The other thing that I got back then - the Parker novels have never had much of anything to do with race. There have been a few black characters here and there, but the first batch of books back then, I got a lot of letters from urban black guys in their 20s, 30s, 40s. What were they seeing that they were reacting to? And I think I finally figured it out - at that time, they were guys who felt very excluded from society, that they had been rejected by the greater American world.
In the first batch of readers, back in the '60s and '70s, the criminal class was still literate, so I would get letters from people in prison; they thought that I was somebody whom they could shop-talk with, and they would tell me very funny stories. I got a lot of those. Guys who were going to wind up doing 10 to 15 for bank robbery, yes, were reading my books.
The thing that I prefer, when I'm working on a book, is to do a seven-day week, because it's easy to lose some of the details of what you're doing along the way.
All the great naturalists have been habitual walkers, for no laboratory, no book, car, train or plane takes the place of honest footwork for this calling, be it amateur's or professional's.
Readers always seem to think that the author has some control over the design of their books.
I'm a jazz guy and a Bruce Springsteen guy. So I wanted something more current, and edgier, and angrier. So I asked my kid to educate me about hip hop; he has an encyclopedic knowledge of it. And he did so. I found it to be much richer than I would've thought. I think some of the poetry in it is really spectacular. I threw rap into the book. I think I mentioned Kendrick Lamar. I'm really into Tupac these days. I love Nas, N.W.A.
Shane Salerno and I adapted my book Savages together, and I learned a lot about adaptation. I think it's an extremely difficult thing to do; adaptation might even be more difficult than writing an original screenplay. It's so much a matter of choices, making choices of what to leave in. It was an education.
With a 660-page book, you don't read every sentence aloud. I am terrified for the poor guy doing the audio book. But I do because I think we hear them aloud even if it's not an audio book. The other goofy thing I do is I examine the shape of the words but not the words themselves. Then I ask myself, "Does it look like what it is?" If it's a sequence where I want to grab the reader and not let the reader go then it needs to look dense. But at times I want the reader to focus on a certain word or a certain image and pause there.
I've been writing since I was six years old. It's hard to imagine stopping. I would hate to think that I've already written my best book.
I'm kind of surprised that so many of those other books were almost exactly like mine. They even follow the form. There were some books that even copied the stamp. It shows so little imagination.
It's really hard to teach me anything. I can't read music. I never learned how to read music. I read books about things and try to learn - I don't like to learn from anybody. Later on I would, once I'd get the hang of things. Like I ride horses, I'm good at that, Western riding. I learned all about it reading and studying. I'm always learning about horses, I like that.
Jim Rohn's perspective on personal development is simply unparalleled. His books and appearances have touched the lives of untold thousands, and I am pleased to include him among my most admired friends.
Every sentence has a truth waiting at the end of it and the writer learns how to know it when he finally gets there. On one level this truth is the swing of the sentence, the beat and poise, but down deeper it's the integrity of the writer as he matches with the language. I've always seen myself in sentences. I begin to recognize myself, word by word, as I work through a sentence. The language of my books has shaped me as a man. There's a moral force in a sentence when it comes out right. It speaks the writer's will to live.
In my experience, writing a novel tends to create its own structure, its own demands, its own language, its own ending. So for much of the period in which I'm writing, I'm waiting to understand what's going to happen next, and how and where it's going to happen. In some cases, fairly early in the process, I do know how a book will end. But most of the time, not at all, and in this particular case, many questions are still unanswered, even though I've been working for months.
For me, wellbehaved books with neat plots and worked-out endings seem somewhat quaint in the face of the largely incoherent reality of modern life; and then again fiction, at least as I write it and think of it, is a kind of religious meditation in which language is the final enlightenment, and it is language, in its beauty, its ambiguity and its shifting textures, that drives my work.
Things that bring out your emotions are what should be in theaters and in books. That's what art is. It makes you feel things.
Nothing will ever replace the experience of wandering haphazardly through a great bookstore, no matter how many algorithms are developed to find matches for our tastes. That's because not only is there no accounting for taste, there is no predicting it either.
I'd love to develop and star in my own children's show, write children's books, do children's albums, movies, DVDs, etc.
If you can read, you can find books on anything you want. You can self-educate even if you can't afford to go to school.
Everywhere I go, the kids call me 'the book lady.' The older I get, the more appreciative I seem to be of the 'book lady' title. It makes me feel more like a legitimate person, not just a singer or an entertainer. But it makes me feel like I've done something good with my life and with my success.
I wanted to write a book that talked about the emotions of children, which is the rainbow. We all have moods. We talk about being blue when we're sad, and being yellow when we're cowards, and when we're mad, we're red.
I love story songs because I've always loved books.
I never thought, in my lifetime, that you'd be able to watch movies, read books and listen to music from a phone, but I guess the technology of tomorrow is here today.
We give scholarships to high school kids and a new library of books to every preschool child in the county where I was born. I didn't have books at home so I did all my reading at school. I love books and I believe that helping kids to read gives them a great start in life.
I always loved books. I don't remember learning to read, it was just something I always did. I was hungry for knowledge, I guess, and information; I was a curious kid. I still am.
