But so many books thou readest, But so many schemes thou breedest, But so many wishes feedest, That thy poor head almost turns.
Read widely (in and outside of your own genre), keep a notebook with you at all times. Do something that scares you every now and then. Try to locate your own frequency, knowing that one year your voice is on AM 532 and the next it's on FM 92.8.
There isn't a grand plan at work in the progression of the books with respect to the line. I do want the books to be different from each other, certainly, but I'm more aware of that on the level of theme or structure. I can tell when I'm writing the last of a particular type of poem because the writing is too easy and I start to feel queasy.
I have poetic failures all the time. Many failed poems. I try not to publish those, though some have slipped into each book, since I can't always tell they're failures until later... or I don't want to admit that they are.
When I heard the book (Thomas Friedman's latest) was actually coming out, I started to worry. Among other things, I knew I would be asked to write the review. The usual ratio of Friedman criticism is 2:1, i.e., two human words to make sense of each single word of Friedmanese. Friedman is such a genius of literary incompetence that even his most innocent passages invite feature-length essays.
It is the assumption of this book that there is a typical human nature. It is the aim of this book to seek it. Just like a surgeon, a psychiatrist can make all sorts of basic assumptions when a patient lies down upon the couch. He can assume that the patient knows what it means to love, to envy, to trust, to think, to speak, to fear, to smile, to bargain, to covet, to dream, to remember, to sing, to quarrel, to lie. The 'smile' of a baboon is a threat; the smile of a man is a sign of pleasure: it is human nature, the world over.
You don't want to be slavishly doing the same thing over and over again that everybody else has done, but at the same time, you're conscious of, "This is important. I owe something to my ten year old self right now. I need to respect that." I need for that kid who is obsessively reading comic books, I need there to be something rewarding for him where he's like, I didn't waste my time. I know what this is.
I like to read first thing in the morning. I'm addicted to the Kindle. I read a lot of business books, because I feel like I should figure out how to be a real businessman before someone figures out that I'm not one. I really enjoy reading classics as well, which I try to work in once every two months.
I've conducted an experiment on my kids. Instead of denying them access to media, I've encouraged it. They read comic books, play Nintendo and watch way too much TV.
I love the idea that we put in jokes the kids don't get. And that later, when they grow up and read a few books and go to college and watch the show again, they can get it on a completely different level.
Cormac McCarthy is my favorite author in the world. I love him so much. There's one book that informs me more than The Road - it's called Suttree. That book is a huge influence on me. I'm not smart enough to emulate him, but he inspires me. He never infiltrates my writing directly. He writes incredibly intelligently about people that are marginalized.
My fear is you have to be careful as a writer to not get caught up in social media and blogging, because it can start to feed into your writing time. When you are writing a book, it's such a long journey where the payoff is way at the end, sometimes years away. The payoff of the blog post is today. You get the reinforcement, comments or "likes" immediately. It's appealing. You have to be patient with the book.
When I finish a book, I'll go to that file and look through them. And I'll say, these are three that really excite me and I want to do them next. You have the business part; of those three, is the publisher excited about one? Is the agent?
I feel like I have a lot of novel ideas, but they often come up while I'm already in the process of working on a book. You have to watch out with the slutty new idea.
The second book, which was probably more from a professional standpoint - when I read Junot Díaz's Drown, I was like, Oh my god, you can write these stories and people will actually read them beyond your own little community. This guy's book is blowing up and it seems like [he's writing about] the neighborhood that I grew up in. That was a big deal. I read that in graduate school, so that's when I was really taking writing seriously, but I didn't know you could do it. I didn't know you can actually be an author. It was a weird epiphany.
When you first quit your regular job and you become a full-time writer, you are paralyzed with free time. You have so much free time. When you are at home, you have a guitar. There's a cat. You got to find ways to create an environment when writing is like going to work. Be efficient with the hours you put into the book. So I go there the same time, every day - like 7:30 am - and I leave around 2 pm, or longer, if I have a deadline.
I always thought books were just the canon, things I couldn't identify with. And then I was introduced to really amazing multicultural literature - it was all things I was trying to do unsuccessfully in my poetry. It really just changed everything. I was introduced to authors like Sandra Cisneros, Gabriel García Márquez, Junot Díaz, and a lot of African American literature, as well.
As an author, you go into the school, it gets written about in the paper. It sucks that your book was banned, but you almost benefit from it. The bummer is all of the incredible educators. Nobody is writing about them. They are on the frontlines still, to this day, fighting to reinstate those programs.
The Imperfect Pastor by Zack Eswine might be the most helpful and profound book I've read in years. If you're in pastoral ministry grab a copy.
My weak suit is whatever each reader hates about each book.
Meditation has been really helpful for me and music and great books. Deep down, it's just that I feel a connection to music and books when I can find that other people have gone through similar things.
Unlike life, when books become meaningless, they are making a point.
I was once in love with books. Now they go their way and I go mine.
Modernism: the books are as hard to understand as life itself.
Good books do not make people wiser or happier--only more conscious.
