Book Quotes - Page 639

Yes, I know, shaming, isn't it? I always say you can take the girl out of the 80s, but you can't take the 80s out of the girl. Before I wrote my first novel, I was reading one of the self-help classics – and it's as cheesy as you like, so feel free to laugh, Guardian readers – called Awaken The Giant Within, by Tony Robbins, and it inspired me to try. I like motivational books, because I like the go-getting American spirit – your destiny is in your own hands, life is what you make it, don't accept your limitations, jump before you're pushed, leap before you look.

People have one of two extreme reactions to my book. They either throw it across the room, or they rush out and buy 10 copies. The message I'm giving out, that what we think about becomes true for us, and negative thoughts mean good things don't happen, isn't always easy for some people to take.

[On her and husband Michael Dorris:] We both have title collections. I think a title is like a magnet. It begins to draw these scraps of experience or conversation or memory to it. Eventually, it collects a book.

I always have some way of putting the stories together that works for the book. I've always switched points of view in my books. I'm a Gemini.

She had always been a reader… but now she was obsessed. Since her discovery of the book hoard downstairs from her job, she’d been caught up in one such collection of people and their doings after the next…The pleasure of this sort of life – bookish, she supposed it might be called, a reading life – had made her isolation into a rich and even subversive thing. She inhabited one consoling or horrifying persona after another…That she was childless and husbandless and poor meant less once she picked up a book. Her mistakes disappeared into it. She lived with an invented force.

You really need to approach each book as if you have been a failure. . . . If you start to believe your flap-copy, you're finished as a writer.

I am at the bookstore a lot, but let my friends, the professional Birchbark Books staff, handle the day in and day out.

I bought a selection of short, romantic fiction novels, studied them, decided that I had found a formula and then wrote a book that I figured was the perfect story. Thank goodness it was rejected.

Don't write the book you think publishers want to commission. Plenty of other writers will be doing the same thing.

I shall keep my book on the table here, and read a little every morning as soon as I wake, for I know it will do me good, and help me through the day.

I'd have a stable full of Arabian steeds, rooms piled with books, and I'd write out of a magic inkstand, so that my works should be as famous as Laurie's music. I want to do something splendid before I go into my castle,-something heroic, or wonderful,-that won't be forgotten after I'm dead. I don't know what, but I'm on the watch for it, and mean to astonish you all, some day. I think I shall write books, and get rich and famous; that would suit me, so that is my favorite dream.

books have been my greatest comfort, castle-building a never-failing delight, and scribbling a very profitable amusement.

I'm no good at describing my books. 'Holes' has been out now for seven years, and I still can't come up with a good answer when asked what that book is about.

One thing has always been true: That book or that person who can give me an idea or a new slant on an old idea is my friend.

Today you can buy the Dialogues of Plato for less than you would spend on a fifth of whiskey, or Gibbon's Decline and Fall of the Roman Empire for the price of a cheap shirt. You can buy a fair beginning of an education in any bookstore with a good stock of paperback books for less than you would spend on a week's supply of gasoline.

If we're united, I wouldn't care about a White school board getting me a little something. The hell with the school board; that's the White supremacy board and the White supremacy board wants you reading stupid books rooted in the idea of White supremacy. I don't want a thing to do with White supremacy.

My views about the safety of Jews in the world have not been changed by the work on the Dreyfus affair or, for that matter, by the work I did on Franz Kafka for the book on him I published a year before the Dreyfus book appeared.

I don't know enough about the lower classes to write about them. I don't feel with them, and that could be regarded as a defect, a limitation of my imagination. I could put myself in their position, but not politically. The idea of writing a story or a book about somebody completely devoid of appreciation of anything I care about is completely foreign to me.

I wish I had a talking book that told me how to act and look, a talking book that contained keys to past and present memories

I mean, there are peripheral things I do, I do photography, I write plays, I have books published, but that's neither here not there.

There's so many good books, but I'm always like, "I'm sorry, I have five more Faulkners to read, I can't be bothered." Most of the time when you try, you fall on the wrong one.

Home has always been wherever I am. I'm not very attached to walls - or people, for that matter - so I've always loved travelling around. A book in my back pocket, a diary, and a pen is all I need to call any place home.

When I was a book editor, I got used to being told that my tastes were dark or edgy. These are not words that would've occurred to me, but I was told that enough that I have to believe it's true - that I like things that some other people find off-putting or upsetting. My job is to publish stuff that I really, really care about. That might mean that it doesn't sit well with everybody.

I feel, holding books, accommodating their weight and breathing their dust, an abiding love. I trust them, in a way that I can't trust my computer, though I couldn't do without it. Books are matter. My books matter. What would I have done through these years without the library and all its lovely books?

Now that I live in Southern California, my current world certainly speaks to me, and I sense that my next book will have a more American and southerly setting. But that's certainly not to say I won't be back to Leaford.