Writing Quotes - Page 1081

I think people always have - not just journalists who help their careers, I think all people struggle with this idea that a female pop artist can write all her songs. Even I do it sometimes, you see a really good female pop artist and you're like, 'I wonder if she writes her songs.' That's never really my first initial reaction to a male popstar.

I think I get certain pleasure from writing what I'm performing.

When I'm writing obviously I have all the nostalgia in the world, I have all the emotion in the world, but then when I actually perform, I need to just perform it, and that's it. I do retain like a little bit of it because I have to, I sing and perform the songs so I have to - it's a performance of the songs - but I just have to get the right balance.

Some people don't have a way of that catharsis and I do, so I'm lucky in that sense that people listen to my songs and enjoy my songs. It's a really important thing for me, it's how I channel everything. I don't really know what I'd do if I didn't write songs.

The only really safe thing to do is to write a diary of where you've been, what time you went to bed, what you ate. If I wrote honestly about everything I think it'd be a disaster. It would cause a lot of trouble.

I record stuff all the time, like little vocal things. I write random things down... Sometimes I just get things stuck in my head and I record them, and that actually becomes a song quite a lot of the time.

Since I met Starsmith, my producer, I really feel like I'm making music because we write it together and produce it together. I've got a proper involvement in the end product as opposed to just writing a song and finding someone else to produce it.

I was super brainy and a proper geek at school, but there would always be a boy. But that sort of obsession did turn me into a songwriter. My writing has always come from that feeling of infatuation.

I definitely write about a lot of dreamy, surreal stuff. I do end up going to a surreal world with my music, but I also like the idea of there being really real stuff as well.

If I've got Writer's Block it generally means that I don't have that much to say or something's not quite connecting. I have had Writer's Block a bunch of times and it's generally because I'm not able to write down what I'm feeling basically. Mostly, I just need to be alone really, or be with someone who can bring that out of me.

I don't really have a style icon but I really admire the way people dress like Gaga, Rihanna and Gwen Stefani. It's good to be inspired by singers who write music and dress incredibly - rather than models and people in the fashion industry who dress immaculately anyway because it's their style.

I'm quite private. And I never wanted to be the biggest star in the world really. So in that sense I've got a good balance of doing great shows, of making an appearance every now and then and writing music, and I don't really have to do much else.

That's what I love about writing. Once you get the words down on paper, in print, they start to make sense. It's like you don't know what you think until it dribbles from your brain down your arm and into your hand and out through your fingers and shows up on the computer screen, and you read it and realize: That's really true; I believe that.

If I did anything 'next,' I would do writing.

I write in order to understand the images. Being what my agent . . . somewhat ruefully calls a language playwright, is problematic because in production, you have to make the language lift off the page. But a good actor can turn it into human speech. I err sometimes toward having such a compound of images that if an actor lands heavily on each one, you never pull through to a larger idea. That's a problem for the audience. But I come to playwriting from the visual world - I used to be a painter. I also really love novels and that use of language. But it's tricky to ask that of the theatre.

Current cant equates fantasy with escapism, and current fashion would have it that fantasy is both easy to read and to write. It isn't. When it is done honestly, by a skillful writer, fantasy takes us far enough beyond our daily perceptions to open us to the essential realities beneath it. This is the true goal of all art.

I have a really good idea of who my readers are and always write with a sensitivity to my audience. I use the F word when necessary, but there are words I won't use, mainly because I don't like them. I don't write about body parts when I write about sex. It's not about the physiological, it's more important for teens to read about the emotional aspects. I do think there are times when self-censorship is important.

Authors have to write for their characters, for who they are, that's the strength of books. Don't worry about censors. Just write the story you need to tell and the rewards will come.

I write books for young adults because I truly connect with them on some very deep level. They are our hope, our future, and inspiring them to be the best they can be is very important to me.

I write poetry anyway and have for years and years. For me, putting fiction and poetry together is like the best of both worlds.

Maybe at 20 you can write well, but I don't think you could do what I do. Some things have to happen to you first.

It is not that fathers are better or worse, not that they are more loved or criticized, but rather that they are viewed with far less intensity. There is no Philip Roth or Woody Allen or Nancy Friday who writes about fathers with a runaway excess of humor, horror ... feeling. Most of us let our fathers off the hook.

You can teach someone who cares to write columns, but you can’t teach someone who writes columns to care.

People have been writing premature obituaries on the women's movement since its beginning.

I had no place in any coterie, or in any reciprocal self-advertising. I stood alone. I stood outside. I wanted only to learn. I wanted only to write better.