Never loan money to friends or family that you are not able to write off entirely.
The biggest problem is that people want to tell the whole story, and they write letters that are way longer than anything I could possibly run.
I do feel haunted by some of the letters and the suffering people have endured. But I keep in mind that the people who write to me know that I am a journalist and an on-line advice columnist, not a social service professional.
I honestly turned to writing because I didn't know what else to do, and because a friend had gently suggested it.
I have been, earlier in my life, a lazy writer. I'd spend three hours at the gym to avoid writing, or I'd just find other distractions - reading, doing laundry, talking on the phone, etc. But suddenly I was like a laser beam: I was relentlessly focused, sometimes to the detriment of other things.
I write one poem a year, usually in January or February.
I love poetry, but I find it so difficult to write well.
I do write fiction, and I find it more difficult, but also more liberating. On the one hand, you can make up the story, but you have to make up the story.
Nonfiction ties your hands a bit, and just like writing poetry in rhyme, it can force you to make more brutal decisions in terms of word choice, plot, etc.
If life ever stops inspiring us to write, it's time to stop doing what we do.
It was the first time, in the West Wing, I had ever read anyone write a Southerner properly. Because Southern women, in my opinion, are complicated and are equally feminine and driven. That's kind of an unusual combination and people usually tend to get it wrong.
I already feel a bit annoyed at myself for writing screenplays. It's a bit, I don't know, model-singer-dancer-actress that went to a posh school. There's something too weirdly predictable about it.
I don't really write journals and stuff and then adapt them to music, it's completely within the form of the song. My great obsession and basically the bane of my existence is caring probably too much about every word, but it's too late to change my career path.
A lot of people get to the point in their careers where blurbs are ghostwritten for them, because they're like, "I want to support this person, it's good for my career," and so they get someone at the publishing house to do it, or they copy something from the press release. People write their own blurbs, absolutely, some huge percentage of the time.
If a woman writes about herself, she’s a narcissist. If a man does the same, he’s describing the human condition. But people seem to evaluate your work based on how much they relate to it, so it’s like, well, who’s the narcissist?
To some extent the shorter the writing assignment is, the harder it is to accomplish, and a blurb is 200 words max. Blurbs are meaningless, and actual people who are buying the books don't care about them at all.
When you write in the third person, you get to imagine other people's interiority.
Nothing trains you better to write fiction than being really good at writing about your own interiority.
When I write, I picture the characters a certain way in my head, and they're not like any actor or actress. It's almost hard for me to let go of my ideas as to the way they look.
I've always loved sister stories in fiction, from the time I was little, reading about Beezus and Ramona. I've always wanted to write a sister story.
I always find something in common with my protagonist, particularly when I write in the first person.
I try to write about real women, real people - in other words flawed characters.
Writing a teen character is something I wanted to try again for a long time!
Inevitably I draw on my own relationships when I write, so if I'm writing about a fight between a husband and his wife, of course I'm going to think about a recent fight with my husband. Or if I'm writing about sisters, of course I'm going to think about my sister.
The problems that other writers encounter are so fascinating to me as a writer and as a thinker about writing. I have found that many times, my students are experiencing problems that I myself have experienced in my work, but the solution is different because they're different people.