Writing Quotes - Page 932

Letters are the real curse of my existence. I hate to write them: I have to. If I don't, there they are - the great guilty gates barring my way.

Why it should be such an effort to write to the people one loves I can't imagine. It's none at all to write to those who don't really count.

I used to weigh myself every day at a certain time of day. Then I would write down the number and measure my body fat. It wasn't a healthy way to live.

But I think everybody should write. I think those people with stories who don't write should be stomped on.

I like to write about people who are real and likeable. I like to write about people who tell their stories in that close and intimate voice we use with best friends. I love the closeness and honesty and vulnerability that come from characters who can talk that way.

Writing a novel is a lot like reading one.

We're looking for stories that speak to us. We're looking for stories that connect us with something true. But, instead, a lot of the time we get strippers. All I'm saying is, when boys are writing the stories, the percentage of strippers is bound to go up. And real stories about real women kinda don't get written at all.

You are writing the story of your only life every single minute of every day.

One chronicler writes of an area of India during the end of the 20th century: Almost no-one in this slum was poor by Indian benchmarks. ... True, a few residents trapped rats and frogs and fried them for dinner. A few ate the scrub grass at the sewage lake edge. And these individuals, miserable souls, thereby made an inestimable contribution to their neighbors. They gave those slum dwellers who didn't fry rats and eat weeds a sense of their upward mobility.

When I pick a story, I'm very much aware of the larger issues that it's illuminating. But one of the things that I, as a writer, feel strongly about is that nobody is representative. That's just narrative nonsense. People may be part of a larger story or structure or institution, but they're still people. Making them representative loses sight of that. Which is why a lot of writing about low-income people makes them into saints, perfect in their suffering.

Writing, in any sense that matters, cannot be taught. It can only be learned by each separate one of us in his own way, by the use of his own powers of imagination and perception, the ability to learn the lessons he has set for himself.

For me it's also - the music is equally as important. I mean I think as somebody who writes music, there just has to sort of be the marriage between both.

I do a lot of writing about my family.

It is only through having a stable loving partnership that I began to feel in control enough to attempt a strict writing discipline, to realize something I always knew was simmering underneath.

I do teach fiction and non-fiction, and usually I'm interested in works that confuse genre, but I'm very new to teaching creative writing, I don't have an MFA, or a PhD, I tend to approach it just through my own practice.

One of my moments of coming to writing, of needing to write to attempt to create myself, to attempt to absolve and understand my past passivity, came when a girl I loved very much, who I had been estranged from for some time, killed herself.

I think that writing and publishing are different. I think I will always write; I might not always publish. The idea of not publishing is wonderful!

My writing has always been considered extremely important, even though I make slim-to-no money at it.

If one writes the rules then one can contradict oneself. It's all about rhetoric, about official narratives.

I am curious to see what books will emerge from all this writing online that's the result of those who grew up pouring their feelings out on Livejournal or Tumblr - excessive, sometimes automatic, sometimes enraged, emotional, while also quite intellectual - or if formal books will emerge at all, if that's not the point of these unmediated raw spaces. I'm excited by the possibility.

I consider myself a songwriter before anything else. The fact that I have been able to write both of my records and establishing myself as a songwriter is super-important to me. Some people have that gift, where they can take on anything and make people believe it. I like to do a song from personal experience.

I am very busy and don't have a lot of down time, but I write my best songs in those situations. I enjoy my life the most when I have a bunch of things going on at the same time.

My second album was written while I was on the road promoting the first record. I tried to take my personal experiences and elevate them to universal experiences, so that I wasn't writing songs about living on a tour bus or being on a TV set for the first time.

My main goal as a songwriter is to make something that inspires people. To write things about my life that people can relate to. Whether it's a whole record or just one song for someone, I hope it can do that for them. Knowing that I have the ability to do that is inspiring to me.

Statistically in the UK, there are so many fewer female composers than male songwriters and they're marketed in a way that - females are marketed in a way that they're these independent unique artists writing their own stuff, and they're not, because fourteen percent of PRS goes to women.