But it's clear to me that us slow-poke writers are a dying breed. It's amazing how thoroughly my young writing students have internalized the new machine rhythm, the rush many of my young writers are in to publish. The majority don't want to sit on a book for four, five years. The majority don't want to listen to the silence inside and outside for their artistic imprimatur. The majority want to publish fast, publish now.
In '94, I started writing a novel about an enormous terrorist act that destroyed the United States. The novel takes place twenty years after this destruction, with all the stuff that we're dealing with now - a dirty war, the disappeared, the concept of terrorism. Anyway, 9/11 happened some years into the process, and I was like, OK, I don't have a novel.
It took me sixteen years to write.
Music saved my life. I mean, music is life. It is everything to me. It's why I can meet people - I was so shy as a kid, and when I started to write songs and perform them with my sister in front of the public, people started to talk to me, and that made me feel really good. Everything about it has always been positive.
The music of language became extremely important to me, and obvious to me. By the time I was seven I was writing myself. I was a poet
I'm more focused or try to be more focused on my acting and writing and comedy and let the other stuff fall where it may.
Writing pilots is such a specific thing. It's not even really writing TV shows. A pilot is its own beast.
When I read students’ attempts at creative writing it is obvious immediately that most of them have not read much or widely. The aspiring writer must read everything he or she can to appreciate the myriad ways words are used and to what effect.
When I first started, I wrote some songs with Linda Perry. She's so instrumental in a lot of artist's lives, listening to you and then helping you write songs that are you, that bring the most of what you are out, whereas a lot of producers might put their stamp on you. I gained confidence because I'm less of a straight-up, traditional vocalist.
I can write a song in the back of the bus, where I am right now, or in my living room, and I can perform it that night and have an instant reciprocal exchange - an emotional, impactful exchange - and it's a less technical medium. It's a pure expression from my soul to other souls.
I have stories that I'd like to maybe one day consider directing, but you need a lot of time to write and put it together.
Why should I be polished and improved like goods for sale? I might not even want to marry! And besides, I have many skills. I can read and write and play the flute and harp. Why should I change to please some man? If he doesn’t like me the way I am, then he can get some other girl for his wife.
Thoughts fly and words go on foot. Therein lies all the drama of a writer.
Let us hope that good authors who are bad Christians will find salvation through the books they write.
In terms of feminism, I would just ask young women to keep an open mind about it and try to learn about it before they write it off or believe the negative stereotypes that surround it. Feminism can help you on a personal level, it can offer you an incredible community of brilliant and impassioned people, and can change the way you see the world if you just open yourself up to it. I think that goes for all causes as well.
I do find it therapeutic, writing about stuff that was frightening and painful as a child, and managing to see it from an adult's point of view. To get it out of the closet onto paper, metaphorically speaking, is therapeutic.
The biography I've written about Wendy Wasserstein will almost invariably be different than the one anyone else would write.
People say like, "I don't know how you do it. You must get no sleep." I actually do get the right amount of sleep every night. That's my rule. But if I'm writing until six in the morning I sleep until two in the afternoon and it's the only thing that keeps me healthy and sane.
The kind of true-life writing that is fun to read - that makes an ally of the reader - is the kind that you are so nervous about putting down on paper that you lock the Word file with a secret password and encrypt it - and all of it.
Having been an editor for more than a decade, I thought I had a good idea of how much work was involved in writing a novel. I was wrong! Writing is a lot harder than I ever imagined - but worth it.
I have wanted to write from a young age, but working with so many gifted authors and editors over the years has taught me so much. I doubt I would be where I am today without that amazing experience.
I am asked to submit a 2-3 page synopsis to my publisher ahead of time, so by the time I begin writing, I have a fair idea of where the story will begin, the main conflicts, and the basic ending point. But that still leaves plenty of room for changes and discovery along the way.
I find research fascinating and always conduct some before I begin writing, and then fill in the rest as needed. I read stacks of books and also had the opportunity to travel to England to do more research.
I like writing about friends.
I just really enjoying creating in general; I used to also write stories and play music and do different crafts, but illustration ended up being the creative outlet that I focused on for my career. I feel like illustration gives me the flexibility to tackle more abstract or loose ideas, as well as just enjoy the process of putting time into developing a skill.
