Writing Quotes - Page 928

Creativity is very much like literacy. We take it for granted that nearly everybody can learn to read and write. If a person can't read or write, you don't assume that this person is incapable of it, just that he or she hasn't learned how to do it. The same is true of creativity.

I don't want to pick on Deutsche Bank, but I think the world of the regulated financial conglomerate, it is a strange thing. There is nothing in common between writing checks and running branch offices, issuing credit cards - those are good businesses, but they really have zero in common with M&A advice. They're a different customer.

"Anyway... I find what you write interesting." "That's what people usually say when they disagree with it."

I'd love to write about my growing sexual awareness, but the press would turn it into something squalid.

I felt like you can write forever, but you have a short time to raise a family. And I think a family is a lot more important than writing.

The band projects just took natural priority. I didn't really have a solo career, just wanted to share the music in another way and to learn more about writing, recording, etcetera.

I started writing stories in my spare time.

I like reading history, and actually most authors enjoy the research part because it is, after all, easier than writing.

With writing and publishing, my only aim is to live in the aesthetic pleasure dome.

I started to write a series of fantasy novels when I was eleven. I have never taken anything artistic as seriously; since then, writing has felt like an attempt to get back there, to my bedroom, my maps, those races and languages and runes.

What I worry about is working in this serial medium, where people are talking about your stories before they're done, we have this instant feedback loop now. I'm very active on Tumblr and I have a very active engagement with readers and I love it, but I don't want to start writing to try to please someone else. I don't want my meter to get skewed.

When I was younger, I used to write to directors when I was unsure I could play a role. I'd say: 'You've made a terrible mistake.'

I'm not a big note-taker, so I think that the way I decide is that whatever I remember I always consider something that's important. If I remember a joke then I know it's a good joke, if I remember a story then I know it's a good story, and so that's how I curate what stories I'm going to write for the book. And I go over them again, make sure there's a theme and all that stuff, but mostly, it is intuition.

I am a very emotional person. I basically think and feel in emotion, so writing is much easier for me than communicating by voice or by talking to somebody just because I can really get into the emotion more succinctly with writing. So I guess that's what makes me a better writer than speaker.

I didn't do anything as active as deciding that I wanted to be a writer. For one thing, I didn't feel like I was the final authority on whether or not I was anything like a writer. (I'm a timid soul.) I just kept writing stories, because becoming a veterinarian seemed as if it involved too much dissection.

You may very well ask what the goddess of love is doing in St. Andrews, writing trashy romances. Adapting.

I've gotten a little superstitious about listening to music when I write. Once a story is going somewhere, I keep listening to the same music whenever I work on that story. It seems to help me keep in voice, and alternatively, if I need to make some kind of dramatic shift, I'll go and put on something different to shake myself awake...

Topiary has always seemed like a good occupation, comparable in some ways to writing short fiction.

It's very unlikely that a writer is going to make a living by writing. So then the question is: how do you balance work, life, and writing? If you find out, please tell me.

Everyone has a bizarre childhood and unusual life experiences, whether they know it or not. There's no such thing as a normal childhood. What's useful in writing weird fiction is learning how to understand and articulate those moments of personal, particular strangeness.

I LOVE Taylor Swift's 1989. I think it's really cool at the moment that the production on her record is just as strong as the writing. I like the fact that the early nineties sound seems to have come back around

I am inspired musically by anyone who can write a song that can bring me to tears.

I don't read much of what I write because I worry about unintentionally borrowing something.

The whole idea of action being a carrier of information is something that comes directly from theater. That's, in some ways, the one thing I've been trying to contribute. I still write things outside of architecture - not really fiction, but not nonfiction. I like dialogue as a form, because the text is only the trace of an action. The consequential information is carried in the action you choose to put on that text.

I've had down periods in the past few years where I haven't been writing or working on music, and during that time something always felt like it was missing, but when I bring it back into the equation, everything in my life makes sense again. As corny as that sounds.