Book Quotes - Page 460

The odor of bowel wind is known to every human, but the fragrance of book glue has crossed only a fraction of mortal nostrils. And yet it behooves us not to judge the unlettered too harshly. We must stay the impulse to write CHUCKLEHEAD above their doors and carve DOLT upon their tombstones.

One of the challenges in writing the script Call Me by Your Name was that I had to find something concrete for the professor to do. In the book he is some kind of classics scholar. But I thought it would be interesting to make him into something of an art historian and archaeologist whose background was the classical world. It's always difficult when someone is supposed to be an intellectual. What do they do? You can't just film them sitting around and thinking all day. And that's what the business of the statues is all about.

I never thought I could write this much and now that it's coming to an end, I feel sad that I have to stop, sort of the way you feel at the end of a really good book and you know you're going to miss the main character. But in this case, the main character is me! Myself. Joe (formerly JoDan) Bunch. —Joe Bunch

Sometimes I wish I were a character in a book and there was a writer out there giving me things to say.

When you are getting on in years (but not ill, of course), you get very sleepy at times, and the hours seem to pass like lazy cattle moving across a landscape.

In a movie, a book, or a play, a character doesn't live in a vacuum. She is subject to pressures from the world outside of her, just like we are in life. These pressures and circumstances shape character. Who your parents are determines your genetic make up: your skin color, your sex, your height, weight. Where you are raised does affect your worldview either positively or negatively, your accent. Your economic class affects where you go to school, what you eat, where you sleep.

No one, who is familiar with the bustle and activity of an American commercial town, would recognise, in the repose which now reigns in the ancient mart of Rhode Island, a place that, in its day, has been ranked amongst the most important ports along the whole line of our extended coast.

It was a feature peculiar to the colonial wars of North America, that the toils and dangers of the wilderness were to be encountered, before the adverse hosts could meet. A wide, and, apparently, an impervious boundary of forests, severed the possessions of the hostile provinces of France and England. The hardy colonist, and the trained European who fought at his side, frequently expended months in struggling against the rapids of the streams, or in effecting the rugged passes of the mountains, in quest of an opportunity to exhibit their courage in a more martial conflict.

The 250-page outline for American Tabloid. The books are so dense. They're so complex, you cannot write like I write off the top of your head. It's the combination of that meticulousness and the power of the prose and, I think, the depth of the characterizations and the risks that I've taken with language that give the books their clout. And that's where I get pissed off at a lot of my younger readers.

I like to have fun out there. I work hard, and then I get to cut loose and go out and tour, and I enjoy it. I like to go out and meet the people. I love to sell books.

I'd never been interested in the Kennedy assassination until '88, when I read Libra. And from that point, I went out and bought the existing Kennedy theory books, most of which are outlandish. But what DeLillo posits - some rogue CIA guys - is the most dramatically sound, plausible explanation for it.

History is a state of yearning. I yearn for Kay Lake throughout this entire thing. There's an essay I've written where I talked about living in the past. There's a whole motif in the book of then and now. And I lived there.

Joe Wambaugh's a friend. I know him only casually, but I like him a lot. I think he likes my books.

I don't want to recover from writing this book [The Onion]. I feel very poised. I feel like I'm with my mother for the first time ever. I feel like I've confronted her, and the confrontation goes on.

My guys are morally weak, and they reach toward a tenuous knowledge of self-sacrifice, and sometimes it's too late. I find that moving. It's not a life I'd want to live. But, then, I'm not completely my books.

You try to learn who you are. You work hard. You've either got it or you don't when it comes to writing books. And you tend to only get these things if you want them, and want them to the exclusion of everything else.

When I look at Perfidia, I think, "That's a Pulitzer Prize winner. That's a National Book Award winner." It's not going to get it. It's going to be shelved in crime and it's just the way it is. I've done something that no one else has ever done; I've started out as a mystery writer, a police writer, and a crime writer, and I became something entirely different.

Stephen Schlesinger’s Act of Creation tells a dazzling story of the dramatic events that have shaped the world in which we live. Never has a book been more relevant to present dangers and future hopes.

We learned that a former prisoner of war had more to teach us about what it takes to find a path to greatness than most books on corporate strategy.

When Gordon the Brown, in London in 1997, commissioned a great inquisition or survey of his new realm, the result was the so-called national asset register (NAR), which was immediately dubbed by the boomers of the UK Treasury "the modern Domesday Book".

Every time I end a book, I look down at myself.

People call books holy, but they are yet to realize that life is holy.

As to how I would guide someone who is confused about the idea of God, I would suggest that he or she begins identifying what one might called "philosophical friends," - people with whom one could seriously examine our thought about God through listening to each other, reading important and useful books together and trying to think for oneself while familiarizing oneself with the ideas of some of the world's great thinkers. Cultivate openness without gullibility and skepticism without cynicism.

Knowledge is not a loose leaf notebook of facts.

I think I have probably adjusted the way I see the world, I interpret the world and I communicate the world into book format simply because of this familiarity. Possibly in another society and another context I might have been a storyteller or who knows what.