Book Quotes - Page 728

Jews, Germans, and Allies is an important historical document, especially in light of those revisionists who would impose a universal amnesia about the suffering and losses incurred during the Holocaust. The grim statistics that Ms. Grossmann presents in her carefully researched and well-organized book carry evidence of the terrible truth. But the testimony of the survivors she quotes contains the final, ineradicable facts of history.

My adrenaline started pumping anytime I was within a hundred yards of a bookshop. I loved books nearly as much as I loved clothes. And that's saying something. The feel of them and the smell of them. A bookshop was like like an Aladdin's Cave for me. Entire worlds and lives can be found just behind that glossy cover. All you had to do was look.

When I was young, I really identified with Little Women by Louisa May Alcott, particularly the character of Jo. The book was written at a time when there weren't as many options for women and girls as there are now. Jo really struggled with that. She wanted to write, to work, to help her family.

I don't think I've read any of the books that have been written about me.

If I were just to read briefing books or I were just to engage in the political back and forth, would I have heard what a big problem mental health is in New Hampshire? Would I have heard people say they're really worried about the impact on young people because New Hampshire has the highest tuition and debt problems in the country? i'm not sure I would have.

The facts are - I did say I hoped it [Trans-Pacific Partnership] would be a good deal, but when it was negotiated which I was not responsible for, I concluded it wasn't. I wrote about that in my book.

I have written a book it's called "Stronger Together."

I think it's so important for all of us to be able to see ourselves represented in the books we read and the movies and TV shows we watch.

One of my favorite times was sitting reading quote books, which I did for hours on end.

An uplifting, fat-tastic voyage to self-love, Read My Hips made me realize that I no longer need to be weighed down by constantly judging my body. I devoured this book-it's deliciously inspiring!

Thoth, Hermes, the stylus, the palette, the pen, the quill endure, though our books are a floor of smouldering ash under our feet.

When I began to read as an adult, I read almost exclusively novelists of a generation back. I did the Russians, then I started getting more up to date. When you become published and become a reviewer, piles of books come along and you are pushed by fashion and what you are commissioned to do.

Suppose within each book there is another book, and within every letter on every page another volume constantly unfolding; but these volumes take no space on the desk. Suppose knowledge could be reduced to a quintessence, held within a picture, a sign, held within a place which is no place. Suppose the human skull were to become capacious, spaces opening inside it, humming chambers like beehives.

I was the subject of an experiment in love. I lived my life under her gaze, undergoing certain trials for her so that she would not have to undergo them for herself. But, how are our certainties forged, except by the sweat and tears of other people? If your parents don't teach you how to live; you learn it from books; and clever people watch you learn from your mistakes.

I loved Gore Vidal's Burr. That book gave me courage.

My first book was a historical novel. I started writing in 1974. In those days, historical novels meant ladies with swelling bosoms on the cover. Basically, it meant historical romance. It was not respectable as a genre.

When you become published and become a reviewer, piles of books come along and you are pushed by fashion and what you are commissioned to do.

Though I have never thought of myself as a book collector, there are shelves in our house browsed so often, on so many rainy winter nights, that the contents have seeped into me as if by osmosis.

For myself, the only way I know how to make a book is to construct it like a collage: a bit of dialogue here, a scrap of narrative, an isolated description of a common object, an elaborate running metaphor which threads between the sequences and holds different narrative lines together.

When I came to write my Thomas Cromwell books, I moved onto the center ground of English history, but I was never there before. I didn't feel it was my history particularly, coming from Northern Britain, being of Irish extraction, being a cradle Catholic. The image of England I grew up with felt somewhere else. There was an official England in postcards, but it wasn't one I had visited. But I decided to march onto the center ground and occupy it whether it was mine or not.

Read Becoming a Writer by Dorothea Brande. Then do what it says, including the tasks you think are impossible. You will particularly hate the advice to write first thing in the morning, but if you can manage it, it might well be the best thing you ever do for yourself. This book is about becoming a writer from the inside out. Many later advice manuals derive from it. You don't ­really need any others, though if you want to boost your confidence, "how to" books seldom do any harm. You can kick-start a whole book with some little writing exercise.

Insights don't usually arrive at my desk, but go into notebooks when I'm on the move. Or half-asleep.

If I am feeling broken, I can pick up one of [Ivy Compton-Burnett] books and the next morning I can write again. It puts my mechanism back.

A novel should be a book of questions, not a book of answers.

I've been writing books without ego for a very long time. I feel like it will get what it deserves. Or won't get what it doesn't deserve.