I was in the beginning when [comic book superheroes] started, but not anymore. Now I expect it. I've gotten very used to it.
It is impossible to do a movie exactly the way a comic book is written and drawn, just as it's impossible to do a movie exactly like a novel or exactly like anything else. When you go to different forms of media, you have to adapt.
I do know that people enjoy reading a comic book and saving it and collecting the comics. And sharing them and trading them with friends. That may be something you can't do as easily with digital comics.
... And we talk it out. Lately, I've had Roy Thomas come in, and he sits and makes notes while we discuss it. Then he types them up, which gives us a written synopsis. Originally - I have a little tape recorder - I had tried taping it, but then I found no one on staff has time to listen to the tape again later. But this way he makes notes, types it quickly, I get a carbon, the artist gets a carbon ... so we don't have to worry that we'll forget what we've said.
I think comics will always be around. I think there's something nice about a comic book. People love to hold 'em, turn the pages, fold 'em up, roll 'em up, stick 'em in their back pocket, show 'em to a friend, and say, "Hey, look at this."
Maybe there will always be a market for the regular comic books because you can read [them] at your own pace. You can save them, collect them, [then] go back and read them again.
I enjoy the fact that we have these mobile comics now, which are sort of a cross between a comic book and an animated cartoon.
There's just something that feels nice about holding a comic book!
My next book is on the Salem witch trials. As a small-town Massachusetts girl, this makes me very happy. So does the reunion with documents!
An interesting thing about book groups, it seems to me, is that there is no correlation between a brilliant book and a brilliant discussion. The first seems sometimes even to undermine the second.
I was a little late in the game for Twitter and Facebook and everything because I thought, 'Oh, I don't know. I just don't have time.
A lot of my ideas come from McNally Jackson bookstore. One of my favorite things to do is just go there and look through architecture books and interior design books. Something about the aesthetics of space and beautiful images works with my brain.
Real meditation we get from within or from a spiritual Master. We can never get it from books. From books we can get inspiration or an inner approach to the fulfilment of our outer life. But in order to have true meditation we have to go deep within or follow the guidance of a spiritual Master.
I was lucky enough to know Maurice Sendak, and talked to him about doing the movie. For a while, I was really apprehensive of it, because Where The Wild Things Are is a book I love so much, and I didn't want to add something to it just to be able to make a movie, or put my stamp on it, or something like that.
When I first moved up to San Francisco to write Where The Wild Things Are, I had a couple moments where I talked to somebody, and they're like, "Oh, I love that book. I love this part of it," or, "This is what it means to me." And it's like, "Well, I don't know. I guess that's not what I'm making the movie about." But very early on, I don't know, we sort of let go of that fear.
Get a notebook, my young folks, a journal that will last through all time, and maybe the angels may quote from it for eternity. Begin today and write in it your goings and comings, your deepest thoughts, your achievements and your failures, your associations and your triumphs, your impressions and your testimonies.
Preparation for becoming attentive to Christianity does not consist in reading many books ... but in fuller immersion in existence.
Harriet Beecher Stowe thought Uncle Tom's Cabin was written through her by Another Hand, so little did she know what was going to happen from moment to moment in the book. She herself was amazed at what she was writing.
I've just finished reading a book about the brilliant Margaret Rutherford. She wasn't a beauty, but inside she was absolutely blazing and passionate about her work. She's one of those life-affirming characters.
I'm not a natural reader but there are books I'll read and read again.
People say there's a book in everyone but I'm not sure there is. There might be a pamphlet in me.
People read every thing nowadays, except books.
I never read a book if I'm auditioning for a film based on it. I like to stick to the script only because that's exactly what I have to play.
I've never written a children's book, but when people meet me for the first time and I say I write books, they invariably reply, 'Children's books?' Maybe it's something about my face.
Books are educational; so you can buy as many as you want." Sophie Kinsella, shopping at the Limelight Marketplace