What I'm good at is making art.
I know the families that I photograph extremely well and have known them for a very long time.
I'd rather get back to making art than talk about it.
I'm an artist that's attracted to a specific way of seeing and a way of being.
They were without clothes before I got there, and they were without clothes when I left.
Before, I'd photograph anything. I didn't think there was anything more or less obscene about any part of the body.
In fact, I don’t believe I’m guilty of any crimes, but I’ve always been drawn to and fascinated by physical, sexual, and psychological change, and there’s an erotic aspect to that.
Being an artist is not exactly the most universally respected, or secure thing to do with your life. It can be frightening and you can feel that you're taking a lot of risks just with your own life, and your family's security. But the rewards outweigh those things.
I think it's what the times are demanding. If you're talking about the popular artists, they collaborate with a lot of different people and it seems to be in vogue now. It probably is indicative of the times.
I love any opportunity to be able to dance. It's in my blood. I mean, I need to do it as an artist. I need to always do it.
It's a very obsessive profession that you need to stay obsessed to get anywhere, and it's very easy for us to get obsessed and then nothing else matters. I was reading Somerset Maugham's novella, Moon and Sixpense, about this artist based on Gauguin's life. It was so beautifully written. You must be first rate because second rate you might not survive. If you're an accountant, you'll survive second rate. If you chance it big, you may not get anywhere.
Some artists see a gig as an audience worshipping them. I think it is about having a great time together. I have a part as the singer. An audience has a part. Playing a gig doesn't make me high on myself.
When I propose a candidate for a job I don't do it because the person in question is the best but because he is the one the client will employ. I provide them with a head that is good enough, placed on a body they want. [...] The world is full of people who pay serious money for bad pictures by good artists. And mediocre heads on tall bodies.
I am a hip-hop artist, as you probably know. My hip-hop name is Big Smalls.
Every artist, to me, should know why they're doing what they're doing. You shouldn't create simply because it sounds good to you. That's not a real response to me.
I'm an artist. And I'm happy that I was there at the commencement of this music, this Jamaican music, to put my contribution and help to establish it.
I visit studios. Just to get the feel, the smell, and see what other people are doing. Not only listening to the radio, but going to studios, greeting musicians and artists, just getting a vibe.
Certain artists have a role to echo the echoes of the people and that's what I'll be doing on my next album.
We need that expression. Whether we want to call it protest or not, we need to express and echo the echoes of the people. Artists need to do that.
The artist draws the people. The whole idea is for people to dig themselves, just mingle around meeting different other people. That's cool.
Many artists I enjoy have a large body of work, and eventually the message is derived out from the sum of its parts.
When I was setting out to be an artist, I said: If I can just produce one work that some people think is good, if I can become an obscure cult artist, that's all I want. Well, I attained that. I'm an obscure cult artist, and I think now, Why didn't I say I want to be another Picasso or something? What other options were open to me? But I was convinced I couldn't achieve great things because I don't have a steady-state mind.
At every show, people I've never seen approach me with the same story: how experiencing my work changed their lives and made them artists or writers or law enforcers or attorneys, believe it or not. It's very humbling and gratifying.
Too many artists and writers have forgotten their roots. I embrace my fans because, in a way, they're family.
I've had far more success than I ever expected. But I do think that a lot of successful artists have an aim to be successful, even if they don't outwardly sound like it. I never really expected success.