Book Quotes - Page 784

opening the book, i inhaled. the smell of old books, so sharp, so dry you can taste it.

All morning I struggled with the sensation of stray wisps of one world seeping through the cracks of another. Do you know the feeling when you start reading a new book before the membrane of the last one has had time to close behind you? You leave the previous book with ideas and themes -- characters even -- caught in the fibers of your clothes, and when you open the new book, they are still with you.

What better way to get to know someone than through her choice and treatment of books?

Prescription: 'Sir Arthur Conan Doyle, The Case Book of Sherlock Holmes. Take ten pages, twice a day, til end of course.

And sometimes then he sat with us for an hour or so, sharing our limbo, listening while I read. Books from any shelf, opened at any page, in which I would start and finish anywhere, mid-sentence sometimes. Wuthering Heights ran into Emma, which gave way to The Eustace Diamonds, which faded into Hard Times, which ceded to The Woman in White. Fragments. It didn't matter. Art, its completeness, its formedness, its finishedness, had no power to console. Words, on the other hand, were a lifeline.

If you don’t want to cry about the state of the economy, why not laugh instead? This book is an ideal introduction to the subject for anybody who thinks they ought to understand what’s happening around them but is put off by the usual dense text and economics jargon.

So before I start work on a book, I'm like a pregnant mole - I obsessively tidy and order my closets and everything in my study. Because there's such a cascade of images and ideas that I'm grapping with mentally, I couldn't also be in a chaotic setting.

My life has been more influenced by books than by any other one thing.

It's always a better choice to write a new book than it is to keep pounding your head against the submissions wall with a book that's just not happening. The next book you write could be the book, the one that isn't a fight to get representation for at all.

I want to see all the countries in the world and learn all the languages. I want to have thousands of friends and I want all my friends to be different. I want to play six instruments. I want to be the best in the world at two things. I want to be a great athlete and I want to be a great surgeon. I need to practice very hard every day. I need to sleep as little as possible. I need to read at least one major book every week. And I need to remember that my seventy years are going to go by too quickly.

You could tell from the books whether a library was meant for show or not. Books that were used had an open, interested feel to them, even if closed and neatly lined up on a shelf in strict order with their fellows. You felt as though the book took as much interest in you as you did in it and was willing to help when you reached for it.

I don't plot the books out ahead of time, I don't plan them. I don't begin at the beginning and end at the end. I don't work with an outline and I don't work in a straight line.

I read all the time. People ask, 'Do you read while you work?' And I say, 'I better.' I take two or three years to finish one of my enormous books, and I can't go that long without reading.

When you're reading, you're not where you are; you're in the book. By the same token, I can write anywhere.

A general cry of "What book? What book? Let us see this famous book!

Character, I think, is the single most important thing in fiction. You might read a book once for its interesting plot—but not twice.

If you only write for 15 minutes at a time, you can write a book and still have time for Legos.

As a literary device, sugar and pastry carried so many nuances - the sweetness of the past, the danger of overeating and addiction, the political and environmental devastation of plantations - it was just what a book needed.

The daily writing practice is something I used to hear batted around a lot in writing workshops - which is probably why I dropped out of all the writing workshops. I wish I could take credit for innovating a new approach to writing, but the truth is that I've managed to write books despite myself. I'm lazy and ungovernable and undisciplined, but I do have a lot of anxiety about never amounting to anything and ending up as a bag lady.

Every day I try to do some small thing connected to writing. Or I'll station myself at a café and try to hold myself captive with chocolate. I find that writers tend to be dismissive of small amounts of work or time, but they can actually add up. I've written several books in 15 minute increments.

As a kid, I spent every summer bent over a stack of books, obsessively writing detailed reports on each one.

I always say when you write a book, you're a 'one-man band.' Whereas, when you finish a screenplay, it's just a sketch.

We worshipped in the temple of cutthroat competition, and so some cooked the books, because the treasure is so great.

I consider as lovers of books not those who keep their books hidden in their store-chests and never handle them, but those who, by nightly as well as daily use thumb them, batter them, wear them out, who fill out all the margins with annotations of many kinds, and who prefer the marks of a fault they have erased to a neat copy full of faults.

I'm a huge, huge comic book fan. I love the superhero movies so much. If I had to be one of the Avengers, I would go with Thor. I would have to. I just think I look the part too much, and I'm a fan of all of them, but Thor would be something that I think I could put on. I think I could make it happen.