My books are offered through Podiobooks.com and the iTunes Music Store as free audio downloads. I don't sell them.
I was born Joseph Lane, but when I applied to the actors union, they said they already had a Joe Lane on the books and I'd have to change my last or first name. I had played the character of Nathan Detroit, whom I liked very much, in 'Guys and Dolls,' so I took the name Nathan.
I'm actually reading 'World War Z' again! It's incredibly realistic and it's written as an oral history through interviews with different characters. Max Brooks wrote this book in so many different voices. There are about forty or so. It's incredible. When I finish 'World War Z' I'm going to go back and start again on the 'Game of Thrones' series.
I still buy actual books. The smell, having it in your hands - there's really no substitute.
I was a huge comic book fan as a kid. The only problem I had with comic books is how expensive they got. I didn't have a lot of money, so I had to be very specific about what I wanted to collect. I think they're all somewhere in the basement of my folks' house.
I enjoy the art, and I enjoy drawing. I think my printing to this day looks like the printing right out of a comic book.
I sometimes think about that, when I finish in something big I find it even hard, I feel like I lose an actual noticeable percentage of my reading time. Even on the reader end I find it so hard when a book that I love so much ends, to find the kindness to enter into a new one. Do you know what I'm saying? To find my way in, I feel like even there's that space after. I just love inhabiting a book that hits right.
The thing you start noticing as books go by, is that you become aware not only of a shape of a career, but of your themes and interests. You don't want writing tricks where you make the same joke every time, but you do start to notice what consumes your mind, or what drives you.
I think books can cure cancer and grow back hair. I can't say it enough. For me, that's why it's so syrupy. It's both syrupy and over the top, and overly sincere, and also dead true. What else can I tell you? A writer can't catch a cab half the time, but when there's a demagogue, when there's a government that wants to suppress, there's a reason that writers end up getting in trouble. It's such a subversive form that can really change people.
I taught everyone a very bad lesson at my publisher because they actually gave me deadlines this time and I'm now meeting them. I used to say, "Here's my book; it's six years late." I'm so much faster now, and work differently. With all the years of writing, I think I still draft as obsessively, but I think back to writing. On your first story, you start at draft one. On your second story, you start at draft ten. On your third story, you start at draft one hundred. If you need a hundred and eight drafts, you may write eight instead of a hundred and eight.
I feel like people who become writers are people who have been saved by books.
My four-year-old daughter regularly requests reading Book One [the March] at bedtime; the methods of reading, delivering, and processing the book's content vary according to a kid's age and developmental level, but she's deeply affected by the story, asking follow-up questions for days.
First and foremost, I'm a decorator and product designer. Everything I do, the television shows, the books, that comes from the design work. It's what I love.
In design-speak, 'a library' means a room lined with books, floor-to ceiling, but it all depends on the space you have. You may have a free-standing bookshelf of your favorite books if that's all you have room for.
No, but it is something I really enjoy speaking about. You've got to do something with all the books you've read, so you might as well imagine you've optioned them.
When I was a young person working, everybody was older than me, so I had to kind of keep up. I'd see every movie and listen to everything played, and read all the relevant books. Being an actor, it's kind of your job to know what came before you and how big your feelings are allowed to be.
I was inspired to write this book by those who are sceptical of the power of freedom to change the world.
If you read, your book is kind of your friend, because it's like the book is telling you its story and you're being the listener.
When I'm in London, I love to visit Kensington gardens and just sit in the park and read a good book.
I have students that I tell, "If your book doesn't sell or you can't publish it, write another book. Quit sitting around." The publishing world is a business, but it's not any big deal. An editor is not your guru. Your agent is not your guru.
Friends open the door for me to write. Then I get paid attention to and it allows me to write other books. The Great Spring and the thirtieth anniversary of Bones just came out and while I'm happy and excited about that, I've already finished a new book. That's what practice does. You don't get caught.
I think book publishing is fun, but I also know I've been very lucky.
The odd thing is, that I wrote The Great Spring while I had cancer and it's not about cancer. It was after I was done with cancer that I wrote a book about it.
Read books. They are good for us.
[T]he one thing I want for you is to recognize when you are really singing in writing practice and honor that. Trust that. When you were screaming on the page. Maybe that doesn't make a whole book but that is the true seed.
