New York Quotes - Page 145

Every single American can exclaim, 'Nothing justifies what they did in New York and Washington,' not even the bombs that our government has dropped on them for ten years or the embargo that has caused the deaths of so many children. That's of course true...The issue is simply an acceptance of reality and a fundamental fact of life: When governments do bad things to people, people sometimes retaliate.

Well, painting today certainly seems very vibrant, very alive, very exiting. Five or six of my contemporaries around New York are doing very vital work, and the direction that painting seems to be taken here - is - away from the easel - into some sort, some kind of wall, wall painting.

My taste is very eclectic. I love musicals, but I also love the classics. I've seen some fantastic productions. I was in a musical for 600 performances in Australia that I first saw in New York.

It's fascinating. It's also exhilarating when you see people making the exact same choices that you've made. It kind of validates what you've decided to do. I saw a wonderful production of Jessica Lange doing Streetcar with Alec Baldwin. It was gorgeous. It's a measure of what a great classic that is, that our Cate Blanchett also did an absolute amazing Blanche in Sydney, as well as in New York.

I know that Philadelphians hate New York actors passing off New York accents as Philadelphian when they are quite different.

I started in theater when I was 14 in the Henry Street Playhouse on the Lower East Side in New York. You hustle, you beat the sidewalk, the pavement - audition, audition. I just started working around town everywhere. I mean everywhere - the Village, Harlem, you know. Brooklyn Academy Of Music. Just job after job.

You can't be an actor in a small town-you have to go to New York or L.A.

I love L.A. I mean, in Ireland it just rains all the time, it's crap weather, so it's nice to go to L.A. where it's just sunshine every day, and then it's kinda easier to live a kinda healthy lifestyle. As opposed to New York, where you just drink all day.

And before me was the great raw bulge and bulk of my American continent; somewhat far across, gloomy, crazy New York was throwing up its cloud of dust and brown steam. There is something brown and holy about the East; and California is white like washlines and emptyheaded - at least that's what I thought then.

Besides, all my New York friends were in the negative, nightmare position of putting down society and giving their tired bookish or political or psychoanalytical reasons, but Dean just raced in society, eager for bread and love.

The guy stroked his goatee. "What do you call twenty guys watching the world series?" "The New York Yankees," Butch replied.

I prayed for the city to be cleared of people, for the gift of being alone—a-l-o-n-e: which is the one New York prayer that rarely gets lost or delayed in channels, and in no time at all everything I touched turned to solid loneliness.

I grew up in suburban New York City and London, England, where my dad was working.

I'm street smart. You can't con me. But that's just from living in New York. Now if a guy came from Mississippi somewhere, Ohio somewhere, to New York City for the first time, he don't have the street smarts. You can take him.

I live in New York right now but I'm originally from my daddy's nuts. We all are. Think about, we the lucky ones - we made it. You all are winners. That's the first race you ever won.

The last publicized center of American writing was Manhattan. Its writers became known as the New York Intellectuals. With important connections to publishing, and universities, with access to the major book reviews, they were able to pose as the vanguard of American culture when they were so obsessed with the two Joes--McCarthy and Stalin--that they were to produce only two artists, Saul Bellow and Philip Roth, who left town.

Do you think that Gwendolyn Brooks would give an award to someone who hated Black women, the lie that was circulated throughout New York and reached all the way down to Martinique where I was a guest Professor? The lie was circulated by people who don't read my books.

I was challenged to a fistfight by Margo Jefferson, the Pulitzer Prize winner, New York Times writer, who is part of a feminist clique at the Times, which believes that Black men are the principal threat to the women of the world.

Richard Price got a million dollar advance on one fake film book based on a paragraph outline and is able to seduce gullible White reviewers who know less about ghetto life than he. The New York Times has devoted more space to Price's tourist, ghetto writing than to any Black writer in history.

I am all for cultural diversity and would be willing to see each recognizable group value its cultural heritage. I am a New York patriot, for instance, and if I lived in Los Angeles, I would love to get together with other New York expatriates and sing "Give My Regards to Broadway".

I think, ironically, the media's been good for America, but Trump's been good for the media. He's revitalized The New York Times and CNN - it's never had so much integrity and so much power ever, and that's because being attacked by constant authoritarians and fascists with an agenda has actually got them to sharpen up and to get back to base principles about what the media should actually be. It's also that the circulation boost has removed this horrible, incipient commercial pressure that compromises media.

I tend not to think that anything I happen to be reporting on in my films is special. Meaning that people are always saying to me, 'you must love New York, you have it in all your films.' But mostly it's because I know New York, and I know Brooklyn at this time. I know the lives there, because I have lived in them.

By 1988, I was living in New York myself.

You can survive in New York without much, if you're careful. You have to make your own food at home, and don't buy a lot of clothes.

Miami's never been more than a spit from New York.