Writing Quotes - Page 963

I never actually do rehearsals. That's one of the reasons that I write those bios and if I can meet with the actors I'll meet them or talk to them on the phone. What I want is for them to come on set knowing their lines and knowing who the character is.

I certainly grew up seeing more movies and television than I read books, but when it came time to do the thing itself you don't have to hire a lot of people to sit down and write a book, so that was the story-telling medium that was available to me.

I don't write [screenplay character] biographies beforehand. I usually go in knowing some sequences: this is where I want to start, this is where I want to end.

Most people who are trying to write kind of sit in their basements and pull it out of their imaginations.

Well, I am becoming doddering and old but I have - I'm writing two books a year now. It's like 220,000 words or something like finished, and, honest to God, I can't do that. I really do need the help of, you know, other people working with me.

I don't write music for critics or hipsters. I write for me.

I have this rule: It's like, if you write an amazing, cool song that you mean and then you go put your leather pants on and sing it in front of people; that's OK. But if you put your leather pants on and stand in front of the mirror and go, "Ok, I've got to write a song to fit these pants," then you're in trouble.

You've got to write for your audience.

With my friends, it was always essentially true stories. That's how I always felt about doing King-Cat. This is something that really happened, whether it makes me look good or bad, or someone else look good or bad. This is what happened, and it's my job in life to write it down. Nowadays, I'm a lot more conscientious about it. I'm not out to attack somebody in print.

Orwell is almost our litmus test. Some of his satirical writing looks like reality these days. When you have someone like Cheney who talks about "endless war" or war that might last fifty years, he could be Big Brother. You have Bush incessantly going on about the evil ones.

If I'm not in an environment where I can record, it's great to be able to write something down, to be able to know how to do that, to be able to write notation. You grab a piece of paper and there it is. It's the cheapest recording equipment you can buy: a piece of manuscript paper and a pencil!

We used to rehearse and that's where the roots of Dream Theater formed. Y'know, we used to play cover songs and jam to [Iron] Maiden and stuff but we were writing songs and it was this metal, loud style and we'd constantly get knocks on our door, because the rehearsal rooms were right next door to each other, and these jazz guys would be like, "Can you guys turn it down a little?"

We're not the kind of band who writes an order abundance of songs and picks from them, we usually write for the album.

I'm from the school of putting a lot of hours of practice into playing. But at the same time you have to write original music - that's really important, because that's the things that's going to separate you from everybody else, that's going to give you your unique voice as a music that you create.

We don't have enough words for photography. Can you imagine writers having only one word for writing?

That's such a big part of film scoring that people don't realize. There's a portion of film scoring that's writing the music, but a lot of it is how do you get along with the guy you're working with, how do you interpret what he wants? It's so subjective, you know? Your version of sad is probably different than my version of sad. It's my job to figure out what your vision of sad looks like.

I love to tell stories and I love to work with directors and I think I write really visually, which I think directors like, and I love making movies, so I found something that I'm good at and I'm really happy doing.

Over the last 25 years, since a lot of science writing became accessible to layman, I've become quite a consumer of science. As a child, I wasn't streamed into science, and I regret that now.

It's really fun to be writing and producing your own sketches. You almost have more control.

If you cannot say what you have to say in twenty minutes, you should go away and write a book about it.

This manner of writing wherein knowing myself inferior to myself? I have the use, as I may account it, but of my left hand.

As a man has no right to kill one of his children if it is diseased or insane, so a man who has made the gradual and conscious expression of his personality in literature the aim of his life, has no right to suppress himself any carefully considered work which seemed good enough when it was written. Suppression, if it is deserved, will come rapidly enough from the same causes that suppress the unworthy members of a man's family.

I've always been able to survive by writing, though.

Sometimes I might go too far with the pretentious references, which I might not do again. But when you're writing, you're sitting alone in a room so you're writing to amuse yourself as much as anybody else.

At some point, you have to sit down and face the page alone. At some point, the final decisions need to be yours. At some point, you have to give yourself deadlines and stick to them.