Book Quotes - Page 623

I find writing extremely difficult. I usually have to drag myself to my desk, mainly because I doubt myself. And it's getting harder because I want to improve with every book.

We underestimate teenagers at our peril. Even the dismissive thing out on the street--look at what they're wearing. Then we'll hear stories about how a toddler fell on the tracks, and it's often a teenager who comes to the rescue and walks away because he or she doesn't want any credit. I recognize it because I've written books for teenagers--it's basically that they feel things more than adults do. They want things more than you think. They want things with greater depth than you think they do. Teenagers have got a lot of soul that adults have forgotten they have within themselves.

The paper landed on the table, but the news was stapled to his chest. A tattoo.

Rudy Steiner was scared of the book theif's kiss. He must have longed for it so much. He must have longed for it so much. He must have loved her so incredibly hard. So hard that he would never ask for her lips again, and would go to his grave without them.

Don't be afraid to fail. I fail every day. I failed thousands of times writing The Book Thief, and that book now means everything to me. I had many doubts and fears about that book, but some of what I feel are the best ideas in it came to me when I was working away for apparently no result. Failure has been my best friend as a writer. It tests you, to see if you have what it takes to see it through.

To me the question is always this: if a ray of light came out of the sky and said, "Your next book will never be published - would you still write it?" If the answer is yes, the book is worth writing.

I see how complicated it is to make a film and how many people are involved and I love the fact that I get to sit in a room on my own and the set costs nothing and the actors cost nothing and I'm the director and it's so simple. You just need a pen and paper to make a book. You don't need a huge budget or a gaffer or a best boy.

I look at my first books and am glad they weren't published.... You start writing by imitating your heroes, then you keep the heart of that worship in your work. As time goes by, you get other influences and find your own voice.

She tore a page from the book and ripped it in half. Then a chapter. Soon, there was nothing but scraps of words littered between her legs and all around her. The words. Why did they have to exist? Without them, there wouldn't be any of this. Without words, the Führer was nothing. There would be no limping prisoners, no need for consolation or wordly tricks to make us feel better. What good were the words? She said it audibly now, to the orange-lit room. "What good are the words?

I carried Rudy softly through the broken street...with him I tried a little harder at comforting. I watched the contents of his soul for a moment and saw a black-painted boy calling the name Jesse Owens as he ran through an imaginary tape. I saw him hip-deep in some icy water, chasing a book, and I saw a boy lying in bed, imagining how a kiss would taste from his glorious next-door neighbor. He does something to me, that boy. Every time. It's his only detriment. He steps on my heart. He makes me cry.

A book floated down the Amper River. A boy jumped in, caught up to it, and held it in his right hand. He grinned. He stood waist-deep in the icy, Decemberish water. “How about a kiss, Saumensch?” he said.

Summer came. For the books thief, everything was going nicely. For me, the sky was the color of Jews.

You can't eat books, sweetheart.

All told, she owned fourteen books, but she saw her story as being made up predominantly of ten of them. Of those ten, six were stolen, one showed up at the kitchen table, two were made for her by a hidden Jew, and one was delivered by a soft, yellow-dressed afternoon.

The book thief has struck for the first time – the beginning of an illustrious career.

You cannot be afraid, Read the book. Smile at it. It's a great book-the greatest book you've ever read.

Clearly, I see it. I was just about to leave when I found her kneeling there. A mountain range of rubble was written, designed, erected around her. She was clucthing at a book.

When death captures me," the boy vowed, "he will feel my fist in his face." (31.26)

Only in today's sick society can a man be persecuted for reading too many books.

If you can inspire a kid that's maybe the best part of being a comic book artist.

I'm happy to entertain kids you know. It's my biggest pleasure to like see a twelve year old picking up a book that I did and dreaming about being a comic book artist. That's what the magic is, everything else is just production and a job.

You could probably go all the way back to the first books. I bet people said 'why should you read when you could talk to other people?' The point of reading is that you get to deeply immerse yourself in a person's perspective. Right? Same thing with newspapers or phones or TVs. Soon it will be VR, I bet.

Make no mistake, those who write long books have nothing to say. Of course those who write short books have even less to say.

In a 22-page comic, figuring an average of four to five panels a page and a couple of full-page shots, a writer has maybe a hundred panels at most to tell a story, so every panel he wastes conveying a.) something I already know, b.) something that's a cute gag but does nothing to reveal plot or character, or c.) something I don't need to know is a demonstration of lousy craft.

Twenty-two pages is not a lot of space. Believe me. Having written a bazillion comics, I still find myself more often than nine pages into a script and realizing to my horror that I'm only about a quarter of the way through the story I wanted to tell, and the next thing you know, I'm making fresh coffee and tearing up the floorboards to rewrite.