Book Quotes - Page 725

I got a dog-training book. It says Grendel needs mental stimulation, so I tried to train him, but I think he must be retarded.

He put the book down. “As you wish.” He rose and walked past me. I lowered my sword, expecting him to pass, but suddenly he stepped in dangerously close. “Welcome home. I’m glad you made it. There is coffee in the kitchen for you.” My mouth gaped open. He inhaled my scent, bent close, about to kiss me… I just stood there like an idiot. Curran smirked and whispered in my ear instead. “Psych.” And just like that, he was out the door and gone. Oh boy.

What’s the deal with the hair?” Curran tore his gaze from the book and grimaced. “Grows every flare. Can’t help it." We stared at each other. “Waiting for the Fabio joke,” he said.

I know it's late, but could you find a book for me? It's called The Slavs: Study of Pagan Tradition by Osvintsev." Barabas sighed dramatically. "Kate, you make me despair. Let's try that again from the top, except this time pretend you are an alpha." "I don't need a lecture. I just need the book." "Much better. Little more growl in the voice?" "Barabas!" "And we're there. Congratulations!

I suppose anyone who has ever written a travel book has had the experience of being accosted by a reader with blood in his eye and a lawsuit in his voice.

I wasn't bad at school, but I was never a bookworm.

What is the task of the translator? I think the task depends on the book and on the translator.

I've never translated more than one book by any author. But I'm fascinated by translators who have, like Richard Zenith, who's translated so much of Fernando Pessoa's work. I get restless for a new kind of influence. The books I've translated are books I want to learn from as a writer, to be intoxicated by. And translation is an act of writing in itself. It's an act of recreation - of a writer's cadence and tone and everything that distinguishes the voice in the book.

I think we think that American books are funny or they're serious literature. But humor is subversive. When you add an element of absurdism, you can get away with more, work in dark, daring questions you might not have written toward otherwise.

My problem is that I never get through the whole book. I skim through this one, that one, and then the other one.

I feel like I got a whole lot of living to do before I think about summing it up in a book.

If there is a lack of specificity in Grossman's description of the town and the walkers, and if the story perhaps sometimes becomes lost and confusing, then it is because the landscape and its inhabitants are really shadows, creatures of an interior world, whose journey and whose quest are within. Falling Out of Time is short, and clearly a deeply personal book, but its importance and impact ought not to be underestimated.

My first novel was turned down by half a dozen publishers. And even after having published five or six books, I wasn't making enough money to live on, and was beginning to think I'd have to give up the dream of being a full-time writer.

Was it all inevitable, John?" Reeve was pushing his fingers across the floor of the cell, seated on his haunches. I was lying on the mattress. Yes," I said. "I think it was. Certainly, it's written that way. The end of the book is there before the beginning's hardly started.

I like to think that each book I start is a completely new departure But I’ve learned that whatever you do, readers will have no difficulty assimilating it into what you’ve done before.

She had lolled about for three years at Girton with the kind of books she could equally have read at home--Jane Austen, Dickens, Conrad, all in the library downstairs, in complete sets. How had that pursuit, reading the novels that others took as their leisure, let her think she was superior to anyone else?

I am an author, and like many in my profession, I am also a traveling salesman, going all over in an attempt to persuade people to spend twenty-five dollars on a hardcover book by me.

A book tour is not a good opportunity to let your mind wander. You have to pay attention, remember salespeople's and interviewers' names, succinctly summarize your book in a 'selling' way, and so on.

I've already worked on at least a dozen dream books. I'm definitely not starving for something, like, "Agh, if only!" It's the opposite.

It's important to over-deliver on the quality of the books as far as depth and content. It's not worth it to cut out 50 pages just because it would be a little bit cheaper.

The thing that was much harder than I expected was figuring out what to do with 20 tons of books. That led to a lot of trying to move freight with a pallet jack - literally trying to shove a one-ton cube of books into a tiny space.

The dream book is always the next book.

It's not even so much about publicity, it's more just letting people know that things are available, because books aren't a flash in the pan thing. It's more like: "It took 20 years for this book to be done and now it'll be on a shelf for 20 years until the right person finds it."

God forbid that I should ever suffer the shame of publishing a book for money, or of having one of my family so demean themselves. How can one tell who might read it? No worthy book has ever been written for gain, I think.

I believe that Fairport, in all its incarnations, has almost single-handedly been responsible for and has written the book on the history of the evolution of folk-rock in the UK. Over the years Ashley Hutchings, with his Albion Bands and Richard through his solo work have carried the torch to another level.