My goal is to work. That's the goal of most actors or performers: to work and keep working, and do the best you can, and keep growing and changing, trying to improve your craft.
No price is too high to pay to try to make the financial system go on a little bit longer. But ultimately it can't be saved, because of the mathematics that are involved.
Europe is acting in a very self-destructive manner, but is doing so because it's trying to be loyal to the United States.
Debtors will seek to cancel their debts. Creditors will try to collect, and the more they succeed, the more they will impoverish the economy.
Oil is a special case. Saudi Arabia is trying to drive U.S. fracking rivals out of business, while also hurting Russia. This lowers gas prices for U.S. and Eurozone consumers, but not by enough to spur economic recovery.
The banks' product is debt. They try to tell customers that "debts are good for you," but the customers can't afford any more debt, so there's no way the banks can continue their current business plan.
Johnny Apple, a New York Times correspondent, wrote a front-page story saying Afghanistan could be a quagmire and he was mocked and derided. What is certainly true is that all sorts of resources that would have been used in Afghanistan were diverted to Iraq. Would those resources have helped? Almost undoubtedly. Whether or not Afghanistan would be a peaceful nation-state had we not gone into Iraq I doubt. Afghanistan is going to be Afghanistan, no matter how hard we try to make it something else.
On the set I make jokes I can't get too involved, or it turns into sentimental soup. I try to keep it light.
Pornography, it seems to me, is no different from war films or propaganda films in that it tries to make the visceral, horrific, or transgressive elements of life consumable.
The more successful the work, the more people will step in to try to influence and manipulate the work for their own benefit.
I feel like I leave every single project feeling like I didn't quite do as good as I wanted to do on it, and I have to just look forward to the next one to try and do better. Because you never quite hit the heights you have in your head for what you're going to do. But you learn something each time, which is important.
This has all the appearance of a foreign power trying to undermine structures of legitimacy of an American election. That is a serious matter. If I were the media, I would be wary of using anything that came out of these document dumps which serves the purpose of a foreign power. But, at the very least, Americans have to discount this. This is an attempt to hijack and change American democracy by a foreign power. It can't be accepted.
I've always tried to be an actor who... I just plod on and try to keep my mouth shut, mind my own business. I find the whole thing about people's lives... I can't understand it. I'm always astonished that people want to know anything about me.
After a lifetime of engaging in long, passionate discussions I have come to the conclusion that it is a waste of time trying to convince anyone of anything.
It is not possible to be original by trying to be original - those who attempt this in the arts will be merely avant-garde. Originality is the product of an impulse to intense and overwhelming that it bursts the conventions and produces something new - again more by accident than design.
You see, Momo... it's like this. Sometimes, when you've a very long street ahead of you, you think how terribly long it is and feel sure you'll never get it swept... And then you hurry. You work faster and faster, and every time you look up there seems to be just as much to sweep as before, and you try even harder…, and you panic, and in the end you're out of breath and have to stop-and still the street stretches away in from of you.
There's always that sense of because we're so racially defined, if you're trying to cross the boundaries you don't fit into any particular space.
So they actually put it into their mission statement, and they start changing things as a result. They may change how worship works. They may actively recruit folks and try and get them to come and help them to feel comfortable and get them involved in leadership, and there's a variety of ways.
If we go into white congregations, non-whites will sometimes say it felt like worship never started. It was sort of dead and didn't feel that warmly received. But so - and there are different realities either way, and it makes it difficult for all groups to try and cross boundaries.
And then they would have the shoe removers on one side, and the non-shoe removers on the other side until they could work through coming to understand why we might both be trying to worship authentically, and because of our cultural background we have these different ideas. But it took a while.
What sort of difficulties would happen when people of different cultures try to come together to worship? Tiny little things such as let's tell jokes with each other.
I would love to direct but I feel like directing is a whole separate craft and so I tend to respect it as a separate craft that I would need to study first. So, right now I'm still trying to do certain things as an actor and until I get bored of that or I feel completely fed by that then I'll move into directing.
I have to listen to music while I'm working. Music is essential. It's at the top of the pyramid for me. I've always felt disappointed in what I've made when I held it up to the music I love. I try not to compare them now.
I waste a lot of my time documenting my "search for great esoterica" online. It gets so complicated trying to identify or give credit to all of one's influences.
Even when you're acting with a producing hat, when you're in every scene, you're really conscious of trying to make everybody as good as they are, because ultimately you're trying to make the best movie possible.