Early on, even in college, I figured out that it was just more interesting to me to create content than to write about other people. So that makes it more marketable.
I can't imagine what someone would write that would infuriate me. Maybe if my loved one had died of some disease and someone was insensitive, that would piss me off.
Nobody walks well first, nobody writes well first and nobody cooks well first.
I write all my sermons.
If you can write (and don't kid yourself that you can, if you can't) and you have ideas that are commercially viable and will engage the reader's interest, go for it. Make sure you have something unique to offer. I enjoy the work of writers who give you something you won't find anywhere else.
Writing a book is like loving someone. It can be very painful.
There are people I'm drawn to that you just can't do a tiny, no-budget movie with. I would like to pursue some of that stuff, to see if I could do a movie with some of those people. And I don't really write scripts myself, but if I read a script I thought was really great, I would totally be up for doing a more traditional movie. It's just that I don't exist in that world. right now.
I'm not an angry person. When I write, the lawyer in me tries to make it as easy to read as possible.
As a Republican, I have listened to Democrats talk about the only two times we won the White House in like 200 years that we stole both elections. I had to sit through Fahrenheit 9/11 and a lady was sobbing violently behind me about the election being stolen by George Bush and I patted her half way through and said, 'it's alright, it's alright. It's all a lie anyway.' Democrats have been whining for 16 years, they're still writing articles about how Bush stole the election in 2004 and 2000.
What's so ironic is that CNN's doing reports on fake news, and they have someone who writes one false news story after the next.
It's funny how you can struggle with one piece and write a better one in a minute. When things come easy, it means it's good.
I will be writing to the relevant authorities to complain but I'm wasting my breath.
Having gone through the [Marvel] writer program, I knew Black Panther was in the pipeline and I knew they were big fans of my writing. But I had to compete with the other writers who were put up for it - no one hands out jobs.
I could always write in a wide variety. My moods change same as reader's moods change. I really do love writing the historicals, however, but if that's all I did I would go crazy, same with any of the other kinds of books. I need variety.
I love Hap and Leonard and plan to write more about them, but not exclusively about them. I have always worked in film, or since the eighties, but my screenplays - though I got paid and did screenplays for Ridley Scott and John Irvin and Mark Romanek - seldom got made.
In private some critics have come up to me afterwards and told me they honestly enjoyed the movie. Then they'd tell me that they're still going to have to write it up negatively.
I think it says wonders about people that can write an entire album, and put out an entire album of great songs. I mean, the Brad Paisley's, Alan Jackson especially, even Taylor Swift - those people can really pen great stuff.
The more I write, the more I've come to realize that books have a different place in our society than other media. Books are different from television or film because they ask you to finish the project. You have to be actively engaged to read a book. It's more like a blueprint. What it really is, is an opportunity... A book is a place where you're forced to use your imagination. I find it disappointing that you're not being asked to imagine more.
I always feel super uncomfortable when it's like ah, there probably has to be a sex scene. I feel really bad and then always look around to see if anyone is watching me while I'm writing. I want to apologize to people who have to read those sex scenes, but I feel like it's part of the characters life, it's important.
I got a pit bull from a shelter, so my whole life is centered on this dog, and I've been writing a lot of dog jokes. I should probably give up now, because I'm writing jokes about my dog.
Jonathan Kreisberg is a great musician whose playing and writing always tell a story. His formidable technique and intellect never get in the way, but only serve the agenda of the heart.
The reality of television production now is that all the development money and pilot money now goes to the Internet so they can try to get pilots cheaper, than if they were producing them for television. I understand, it's a business, but what's great about doing it on the web, and one thing that attracted me is the amount of creative freedom that you do get with the web. That's the only advantage of there not being a lot of money involved, is that you're really able to write and do what you want... because there's not a lot of money involved and not money at risk.
People try to be more edgy, or write about that first explosive meeting between two people in a club, but not so much the long-term issues; I don't know how to write a song about teenage heartbreak anymore.
It's about being in a race with time - just having a strong sense of mortality, and the idea of, How much time do you have left? How do you want to spend it? What I always come up with is: keep on writing, keep on working. But you can become sterile. It's become a matter of trying to find inspiration someplace outside of my own head, which I've been using exclusively for too long.
When I went to the University of Iowa in order to be a writer, I thought, This is the worst way to learn how to write. To sit in a room with a bunch of would-be writers, who want to write the Great American Novel, every one of them, and you read their stories and they read yours, and you're not living a life. I don't like that. I like learning on the job. The character of my work has definitely evolved from the character of my life.
