Writing Quotes - Page 288

Writers, you know, are the beggars of Western society.

Every story I create, creates me. I write to create myself.

Alimony is the curse of the writing class.

I think it's bad to talk about one's present work, for it spoils something at the root of the creative act. It discharges the tension.

Over the years, I've found one rule. It is the only one I give on those occasions when I talk about writing. A simple rule. If you tell yourself you are going to be at your desk tomorrow, you are by that declaration asking your unconscious to prepare the material. You are, in effect, contracting to pick up such valuables at a given time. Count on me, you are saying to a few forces below: I will be there to write.

I started by writing, with my partner Ed Simmons, a monologue for Danny Thomas, that he performed at Ciro's nightclub in Los Angeles.

I do indeed write on the road. My laptop goes with me everywhere.

It's my language, the language I speak. I've spent a lot more time playing music than talking or writing.

I start with the joke line and write backward.

A slave's soul has no worth, my brothers; it lacks strength to tread on this great earth with gallantry and freedom. I pity the poor slaves, they're nought but airy mist, a light breeze scatters them, a fragrance knocks them down; it's only just they crawl on the earth on hands and knees. Today I'll write a hymn to God and pray for this great grace.

I like writing songs all females can relate to - songs about when you're a chick and you get your heart broken and you go shopping.

Someone's writing down your mistakes, someone's documenting your downfall.

I just want to touch something deep in the heart of humanity. I don't know if that's in movies, producing films, or writing a book, but I'm concerned about our spiritual well-being as a human race. I want to impact people in a way that makes us all reach for our best.

Spero Speroni explains admirably how an author who writes very clearly for himself is often obscure to his readers. "It is," he says, "because the author proceeds from the thought to the expression, and the reader from the expression to the thought.

I wanted to write rather than do anything else. But 'cause I left school at 15, I didn't know what a noun was, still don't.

I became a script writer with absolutely no idea of how to write a script whatsoever. I still feel a bit of an outsider in that regard. If I can maintain that approach to screenwriting, it can continue to be enjoyable.

I get criticized for a lot of what I write about, but as far as I'm concerned I'm actually standing up and having a look at what goes on in the minds of men, and I have the authority to talk about it because I'm a man.

In one of his puckish moods Saul talked the president of a university into letting him anonymously take an examination being administered to candidates for a doctorate in community organization. "Three of the questions were on the philosophy of and motivations of Saul Alinsky," writes Saul. "I answered two of them incorrectly."

The hard necessity of bringing the judge on the bench down into the dock has been the peculiar responsibility of the writer in all ages of man.

My life is not a political campaign. I just write about what is on my mind. I just play whatever I feel like playing. Whatever is in my soul at the time is what I want to do. I have, thank god, enough people who are still interested in what I am doing so that I can go out and keep doing it.

The first book was my first attempt at writing full-length prose.

I knew I had to have a hit. I would get no more chances. Analyzing what they had in common I discovered they had many similar elements: harmonic rhythm, placement of the chord changes, choice of harmonic progressions, similar instrumentation, vocal phrases, drum fills, content, even the timbre of the lead solo voice. I decided to write a song that incorporated all these elements in one record.

People like ourselves may see nothing wondrous in writing, but our anthropologists know how strange and magical it appears to a purely oral people - a conversation with no one and yet with everyone. What could be stranger than the silence one encounters when addressing a question to a text? What could be more metaphysically puzzling than addressing an unseen audience, as every writer of books must do? And correcting oneself because one knows that an unknown reader will disapprove or misunderstand?

You need more than a beginning if you're going to start a book. If all you have is a beginning, then once you've written that beginning, you have nowhere to go.

She decides to make a list of the things that make her happy. She writes 'plum-blossom' at the top of a piece of paper. Then she stares at the paper, unable to think of anything else. Eventually it begins to get dark.