Book Quotes - Page 622

Amis is acutely, vibrantly sensitive to the different registers of laughter. He knows that it can be the most affirming and uniquely human sound, and also the most sinister and animalistic one. He understands every note of every octave that separates the liberating shout of mirth from the cackle of a bully or the snigger of a sadist.

Richard's bookshelves weren't alphabetized. He never had time to alphabetize them. He was always too busy- looking for books he couldn't find.

Tis easy to write epigrams nicely, but to write a book is hard.

I was once doing a book signing and a man came up to me and said that he gave classes to people who'd been convicted of drunken driving twice. He said he felt that nearly all of those people were what I was describing as sociopathic. Which makes a great deal of sense to me. We always talk about how could you possibly, knowing that you're drunk, get behind the wheel of a car again and do that? Well, you could if you didn't give a half a damn what happened.

Write the book you'd want to read.

I'm a maniacal perfectionist. And if I weren't, I wouldn't have this company... I have proven that being a perfectionist can be profitable and admirable when creating content across the board: in television, books, newspapers, radio, videos.

I prefer always to think that I am creating a book, not a series of stand-alone poems.

The great philosophers of the past who wrote so beautifully - Rousseau, John Stuart Mill - had to write beautifully because they had to sell their work to journals. They had to sell books to the general public because they could not hold positions in universities. Mill was an atheist, and, therefore, could not hold a position in a university.

Relationships are like a book, in that they are for learning.

To us, to the everyday teachers of everyday students, neither of whom is writing the book of the universe but who both have their fullest life only when they align themselves with its truths, working out our own commitment to and our own vision of agape, in however homely or personal a form, is a life long task that both guides us in our teaching endeavors and honors those endeavors at the same time.

If it's one thing we learned from the first book, it's that you don't have to be a prizefighter, or a world-renowned architect, or a concert violinist to have been affected by the power of words.

I find that balancing my life with my work with the kids at St. Jude, working on books, working on my career as an actor and taking time out for my husband and family help to cushion a lot of the blows.

What I had to do was learn how to tell stories with my pictures. At first I didn't even know what that meant because I thought I was already doing it. After all these years of drawing stories and trying to teach it, I think it boils down to a pretty simple rule: it takes time to get to know the characters in a book and the world they inhabit. My first sketches are always horrible. Stereotypical. Contrived. Generic. I have to put in the time in order to deepen them and have it all mean something.

I do believe this to be the over-arching philosophy behind most of the books I've fallen in love with over the years. The more personal and heartfelt the story is for the author and/or illustrator of the book, the more universal the emotion that can be gleaned from it.

It's insane to be a writer and not be a reader. When I'm writing I'm more likely to be reading four or five books at once, just in bits and pieces rather than subjecting myself to a really brilliant book and thinking, "Well what's the point of me writing anything?" I'm more likely to read a book through when I take a break from writing.

I read some books that were the right books for me. I read them and I didn't even notice turning the pages anymore. I thought, "That's what I want to do with my life."

There are two magic acts I want to pull off when I write. One is creating a feeling that when you're inside a book, you believe everything you're reading even when you know it's not true. And the second is an extension of that, which is you know it's not true, you know it's not real, but you believe it anyway. And it's that believing of the story that isn't real that attracted me to writing and storytelling in general.

If you ever write a book, I can only give you one piece of advice. Don't let your parents get involved.

As far as this categorization of books, the way I see it is there are really a hundred-odd categories of books plus one, and on the top shelf at home, I've got the books I love, my favorite books, and that's the type of book that I want to write.

Tears were frozen to the book theif's face.

I try hard and aim big. People can hate or love my books but they can never accuse me of not trying.

I'm not a writer who refuses to talk about a book until I've finished.

I think to be writer you have to enjoy being alone. I was a loner as a teenager and was always drawn to characters in books and films who were at the fringes.

Amplified by the still of night, the book opened -- a gust of wind.

I just want to write someone’s favorite book