Book Quotes - Page 637

One of my favorite moments in that book [As Easy as Falling Off the Face of the Earth] was when something happened that I had no idea was going to happen.

I had read [Charles] Dickens's novels were often published serially. I thought it would be fun to write a book, just sitting down and writing a chapter every day, not knowing what would happen next. So that's how I wrote the first draft. And then of course I had to go back and make sure everything worked and change things.

I started thinking about [ what book is going to go next] when I was working on As Easy as Falling Off the Face of the Earth.

Often they do go back and forth the whole way, and I don't know until the very end what the last line of the book is going to be. That was true here - the very last line of the book was the last thing that happened.

With most of my books, there are some parts that pop up right away, and other parts I have to wait for.

It would look like a notebook with dividers, and there'd be different subjects and things [preschoolers] could do, so that they could feel like they were going to school also.

I don't think about it that much, but sometimes I am surprised by that. I sometimes wonder why I didn't turn out to be the kind of picture-book writer who has stuffed animals that go with their books. That would be okay with me.

I creep over to my chair and sit there with my notebook and my thermos of coffee. It's my best time for thinking, because I haven't started thinking about anything else yet, and the thoughts can kind of go in and out of my head.

I made a drawing for a book I'm working . It's a little drawing of a girl who's ashamed and upset and hides in the corner of the closet. It's the kind of drawing that I feel like I'm really good at.

I do a lot with characters' sense of identity. I also like challenging stereotypes, gender roles, things like that. Give me a stereotype or a genre expectation and the first thing I want to do is stand it on its head. In the Nightrunner books I wanted to see if I could create a believable gay hero, one who wasn't someone's sidekick or a victim.

To what or whom does Lizzie Harris direct the imperative title of her startling first book, Stop Wanting? To the reader, the narrator, to desire itself, or to lack? This is a work of complexly, ambiguously layered narratives and identities. The opening poem asserts I want to say what happened / but am suspicious of stories. These lines become an ars poetica for the whole of this painful and exceptional collection in which the unspeakable is stubbornly confronted by a searing eloquence. This is a commanding debut.

Librarians are serious people, seldomgiven to idle jocularity. The reason for this, I believe, is because we are overwhelmed by the enormous number of good books waiting to be read, leaving little time for frivolity. My personal list of must-read books presents a daunting challenge; I can't even imagine the pressure our head librarian must be under.

Joy explodes throughout the book of Psalms like fireworks, and is the most potent anti-missile defense system there is.

I write sets of books, but I've also written a lot of orphans.

I'm one of those writers who, when writing, believes she's god-and that she hasn't bestowed free will on any of her characters. In that sense there are no surprises in any of my books.

The library was open for one hour after school let out. I hid there, looking at art books and reading poetry.

You can't know what a book is about until the very end. This is true of a book we're reading or writing.

When I work on a book, I usually start with a question. And I don't sit around and go "I need to write a book. What's a good question?" It will be a question that's just clanging around in my head.

I'm a girl from Sweden. I took a lot of risks and went to New York by myself when I was 19 just because I read about it in a few books. I came here knowing nobody, having no money, and now I'm doing all these things like making records and videos every day.

I was educated in a deeply kind of un-politically-correct way. I went to St. John's College which is this kind of Great Books school which is equally popular with hardcore conservatives who want their kids to read the Great White Men canon and sort of free-thinking liberals like my parents.

Kate Bernheimer's fiction offers a unique and delicate gift, the tempting mirage of a grace that constantly escapes. The Complete Tales of Merry Gold is an exceptional, lovely book, beautifully enigmatic, speaking a language that mysteriously evokes the unspoken.

I don't pare down much. I write the beginning of a story in a notebook and it comes out very close to what it will be in the end. There is not much deliberateness about it.

Let us read the Bible without the ill-fitting colored spectacles of theology, just as we read other books, using our own judgment and reason, listening to the voice within, not to the noisy babel without. Most of us possess discriminating reasoning powers. Can we use them or must we be fed by others like babes?

Well, in Angel of Hope, Amber ends up going in her sister's stead. The focus of that book and the next one coming out, Angel of Love, is how she finds her way out of her sister's shadow and into herself. That's really what those two novels are based on.

I have always been amazed guys read my books and seem to enjoy them. Because I've raised boys, I like to think I can get inside a guy's mind. I try and make the boys talk like guys, sound like guys and react like guys.