Writing Quotes - Page 950

I go to movies expecting to have a whole experience. If I want a movie that doesn't end I'll go to a French movie. A movie has to be complete within itself, it can't just build off the first one or play variations.

I'm the least confident person in so many ways. But I believed that if somebody gave me the chance to tell a story, I would tell a story [well enough] that the person who gave me the chance would get their money back.

When Roseanne read the first script of mine that got into her hands without being edited by someone else she said, 'How can you write a middle-aged woman this well?' I said, 'If you met my mom you wouldn't ask'.

It's very important that we start creating new content again. We can only build on nostalgia so much before we have nothing left to build on.

Ultimately what I end up writing about is helplessness and the flipside of that, empowerment.

Those of us who write spend our entire lives in an endless English class.

Writing is the greatest thing that can happen to a human being. It's the best.

If I wrote what I really think, I would be so sad all the time. We create to fill a gap - not just to avoid the idea of dying, it's to fill some particular gap in ourselves.

"Foreboding" and "ominous" is what you're striving to achieve-not mention.

Style in painting is the same as in writing; a power over materials, whether words or colors, by which conceptions or sentiments are conveyed.

Another factor is that in terms of the original compositions, this is our strongest year yet. Everyone wrote a fantastic piece and everyone really had a greater sense of how to write for this band -- not only for this particular instrumentation, but for these particular players. Each year, the reality is getting closer to the ideal of a collective.

I started writing songs so late and I had so many day jobs - jobs just to pay the bills. So, when I started doing this, I said, "I'm never gonna do anything to corrupt this. Never try to "sell it." Never gonna do anything to make this a job." I can go five months without writing a song. Then something will happen and I'll write six songs in a week.

I usually can be more honest writing songs than actually talking to people.

I write my songs usually while I'm walking around. Or in a car. Or in a bus, a plane, something like that. I jot down lyrics wherever I am. Usually it's on a vomit bag on an airplane or something. I just look for a pen.

If Dante was writing The Divine Comedy in 2013, he might very well have set part of it in the suburbs.

I never wanted/expected to write a memoir, but this life thing, it has a way of sideswiping our worlds, scaring us so thoroughly that our past lenses of contextualizing events don't work - they cease to matter.

It's important to write like your readers are brilliant.

I just thought it was important that people knew right from the jump that I've got problems. But in all seriousness, that's a huge part of my writing process.

After all, nothing helps to write lyrics more than to mess around with the language.

I like to write about things that are dark or twisted. Where the poetry seems to be is when you start in the dark and reach for the light - that's what makes it not depressing to me.

If you write a post and put it on a blog, that's a historical document. If you change your template, then that entry looks completely different. It's the same words, but not the same meaning. This all depends on what historical questions that people will be asking and we can't know what they will want.

The whole time I was writing, I had to fight my normal inclination to be funny, to sort of patch humor in, in order to convey all of the disruptions of the disease to the family dynamic, the loss of individuality, the impact on professional life, and the sanity of the main character. Of course, that's not to say it never sneaks in; there's some black comedy in there, like when he shows up to court wearing a bicycle helmet and won't take it off.

I'm not sure that all books aren't that way. I think that might apply to any book I was writing. The book was kind of the product of this enormous infatuation I had, not only with the office and office politics, but with perspective, and trying to tell a story from as wide a range of perspectives as you possibly can. I tried to capture it all with the first-person plural, but once I settled on that, I used it to tell the story from as many angles as I could. I guess, to put it romantically, it was about a love affair with the craft of perspective.

I always knew from the beginning that this was the only way to write Then We Came To The End - that it had to be in first - person plural if it was going to illustrate how the individual becomes part of the collective. I had no interest in writing the book in a more conventional voice. It goes back to that fascination I had with telling a story in multiple ways. It was the only choice I gave myself, really - I said "This is it, pal. If you can't tell a story this way, you're going to have to abandon the book. Write it this way or give up."

I don't write directly on to the computer because I don't think well facing forward with fingers on a keyboard. I think better looking down holding a pen. And the concentration quotient of pen and paper is higher than when I'm moving words around on screen.