Book Quotes - Page 649

A book is one of the most patient of all man's inventions. Centuries mean nothing to a well-made book. It awaits its destined reader, come when he may, with eager hand and seeing eye. Then occurs one of the great examples of union, that of a man with a book, pleasurable, sometimes fruitful, potentially world-changing, simple; and in a library...witho ut cost to the reader.

Unless their use by readers bring them to life, books are indeed dead things.

Books are islands in the ocean of time. They are also oases in the deserts of time.

The visual world has blown up, the world of writing has blown up; there's so much text online. Anyone and everyone can express themselves. It's a lot to think about as an artist. Also, that the persona of the artist might actually be of some importance. When I came of age, it was important to be quiet and hang back and be mysterious. I knew artists who didn't even want to show up at their own openings. They never wanted to have their picture taken, didn't want to autograph a book, didn't want to answer a question. I came of age in a world where it was "Let the work speak for itself."

I was fifteen when I first met Sherlock Holmes, fifteen years old with my nose in a book as I walked the Sussex Downs, and nearly stepped on him. In my defense I must say it was an engrossing book, and it was very rare to come across another person in that particular part of the world in that war year of 1915.

Now, I'm as appreciative as the next obsessive-compulsive recovering-academic of the vast riches of material becoming available online, thanks to all those Google scanners crouched in the basements of libraries around the world, madly feeding books through their machines. I download obscure tomes onto my iPad and give thanks to the dual gods Gates and Jobs, singing hymns to all the lesser pantheon of geniuses. But there's nothing like a book.

Justin Halpern tosses lightning bolts of laughter out of his pocket like he is shooting dice in a back alley. In one sweep of a paragraph, he ranges from hysterical to disgusting to touching--and does it all seamlessly. Sh*t My Dad Says is a really, really funny book.

Books are to me as homemade tattoos are to an inmate. Can't get enough of them.

Mo Willems was so helpful. I had met him a number of times, and I knew from his books how funny he was, of course, but it was really neat to be able to have his feedback. He's so great with comic timing. Working with him was like taking a master class in comic timing, because he could pinpoint right away if a section wasn't working. I remember him saying once, "No, you need a beat between this page and this page," and it was like, oh yeah, of course. I hadn't seen it, but being so good at what he does, Mo noticed it right away.

I had to keep the text pretty spare compared to what I would typically do in a picture book. My picture books have a lot of little jokes and asides that aren't necessarily part of the main story.

My questions did surprise some people. Others didn't bat an eye. That happens with all my books - I'll read them in a certain mood and think, "Gosh, what was I thinking that day? This is really kind of odd." But on other days it seems totally normal to me.

I was pretty nervous when I met Robert Kirkman. It's very strange to meet someone who created you. Andrea [ from The Walking Dead] is still very much alive and kicking, seven years into the comic book, so to meet Robert and be like, "Hi, I'm Andrea," I had to just hope that he was happy with the decision.

If I can write a book that will help the world make a little more sense to a teen, then that's why I was put on the planet.

None of [the books are] worth reading. There are no fairy tales, no faerie tails, no sword-swinging princesses or lightning-throwing gods.

I watch some kids ask the cafeteria ladies to sign their books. What do they write: "Hope your chicken patties never bleed?" Or, maybe, "May your Jell-O always wiggle?

Censoring books that deal with difficult, adolescent issues does not protect anybody. Quite the opposite. It leaves kids in the darkness and makes them vulnerable. Censorship is the child of fear and the father of ignorance. Our children cannot afford to have the truth of the world withheld from them

To me, feminism in literature deals with the female characters being in some way central to the thematic concerns of the book, or that they are agents of change to some degree. In other words, the lens is focused deeply and intensely on the female characters and doesn't waver, which allows for a glimpse into the rich inner lives of the characters.

Start locally and build. Start small and grow. Start in your house, then move to your school, your book club, your gym, your church, your temple, your city.

People who were born alone are defined by feelings like "Who's gonna be with me when I die? Who will ever understand me? Will I always feel so alone? Maybe if I write a book..." and you forget that that doesn't help you so much.

I have written a few children's books. The first book that I wrote was for children. It was called "The Package", and it was a mystery story in pictures. It had no words.

One of the most extraordinary examples in recent decades [of unitary visions of constitutional enterprise] is found in a book called "Takings"... Epstein makes an extremely clever but stunningly reductionist argument that the whole Constitution is really designed to protect private property... Can a constitution reflecting as diverse an array of visions and aspirations as ours really be reducible to such as sadly single-minded vision as that?

Upon looking back from the end of the last chapter and surveying the texture of what has been wrote, it is necessary, that upon this page and the five following, a good quantity of heterogeneous matter be inserted, to keep up that just balance betwixt wisdom and folly, without which a book would not hold together a single year.

To write a book is for all the world like humming a song.

That of all the several ways of beginning a book which are now in practice throughout the known world, I am confident my own way of doing it is the bst-- I'm sure it is the most religious-- for I begin with writing the first sentence-- and trusting to Almighty God for the second.

To write a book is for all the world like humming a song—be but in tune with yourself, madam, 'tis no matter how high or how low you take it.