Book Quotes - Page 528

I adore all Agatha Christie's books and turn to them whenever I'm ill or need cheering up.

I don't think anyone sits down and thinks, 'I know, I'll be a chick-lit writer.' You write the book that you want to write and then other people say, 'Oh, that's chick-lit.' You say, 'Okay.' But it's not like you look around and go to a careers fair and there will be someone at the chick-lit author stand.

I was immediately swept up in Ariane's story. Equal parts thrill-ride and love story, The Rules is intense and emotional. This book stays with you long after you finish.

Philately is normally a boys' hobby but for some reason it was in vogue at my junior school. Between the ages of eight and ten I collected avidly. I'd pore over my Stanley Gibbons book, obsessively checking my collection's value. I always hoped I'd stumble across a really valuable one, a Penny Black or an Inverted Jenny, but it wasn't to be.

I've illustrated many children's books and I feel awfully lucky to be able to do something I love so much, and yes, to be able to pay the rent, but there was a yearning to do something more grown up, and something where I didn't have to cater to anyone; I was just waiting for the material.

It's definitely scary to follow a book that's been turned into a Netflix series and found as much success as Girlboss did.

I hope in my book [My Beloved World], that the sense that I really feel connected comes through.

My mom loved the book [My beloved world] and she said to me, 'I never knew you had done so much.'

I had many reasons for writing this book but among them was the hope that every Latino child and adult would find something familiar in it. And my hope is that when they finish reading the book, that they will come away with a renewed sense of pride in our culture and in who we are. We get a lot of strength from that [culture and identity] and we should be proud of it.

When I was a kid, all I liked were books and chocolate.

I couldn't have opened a store without putting books with the clothes. I am still writing as I have always done, and have published my ninth book "L'envers à l'endroit" last year. I am currently working on a dictionary of my favourite words.

People need to get involved in their neighborhood groups and the many housing reform groups that are out there. We need to hold our elected officials accountable and push them to create legislation that protects tenants and keeps people in their homes. Our governments - local, state and federal - also need to allocate resources to enforce the fair housing laws that are already on the books.

I see manuscripts and books that are spoiled for the literary reader because they are one long stream of top-of-the-head writing, a writer telling a story without concern for precision or freshness in the use of language. Some of this storytelling reads as if it were spoken rather than written, stuffed with tired images that pop into the writer's head because they are so familiar. The top of the head is fit for growing hair, but not for generating fine prose.

Sure, kids want to read whatever is the hot book, and of course they want to read fantasy and any kind of speculative fiction, but they also like to read stories with kids that look just like them, that have the same problems as them. And I've noticed that what they particularly want to see is to see those characters prevail. So they don't want sanitized situations. They want stories to be raw, they want them to be gritty, but they also do want to see the hope at the end of the story.

I particularly love where I work because I was born, raised, and still live in the Bronx. I work in a Bronx location, so it's very fulfilling to me to be working in my home borough, and working with kids that are a lot like me and who can see themselves in me. My own teaching philosophy is to expose them to books that they might not otherwise read, particularly authors of color, authors whose stories are based in New York City.

I love giving people advice on what to do with their books, but I don't really know how a Kindle Single gets covered.

We're historians and above all want to write about what was. Our book doesn't deal with legacies. It also wasn't our goal to destroy a legend. We consider Walesa to be a national symbol. He led Solidarity and remains an icon. But he also worked with the secret police under the name Bolek. The truth isn't always simply black and white.

past is like a histroy book were we can learn what weve done in it.

It's the originality of Pauls Toutonghi's voice and vision that makes this such a remarkable novel. Toutonghi is a true daredevil of a writer, and this fantastically hilarious and affecting book will have you on the edge of your seat.

With Salvage the Bones, Jesmyn Ward has written the best sort of novel-a beautiful, important book that's both unflinching and tender, heartbreaking and triumphant. A lyrical and riveting testament to the strength of the human spirit, as well as the power of family and community. Ward's paragraphs are like songs, lifting us even as the authenticity of this world and these characters keeps the ground in clear sight. This is an extraordinary book by an extraordinary writer.

Whenever I sign books, I get this line over and over again from men: "I don't read fiction, but my wife does. Would you sign the book to her?" What are those men doing there? And where are their wives?

Good books, written by men or women, are ones in which you lose consciousness of the person writing the sentences.

Great books are the ones that are urgent, life-changing, the ones that crack open the reader’s skull and heart.

There is no man who has not some interesting associations with particular scenes, or airs, or books, and who does not feel their beauty or sublimity enhanced to him by such connections.

Fortune has dealt with me rather too well. I have known little struggle, not much poverty, many generosities. Now and then I have, for my books or myself, been somewhat warmly denounced -- there was one good pastor in California who upon reading my Elmer Gantry desired to lead a mob and lynch me, while another holy man in the state of Maine wondered if there was no respectable and righteous way of putting me in jail.