Book Quotes - Page 617

So for whatever reason those short lines just felt right to me, in my physical self. They were right for the movement of the poems. Some poems in the book have longer lines.

Reading a poem is a real thing, a worthy thing. So to be there right with the reader at that moment is part of the effect of a title like "Poem for" something or other. Matt Rohrer does this a lot in his titles, and I think I might have gotten some of the idea to do this, or at least been reminded of how it can work, from his recent amazing books.

When I write a book, I put everything I have into it; so the more I have, the more the books become. Some people get freaked out by them: mostly the people who believe, mistakenly, that fantasy is about escaping reality. To them I say: If you have a problem with reality, you should be spending more time dealing with your life, and less time reading popcorn fantasy.

I felt slightly snobby about the genre. My pre-conceived notion of the comic book world had been: "Oh, that's nothing that I need to worry about!"

I walked away with a renewed passion for Scripture and I was powerfully reminded that God's Word really is a lamp to guide my feet along this journey of discovering who I am. I hope people will soak in the Scripture that I highlight throughout page after page of 'Hello, My Name Is' book.

I've noticed that most authors who are pastors or speakers write books whose message is derived from a sermon series they did at their church. I guess my process is similar except that instead of a sermon, the genesis of the idea is found in the form of a three-minute song. And many of my songs have been inspired by the true stories and testimonies of people who've written to me from all over the world.

When I saw how much the message of the song resonated with people I began to realize we're all on the same journey of discovering who we are. Why else would the bookstores be filled with self-help books? That's why I wanted to write Hello My Name Is; as a powerful reminder that when it comes to getting to the core of who we are, we simply can't help ourselves. Left to our own devices, we'll wander down a wide road filled with people slapping false identities on us at every turn. I've walked that road, and I don't want to anymore.

I feel like today's culture seeks at every turn to place more and more power in the hands of the individual. Bookstores are lined with shelves filled with self-help books. Facebook, Twitter, Instagram, and every other social media outlets turn our focus inwards, allowing us to fall more and more in love with ourselves, our thoughts, our opinions, our voices.

You either ignore the comic book and make a great movie or you stay very close to the comic book.

Its a very 18th-century thing to have a book broken into several volumes.

...for reading, once begun, quickly becomes home and circle and court and family, and indeed, without narrative, I felt exiled from my own country. By the transport of books, that which is most foreign becomes one's familiar walks and avenues; while that which is most familiar is removed to delightful strangeness; and unmoving, one travels infinite causeways, immobile and thus unfettered.

It's insulting to believe that teens should have a different kind of book than an adult should.

Why not write a book which is as sophisticated as a book for an adult, but is about the concerns that teenagers actually have?

A lot of talent, a lot of the currency that movies used to have, has spilled over into TV. People talk about TV the way they used to talk about movies and, as much as I hate to say it, the way they used to talk about books.

Great books are written from a sense that there is nothing to lose.

I don't want to say that having power is overrated, but powerlessness can give rise to a different kind of authority, and that's the kind of authority that writes books.

Everybody says, TV is great, the writer has so much power. I'm still trying to convince myself that's true. When do the writers ever have power? Ever? They don't. Even in the book industry.

I heard a story the other night about an editor who visited the Iowa Workshop and, when asked what sorts of books she published, replied, "Classic books." One of the students asked her, "You mean like Kafka?" Apparently she said, "Oh, I don't think I would publish Kafka."

I am a total geek. I'm not even a closet comic book geek. I am the comic book geek.

I will not be quoting Hemingway anytime soon, nor will I ever read another one of his books. And if he were still alive, I would write him a letter right now and threaten to strangle him dead with my bare hands just for being so glum. No wonder he put a gun to his head, like it says in the introductory essay.

Books do pretend ...but squeezed in between is even more that is true—without what you may call the lies, the pages would be too light for the truth, you see?

I can't throw books away. My wife is always telling me to get rid of some.

Many of the narratives can only tend to excite ideas the worst calculated for a female breast: Every thing is called plainly and roundly by its name; and the annals of a Brothel would scarcely furnish a greater choice of indecent expressions. Yet this is the Book, which young Women are recommended to study.

I think screenwriter Steve Kloves does such a difficult job. And he does a bloody brilliant job, too. Transferring these Harry Potter books into films and making them coherent is one thing. But making them entertaining, as well, is quite another... He does a tremendous job, and he gets a lot of stick. And it's really unfair sometimes, and I challenge anyone else to do the job he does.

What I do in my book is let people know about these programs.