Book Quotes - Page 463

You may rely on it that you have the best of me in my books, and that I am not worth seeing personally, the stuttering, blunderingclod-hopper that I am. Even poetry, you know, is in one sense an infinite brag and exaggeration. Not that I do not stand on all that I have written,--but what am I to the truth I feebly utter?

Our manners have been corrupted by communication with the saints. Our hymn-books resound with a melodious cursing of God and enduring Him forever. One would say that even the prophets and redeemers had rather consoled the fears than confirmed the hopes of man. There is nowhere recorded a simple and irrepressible satisfaction with the gift of life, any memorable praise of God.

A truly good book attracts very little favor to itself. It is so true that it teaches me better than to read it. I must soon lay it down and commence living on its hint. When I read an indifferent book, it seems the best thing I can do, but the inspiring volume hardly leaves me leisure to finish its latter pages. It is slipping out of my fingers while I read. It creates no atmosphere in which it may be perused, but one in which its teachings may be practiced. It confers on me such wealth that I lay it down with regret. What I began by reading I must finish by acting.

We have been counseled to "seek . . . out of the best books words of wisdom." It is pointed out in Proverbs, "Wisdom is the principal thing; therefore get wisdom." (Proverbs 4:7.) But in getting wisdom and getting knowledge, above all we should "get understanding." It is important to learn a profession, learn a trade. That applies not only to the young men, but it applies to you young women as well. You girls should place yourselves in a position to be self-supporting and independent in the event that tragedy or an emergency comes, for emergencies have come and will continue to come.

I didn't see a lot of comic books growing up.

For reasons which many persons thought ridiculous, Mrs. Lightfoot Lee decided to pass the winter in Washington.

For me the camera is a sketch book, an instrument of intuition and spontaneity, the master of the instant which, in visual terms, questions and decides simultaneously. It is by economy of means that one arrives at simplicity of expression.

I tell myself it does not matter what one reads-favorite authors, particular themes-as long as we read something. It is not even important to own the books.

I use my awards as doorsteps. Others are in the office or in little cubbyholes in our library – they go between the books, because they actually look like arty pieces

Finding a title for a book is something that I work really hard at ... So, in Salt, I realized that the book was a lot about how people live on the earth together and who has access to the resources of the earth. So salt was a very specific thing that people needed, but it's also symbolic because of the way it comes out of the earth.

I had a perfect confidence, still unshaken, in books. If you read enough you would reach the point of no return. You would cross over and arrive on the safe side. There you would drink the strong waters and become addicted, perhaps demented - but a Reader.

I used to do my own taxes. You know how you buy that gigantic sheet at Staples, add up the restaurants, clothes, and taxis and glue your receipts into the book month by month? The more money I made, the more complicated things got.

I'm quite good at multitasking, but I have to do things immediately. I have a book where I write things down: major topics, deadlines, things like that. Every few months, I start a new book.

Aunt Loretta has something that maybe you could call class. It's not the made-up kind that Grandma has, fake pearls and Sunday hats, but something that comes to you as if you were born to the king and queen. Aunt Loretta understands better than Grandma that reading a big book is more classy than wearing fake pearls watching TV.

One of the best book marketing tips I can give you is simply building relationships - well that and publishing more books.

Be knowledgeable in your niche, provide some information free of charge, and share other trustworthy people's free resources whenever possible.

Like many of the people quoted on this dust-cover, I have not read Carl King's book. I am confident, however, that my review still applies: So, You're a Creative Genius is the best book available on modern cartography.

The world in books seemed so much more alive to me than anything outside. I could see things I'd never seen before. Books and music were my best friends. I had a couple of good friends at school, but never met anyone I could really speak my heart to.

A man is like a two-story house. The first floor is equipped with an entrance and a living room. On the second floor is every family member's room. They enjoy listening to music and reading books. On the first underground floor is the ruin of people's memories. The room filled with darkness is the second underground floor.

It has always been a favorite idea of mine, that there is so much of the human in every man, that the life of any one individual, however obscure, if really and vividly perceived in all its aspirations, struggles, failures, and successes, would command the interest of all others.

I would like to see more new productions of new material by new composers/lyricists/book writers. I would like to see people take more chances. I think because everything costs so much they're not taking the chances they used to.

William Goldman's Marathon Man was a novel that taught me about suspense. I was maybe 16 years old when I read it and I remember thinking, "You could put a gun to my head and I wouldn't put this book down." I loved that feeling - and want to give it others.

I still try to make the "next" book my "best" book. I want to grip and move you in unexpected ways.

Does people not asking me about Asian American literature mean they don't see it as its own literary tradition? I certainly believe in it as its own literary tradition, because your race plays a great factor in how you are seen by the world, and how you see the world; the fact that I'm an Asian American isn't incidental to who I am as a writer. Where it becomes difficult is defining what, if anything identifiable at all, makes an Asian American book an Asian American book, other than the fact of its creator being Asian. And I'd argue that there is nothing identifiable beyond that.

I've begun so late, really only in recent years, to truly love the world... Out of gratitude, I want to call my book on political theories Amor Mundi .