Writing Quotes - Page 291

I am not an evangelist. I am not a preacher. I am a musician. That is what I know how to do. I know how to write songs. I know how to write things that relate to my heart. I feel that I talk about God in every song, in everything I do - all of it! I really do not know how to respond. I do not relate to that.

The writing career is not a romantic one. The writer's life may be colorful, but his work itself is rather drab.

We all have a hungry heart, and one of the things we hunger for is happiness. So as much as I possibly could, I stayed where I was happy. I spent a great deal of time in my younger years just writing and reading, walking around the woods in Ohio, where I grew up.

I am not a total, complete nitwit when it comes to selling books. I promise you there will be unexpected things. Some of them I don't know yet. She's writing it all herself.

In the back of my mind was the constant hankering, almost yearning, to write but something always stopped me in my tracks. Or if I did find my way to put a pen to paper or finger on a keyboard I'd give up after a few minutes. I'd find other things to do: Anything but writing.

When you first sit down to write the first song, until you've maybe got three or four under your belt, it's always, to me, like a mountain to climb. You look at that one blank piece of paper and you think, `God, how many songs do I have to write here?' It always feels like pressure.

It's not that you get a cliché and then wiggle it about or use synonyms. You don't take an ordinary decorative paragraph and give it style. What you're trying to do is be faithful to your perceptions and transmit them as faithfully as you can. I say these sentences until they sound right. There's no objective reason why they're right. They just sound right to me.

This (writing) is the love of your life. It's what I want to do when I wake up. Nothing feels so absorbing, so fulfilling.

Sex is hard to write about because you lose the universal and succumb to the particular. We all have our different favorites. Good sex is impossible to write about. Lawrence and Updike have given it their all, and the result is still uneasy and unsure. It may be that good sex is something fiction just can't do - like dreams. Most of the sex in my novels is absolutely disastrous. Sex can be funny, but not very sexy.

In large measure, writing is the spatialization of thought.

I got my first computer in the 6th grade or so. As soon as I got it, I was interested in finding out how it worked and how the programs worked and then figuring out how to write programs at just deeper and deeper levels within the system.

Write without pay until somebody offers to pay.

It is a good thing to write for the amusement of the public, but it is a far higher and nobler thing to write for their instruction, their profit, their actual and tangible benefit.

Often you will find the opposite situation. The author seems to have interesting ideas, but he is not able to illustrate them with decent examples. If a grandmaster is commenting on one of his own games, then there is usually not any problem: his general thoughts are closely tied up with what is happening on the board. But as soon as he starts writing an article or book on a different theme the difficulties begin, as he may not have suitable material to hand.

Actually 'bad' doesn't do justice to my handwriting. Neither does 'handwriting.' 'Desecration of paper' about covers it.

My mother used to do all the things that were important to her after midnight. ... Sometimes I'd sneak downstairs and see her knitting, or reading, or writing letters. I'd think of her as a thief, stealing the tail end of the day, the hours nobody else wanted or used.

There's no "magic secret"; writing is like everything else; ten percent inspiration or talent, and ninety percent hard work. Persistence; keeping at it till you get there. As Agnes de Mille said, it means working every day—bored, tired, weary, or with a fever of a hundred and two.

I started to write songs. And I started to like what I was writing. I think it's a new way for me to express things that are closer to myself than when I play a role, because, of course, it's really not me. I'm finding a new way. I don't know what it's going to be. But I know that I will need to give it to people one day.

I really don't know why people have so much trouble now writing about religious faith. It is true that clichés can override more interesting impulses. But the desire to find meaning, to be generous, to live well in an ethical and spiritual sense, is so widespread that it should not seem alien to people when it is expressed in the terms of traditional religion.

Sometimes I wonder if I'm a character being written, or if I'm writing myself.

I have experienced healing through other writers' poetry, but there's no way I can sit down to write in the hope a poem will have healing potential. If I do, I'll write a bad poem.

I see no reason for calling my work poetry except that there is no other category in which to put it.

I used to feel defensive when people would say, 'Yes, but your books have happy endings', as if that made them worthless, or unrealistic. Some people do get happy endings, even if it's only for a while. I would rather never be published again than write a downbeat ending.

There are stages in bread-making quite similar to the stages of writing. You begin with something shapeless, which sticks to your fingers, a kind of paste. Gradually that paste becomes more and more firm. Then there comes a point when it turns rubbery. Finally, you sense that the yeast has begun to do its work: the dough is alive. Then all you have to do is let it rest. But in the case of a book the work may take ten years.

New Zealand is the only country I know well enough to write about. It can sometimes lead to complications.