle where I was raised, I knew of no one knowledgeable in the visual arts, no one who regularly attended musical performances, and only two adults other than my teachers who spoke without embarrassment of poetry and literature — both of these being women. As far as I can recall, I never heard a man refer to a good or a great book. I knew no one who had mastered, or even studied, another language from choice. And our articulate, conscious life proceeded without acknowledgement of the preceding civilisations which had produced it.

From the world of the muse and writing, there will come, hopefully, the book. You're right, for me, that the muse is always female, and the book comes from a separate gender dimension than the concrete male world that, as you pointed out, has been surrounding me since I was an infant.

The body in defense against male appropriation expresses itself through work in writing, and the work in writing produces the book. So it's a different form of creation and generation that may be viewed as creation without male contribution as a component or challenge.

In publishing books and winning awards, it's like you've enjoyed this meal, you know, two months ago. How long can you be nourished by thinking about it? You've already ingested it, and you've excreted it, and that was two months ago. You had this fabulous meal. It's not going to keep you satiated today. You have to go out and get your next meal. For me, that's writing. I have to go out and hunt my next meal.

The inimitable writer Maxine Hong Kingston published a book in 2002 with the title To Be the Poet. However, in contrast to the transformatory distinctions Kingston makes between the conditions of being a prose writer and "the poet," my multigenre impulses incline me to a broader transformation: to be a writer.

[Irony] has everything to do with what Tillie Olsen so powerfully imagined in her short story, "As I Stand Here Ironing" and elaborates on polemically in her 1978 book, Silences, in a chapter first delivered as a talk in 1967. As Olsen clearly saw it for women, my not being a writer was a material consequence of my being a woman - a wife, mother, housewife, and a certain kind of feminist teacher - attentive, one-on-one, face-to-face, nurturing, the kind who receives high ESCI evaluation scores from undergraduates and graduate students.

You've read some of the poems in this new unpublished book [Walker's Alphabet], e.g., the poem "C." I have a number of poems whose titles are letters of the alphabet: A, B, C, D, E, F.