Book Quotes - Page 596

Scientific truth is not what any one scientist puts forth. It can be that, but it is generally not. It is the sum of multiple studies that all lean in the same direction in their results conducted by different people at different times of different nationalities with different competitive urges who all end up getting the same result. Then you have an emerging scientific truth, and then you put that in the textbooks, and that will never be shown to be wrong later on.

Putting lessons in young adult books is very dangerous.

A lot of the books that I grew up reading were pretty brutal, like the Redwall books.

If asked to list my ten favorite American fiction writers, Gail Godwin would be among them. In this, her latest . . . she evokes in a short book the long married life of two artists. Evenings at Five is a strong tale of love-after-death.

There are probably a couple of things I'd never write about until everyone I know is dead. And then there's other stuff which nobody would want to read a book about anyway.

I was always determined that one way or another I would force a book on the world, even if I had to resort to writing one about a tabby cat who solves mysteries.

I always save a huge book for a flight, because then you read it at both airports and on the plane and by the time you get home you're a quarter of the way through and it doesn't feel so unmanageable any more.

Plot is tremendously important to me: I can't stand books where nothing happens, and I can't imagine ever writing a novel without at least one murder.

Until I was 16, I read nothing but science fiction. I loved William Gibson and I still do. But my favourite book when I was growing up, for a long time, was 'Snow Crash' by Neal Stephenson, which I must have read about a dozen times when I was a teenager.

I may have a general broad-based idea of what I want to write about when I sit down to write a book, but I don't have any idea of what it's going to say. I would call my experience of creativity 'inspired by God' to produce certain pieces of information that might be useful to others.

I'm calling my book series the 'with God series.' And this next 'with God' book is Friendship with God, which comes out in November. This books challenges us to bring about the end of 'better' on this planet.

Early on, I settled on the first-person strategy as a way to deal with exposition and world-description issues. As long as the book is, it could have been far longer had I gone with an omniscient third-person narrator, or multiple point-of-view characters, since either of those would have enabled me to impart much more detailed information about the history and geography of the world.

I'm strictly a one-project-at-a-time kind of guy. If I came up with a compelling idea for a different book while working on a project, I'd probably abandon the first project and go with the new idea.

What do you do with a textbook case when no one's written the textbook?

How much do you know about the Heartland War?' Connor shrugs. 'It was the last chapter in our history textbook, but we had state testing, so we never got to it.

This book is so interesting. I always wonder what's going to happen next.

Do you know that if you take the books in an average school library and stretched out all those words into a single line, the line would go all the way around the world? Actually, I made that up, but doesn't it sound like it should be true?

During the '80s I wrote Memoirs from the Women's Prison. This is one of my most important books. It came out in Arabic in '83. About my experience in prison.

America is now wholly given over to a d--d mob of scribbling women, and I should have no chance of success while the public taste is occupied with their trash - and should be ashamed of myself if I did succeed. What is the mystery of these innumerable editions of the Lamplighter, and other books neither better nor worse? - worse they could not be, and better they need not be, when they sell by 100,000.

A throng of bearded men in sad-colored garments and gray, steeple-crowned hats, intermixed with women, some wearing hoods, and other bareheaded, was assembled in front of a wooden edifice, the door of which was heavily timbered with oak, and studded with iron spikes.

The evening before my departure for Blithedale, I was returning to my bachelor-apartments, after attending the wonderful exhibition of the Veiled Lady, when an elderly-man of rather shabby appearance met me in an obscure part of the street.

A writer of story books! What kind of business in life-what mode of glorifying God, or being serviceable to mankind in his day and generation-may that be? Why, the degenerate fellow might as well have been a fiddler!

The book, if you would see anything in it, requires to be read in the clear, brown, twilight atmosphere in which it was written; if opened in the sunshine, it is apt to look exceedingly like a volume of blank pages.

When I was about nine years old, I announced to my mother that I was going to cook Thanksgiving dinner. And I went to the library and got this whole pile of books. I'd love to say it all turned out great. It didn't. But, sort of, from that point on, whenever there was serious cooking at home, I was the one who did it.

I credit Podiobooks and the free audio podcasts for helping me develop the audience I needed when I started selling my books in text forms.