The boundary between expert and amateur was an imposed social-cultural "protection" which actually exposed a number of women to a fatal disease, because decaying matter, as the fireman said of fire (cited in the book's final piece, "Torch Song") "ain't got no rules on it."
It seems all "protection" has to be monitored, considered, weighed and justified - I am suggesting we do that (but it's something Mary Shelley (and Gertrude Stein) also suggest). "Torch Song," the book's final section, looks at an arson committed by someone hired to protect the wilderness from fires, a catastrophic failure of protection!
I can tell that I shaped the book very deliberately, after a great deal of thought, and that I insisted this piece function as a prologue, but I find the word "intention," confusing ("trust the art," as D.H. Lawrence said, "not the artist"). These speculations are perhaps better responded to by text and reader, rather than author.
The most important aspect of writing the pieces that make up this eighth book was yielding to my obsessive side, letting my own "complicated grief" in on the process. You can imagine how tempting it is to try to fight the part of you that loops and loops, caught up in tangled sorrow from which it seems there's no escape.
The relationship between book and reader is intimate, at best a kind of love affair, and first loves are famously tenacious. [...] First love is a momentous step in our emotional education, and in many ways, it shapes us forever.
If we weigh the significance of a book by the effect it has on its readers, then the great children's books suddenly turn up very high on the list.
Adventure,' then, is what might otherwise be called hardship if it were attempted in a different spirit. Turning a difficult task or a perilous journey into an adventure is largely a matter of telling yourself the right story about it, which is one thing that Lewis's child characters have learned from reading, 'the right books.
Do the children who prefer books set in the real, ordinary, workaday world ever read as obsessively as those who would much rather be transported into other worlds entirely?
I've always loved books by the Bronte sisters. I love Jane Austen, too. I'm more influenced by people like her than by pop culture.
By connecting with one's Divine Self, Carol Whitaker has captured the essence of transformation from within. Like a diet for the mind, Ridiculously Happy! guides you on a spiritual journey allowing you to harness the power of the mind, body and spirit to achieve a level of mental and physical wellness one may not have thought possible. I'm a big fan of energy therapy and love that Carol shares the EFT tapping technique which anyone can quickly and easily use to find peace and healing in their lives. This book is a must have!
In fact, I think every book I've written has been inspired by a real event.
At school I was always trying to con my teachers into letting me act out book reports instead of writing them.
I was 8 years old when I went across the street from my house to a fair, and they always had a used book sale. For a quarter I bought a book called 'Come On Seabiscuit.' I loved that book. It stayed with me all those years
The National Book Festival is a great way for families and friends to share the creative works of some of America's most-loved authors, .. Readers of all ages can listen to favorite writers speaking about their books, have books autographed, meet many storybook characters and enjoy a day on the National Mall.
I turned to books for comfort. (Former First Lady, Laura Bush)
As long as we have books, we are not alone.
Black people were very angry with me for writing the book. A lot of people didn't believe me, or didn't want to believe me, and that used to really bother me. It was a very painful and difficult time.
If you're selling information - and I have a lot of friends who write a lot of bestselling books and they're selling information. They don't need to have a picture on the cover at all because they are not important. They're secondary to their information. To me, the information is secondary to me.
I think shorter books are going to become more and more of the trend. So I don't think you have to write big, big, long books.
I look at what's going on in our society and what's pissing me off at the moment and I just get my basic gut reaction to that and that gut reaction usually becomes the title of the book.
The premise, to me, is the most important thing that you have to know going in. It's the problem as you see it. So I write down the problem as I see it. That is the premise for my book.
I think it's more helpful to keep your books sort of a singular focus. Get it said, get it said well, fascinate people with your words and then write another book.
I have people who buy my books just so they can sit them around and show them off because of the titles, especially the Shut Up, Stop Whining and the Grow a Pair. So the title is very, very important.
You can't write a book and just expect it to sell itself, you know. We're not building that better mousetrap and waiting for the world to beat a path to our dear. You've got to build a market for your book.
I think you have to read a lot. I think if you're going to write about something you better have read at least 100 books on that topic.
