New York Quotes - Page 144

New York establishment isn't really a literary establishment. It's just a collection of broken down old newspaper hacks who pass judgment on books that they have not even read, with assuredness of Jehova.

The world is telling you through The New York Times and The New York Review of Books "You must shut up. You must never appear again. Because you are not relevant to us." So you have to fight their attempt to destroy you, fight to continue feeling.

As always, I wonder if I'll get through the winter. Then when winter is over, I wonder about the summer. But that's because the system decided which author shall be commercially successful. As I said, the most vicious of them all is The New York Times, because it pretends to be literary and impartial, and it's really this opinionated, myopic, stupid giant of incompetence.

In New York, it's a little bit more formal, a little bit more decorated, and there's a real appreciation for traditional style. Out here, it's casual, fresh, new, and almost humble.

These big Silicon Valley companies that are popping up are projecting growth skyrocketing in a few years. So they need a space they can grow into. Not so much in New York. Super conservative, super small.

I won’t lie to you—it was hilarious. Yes, we were in trouble, yes, this was a disaster, and so one and so forth, but I have to say, seeing those upturned faces, the looks, was bout the best thing that happened to us since we’d come to New York.

Fang and I searched in every way we could think of and found a million institutes of one kind or another, in Manhattan and throughout New York state, but none of them seemed promising. My favorite? The Institute for Realizing Your Pet's Inner Potential. Anyone who can explain that to me, drop a line.

As a journalist, I never critiqued anyone. I never review books. I've never felt qualified as a musician to say whether someone is a good musician or a bad musician. What happens with Black writers and Black artists is that if you're critiqued, for example, by a Black historian who wants to get his name on the cover of "The New York Times," and he says something, like, wacky, well, he'll get his name on the cover of "The New York Times" and he might get tenure, and your career suffers.

My whole family was - we grew up in New York, but all my relatives and all my father and stepfather's family, they were all from the South. So I like that old Black voice, and I love the sort of old Black man with a corncob pipe, sitting there telling a whopper.

...since I was a little boy, she had always wanted me to go. She was always sending me off on a bus someplace, to elementary school, to camp, to relatives in Kentucky, to college. She pushed me away from her just as she'd pushed my elder siblings away when we lived in New York, literally shoving them out the front door when they left for college.

The will of a wealthy New York woman, in addition to distributing her worldly goods to her children, left them the following advice: Love one another. Hold fast to that whether you understand one another or not, and remember nothing really matters except being kind to one another in the name of Christ and to all the world as far as you can reach.

I love a lot of the New York bands, but Patti Smith stands out. I just read 'Just Kids' and it's an inspirational, well-written account of an emerging New York artist in the late seventies.

When I lived in New York, there wasn't as much TV or film around. I got asked to do a couple of indie films, just based on me being from The Smashing Pumpkins and A Perfect Circle. I did a couple of indie movies from Japan and one from Canada, and I thought it was an exciting, fun thing to do. I had a great time doing it, it was just that, in New York, there really wasn't as much. My studio in New York closed, so I moved out to L.A. and just started looking into composing as another thing to do, as a musician. I like it a lot. It's fun and it's a different way of thinking about music.

Peak oil is already upon us. It is destroying our banking system, that is, our system for marshalling capital, and that is about to put us out of business-as-usual. So, we have to carry on with business-not-so-usual. This could mean anything from your children finding careers in farming (rather than show biz or plastic surgery) to reorganizing households differently to traveling from New York to Boston by boat.

Tiny differences in input could quickly become overwhelming differences in output.... In weather, for example, this translates into what is only half-jokingly known as the Butter- fly Effect—the notion that a butterfly stirring the air today in Peking can transform storm systems next month in New York.

I find it hard to relax. I live in New York.

Since the late 1970's, the main focus of prisons has been punishment, not rehabilitation. It's hard to believe, but you would be hard-pressed to find a meaningful violence-prevention class in a federal or state penitentiary. And 'we the people' are footing the bill to keep these folks imprisoned. It costs on average $46,000 a year to keep an adult incarcerated in California and about the same for New York State.

New York is essentially national in interest, position, pursuits. No one thinks of the place as belonging to a particular state, but to the United States.

I got out of the Army - in my world - I came to New York, for instance, when the civil rights movement was just beginning, and that created a certain energy, a certain rumble, a certain impetus for black actors.

The aircraft that blew up the World Trade Center in New York and the Pentagon in Washington conveyed several messages to the world, of which one of the least remarked is this: the Muslims of the world are suffering.

Osama bin Laden, the Saudi-born revolutionary who is believed by most Arab and Iranian observers to be the inspiration of the attacks in New York and Washington, is the best known of the Islamic militants to have emerged in the past 20 years and the least difficult to fathom.

Well,’ I said, ‘Paris is old, is many centuries. You feel, in Paris, all the time gone by. That isn’t what you feel in New York — ’He was smiling. I stopped. ‘What do you feel in New York?’ he asked. ‘Perhaps you feel,’ I told him, ‘all the time to come. There’s such power there, everything is in such movement. You can’t help wondering—I can’t help wondering—what it will all be like— many years from now.

I knew I wanted to be an actor for a long time, but I was based out of Chicago and then I went to New York and I did 'The Upright Citizens Brigade' out there. I had a two-man show with a guy named Oliver Ralli who's now in the band Pass Kontrol, which is a big band out of New York.

In L.A., if you're in improv, and you're on those stages, all the big agents and managers and producers are watching those shows. They're not flying to Chicago to see the show. People are booking jobs off the stages in L.A. who aren't more talented than the guys in Chicago. But the most guys book out of L.A., and the second is New York.

New York has a great energy, but London is better.