Writing Quotes - Page 944

When Paul [Greengrass] was writing, he'd send me story ideas that he had. He was particularly interested in social movements and revolutions that had been happening all over the world, and how computers and the internet had helped those movements. He encouraged me to read a book about Anonymous, the hacker group called "white hat" hackers, meaning they're driven by ideology and social disruption as opposed to just greed.

Actors can write and produce too. Then when I was working on Jason Bourne­ - having had that experience - instead of going back to my trailer and being separate from everyone else, I would sit behind the monitor and watch Paul Greengrass work and be much more included in the process. That was new for me and really enriching.

It's not my job to critique the writing. I'm there to serve it. I had to figure out a way to make it work.

Bill Pullman is older than Aaron Eckhart - although I was older too - and the age difference changes the play. My perspective on those issues had changed a lot. Without going into nerdy details about that play, there was something that still stuck with me. I still had the same joy in that dialogue and David Mamet's rhythm in terms of his writing. I felt like there was still something to explore.

Antiques to Die For sets the gold standard for the classic contemporary cozy. Agatha-finalist Jane K. Cleland's writing is top-notch; her plotting and pace smooth and assured. This antiquing series is in mint condition!

I was pregnant with my youngest child at the time, writing about mass death while I'm growing this precious little life inside me. Here I am, worried about everything I eat and drink and whether I walk past a smoker, and meanwhile I'm writing about an event where almost three hundred children were slaughtered. Most were never identified and are buried in a mass grave in Oakland. It was surreal. But it felt good to give Jim Jones's victims a voice, especially ordinary church members.

Happy endings are all I can do. I wouldn't know how to write anything else.

The biggest challenge of my career, which is something that authors of genre fiction face all the time, is writing something fresh and new and at the same time meeting reader expectations.

To this day, The Duke and I remains particularly close to my heart; I felt it was the novel in which my writing took a huge leap forward.

Thou Shalt Not Covet Thy Cousin‟s Wife. Moses must have forgotten to write that one down

For me, the dialogue is the easiest part of writing. It just always seems so obvious what a character will say. Maybe its because I talk too much!

When a man writes a romance, the woman dies. When a woman writes one, it ends all tidy and sweet.

The point is the 'me' that you see before you is not the 'me' in my private little space, shape-shifting into the writing role, nor is it the 'me' that works with the actors. Here, at the end of the film doing interviews, I feel like I'm in disguise.

I think striking the right tone for your story is, if you like, the alchemical work of writing.

Writing fiction is a resolutely solitary pastime, and I love being with people, so the public side of being an author is, to me, the reward for all the private time invested. And I love teaching to a fault; I have a hard time not giving away a lot of my own writing energy to my students.

Sometimes ... it takes me an entire day to write a recipe, to communicate it correctly. It's really like writing a little short story.

When writing becomes too dominant, it gets leached of its own power. We spend more and more time writing and we have less and less to write about.

Left to it's own devices, writing is like weather. It has a drama, a form, a force to it that shapes the day. Just as good rain clears the air, a good writing day clears the psyche. There is something very right about simply letting yourself write. And the way to do that is to begin, to begin where you are.

Writing is an act of cherishing... It is an act of love.

While there is no quick fix for instant, pain-free creativity, creative recovery (or discovery) is a teachable, trackable spiritual process. Each of us is complex and highly individual, yet there are common recognizable denominators to the creative recovery process.

When we put the pen to paper, we articulate things in our life that we may have felt vague about. Before you write about something, somebody says, 'How do you feel?' and you say, 'Oh, I feel okay.' Then you write about it, and you discover you don't feel okay.

Writing is a spiritual practice in that people that have no spiritual path can undertake it and, as they write, they begin to wake up to a larger connection. After a while, people tend to find that there is some muse that they are connecting to.

When it was suggested that I write a memoir I said, 'I'm not old enough. I'm not distinguished enough.' But I went home and sat down to write, and the material for the book just came flooding into my hands.

To write is to right things. A path will emerge.

Did you write today? Then you're a writer today.