I've always considered myself a nonfiction artist.
It's interesting to see the world's fascination with a troubled artist. The artists sure wouldn't share their enthusiasm.
Words in the mind are like colors on the palette of the artist. The more colors we have access to, the easier it is to create a captivating picture on the canvas, and the more practice we give to using those many colors appropriately and uniquely, the more likely we will be to create a masterpiece of self expression.
The artist Nature often achieves greatest effect when not working with a full palette.
The filmmaker Amos Poe was a huge inspiration for me by making guerrilla-style punk films on the streets of New York and - well, it's just a lot of painters and artists and filmmakers all within that scene, and it's very, very important to me.
I think it's every artist's dream to create something that will endure, something that people will listen to until there are no more people on earth to listen to things.
Scott Medlock is the 'Top Gun' of sports artists. He truly is the best of the best.
I don't understand the fashion industry and the appeal of it. I understand that there are some people who think it's important to them, and they're designers, they're artists, but there seems to be a disproportionate amount of our culture that's caught up in that and the red carpet stuff. It seems like there's a disproportionate amount of attention placed on that.
I always feel like it is a privilege to be able to be an artist and to be able to exhibit my work all over the world.
A make-up artist I know polished her Oscar and it lost its lustre. But if you don't polish it, it doesn't tarnish.
A young artist can become popular more quickly with the Internet providing instant access to ones work. That might lead to more opportunity and an accelerated career. But it seems as if funding may be harder to come by and filmmakers are being prompted to give away their work for free in hopes to become part of the conversation.
A young artist can become popular more quickly with the Internet providing instant access to ones work.
In general, I think the best thing to do is to connect with other females. I love meeting other female artists and feeling like we're all rooting for each other. I think that's shifted even more.
I was shaped in college into a performance artist. I never really thought of myself as being one singular thing. I think of myself as an artist and I feel no restrictions when it comes to how I want to portray what I want to portray.
I'm not looking to be the greatest pop star of all time. I want to be an artist. I want to influence people and I want to get people to think about the world, to think and talk to each other and connect. To challenge one another.
I had seen "Force Majeure" and I just love that movie so much. And I really wanted to artistically give a little hello to the filmmakers, and that kind of back and forth dialogue between artists that say, "I loved your movie. I was influenced by your movie. If I didn't have this job, I wouldn't be thinking of that. Do my TV show and then one day I'll make a movie where I can play with some of the visual themes in "Force Majeure."
My original idea- and I still want to do it -for Pinko Records, would be to create a platform for other artists to do the same thing I did. They could create their own levels of donation and final goal. I have no idea how I would make any money on that -but I don't think like that.
The artists who stand out to me have a passion for what they do. There are a lot of people who can sing. It's just like when you go to church and people are singing because it sounds good, not because it feels good. There's a difference.
I think, as an artist, you have to have experienced some deep turmoil, some kind of pain, because that's what connects you with the world. That's what makes it juicy!
I was backstage at the House of Blues in L.A where I was about to perform, and Stevie Wonder and Prince turned up at my dressing room together! Stevie started beat boxing and Prince started singing one of my songs, all of a sudden it was like I was in a cypher with these incredible artists.
I've always been a firm believer that soul music never dies. The artists we still listen to today, years after their music was first heard are mostly soul artists; Donny Hathaway, Marvin Gaye, Chaka Khan. We still sing along to all of them with our hearts.
It does not in the least concern me whether I shall have at the end of my life thirty people who understand or three hundred. I am like an artist who paints a picture because he must, otherwise he is unhappy - not unhappy, but he must obey that creative impulse.
I wanted to be an honest writer and show my ugliness as much as I showed my hopes or goodness. And that really sculpted the type of artist I've become.
Amazingly, I've been sort of an anomaly in the music industry. I feel like I've been able to exist as kind of a throwback artist.
I don't care about being remembered. I'm not a wonderful writer or anything. This should be reserved for people who really did something great. I think it's a mistake to consider the movie director as if they were great artists.
