Writing Quotes - Page 889

I've had fun doing romantic comedies, but I just can't anymore. There's nothing fulfilling creatively, there's nowhere to grow, nothing to learn from it or for yourself. I'd rather just be home with my family or write music until that special project comes my way.

I write a lot on airplanes actually because it's completely isolating; there's no one to talk to, there's nothing to do. And then I think a lot of it sort of comes out sitting down with the people I'm co-writing with and talking to them about what I'm going through and what I want to say. It just sort of happens; every song came about in a completely different yet organic way.

Being honest...[to reporters] Not the worst thing in the world. Don't write that down.

I write a lot on airplanes actually because it's completely isolating; there's no one to talk to, there's nothing to do.

I find it interesting that authors of fantasy and science fiction novels are rarely asked if their books are based on their personal experiences, because all writing is based on personal experience. I may not have gone on an epic quest through a haunted forest, but the feelings in my books are often based on feelings I've had. Real-life events, in fantasy and science fiction, can take on metaphorical significance that they can't in a so-called realistic novel.

I came out here to do the acting, and then after a year of auditions and not getting anything, I met these Italian guys and they asked me to write lyrics for them. Then they said, "Why don't you just front the band?" I said, "Well, maybe because I can't sing. I've never sang before in my life."

When people reflexively write checks to institutions that have billions of dollars in the bank, they are essentially committing a moral crime. Your money could do good in this world and you're choosing instead to waste it. People have to do a better job of that. You've got to find places where your money's going to do some good and direct your dollars towards that institution.

When writing, you can't break physical rules. You can't have people come back from the dead. That's cheating. I am a kind of narrative fundamentalist in many ways.

As a writer, I know that - you write a first draft and then put it in a drawer. The longer I can put it in a drawer, the better off I am. So I structure my writing so that things can sit.

So long as the stereotype is used as a way of understanding how to fix the problem as opposed to demonizing a people or writing them off, then I think it's OK.

It ticks me no end when people get ticked off at those of us who comment audibly and in print on events and problems. That's what we're paid for. Why clutter up your mind with a bunch of facts that might inhibit the solve-ability of us who must express an opinion? After all, all the world cries out for a solution to its problems, and we supply them right and left. Come to think of it, it's we who should be giving our deplorers and detractors the blast; because 99% of the time they don't do as we say.

Personal & Confidential. Letters so marked should be. When the contents are only printed matter, though, the minifrauder succeeds in sowing illwill & ire.

Real writers-that is, capital W Writers-rarely make much money. Their biggest reward is the occasional reader's response.... Commentators-in-print voicing big fat opinions-you might call us small w writers-get considerably more feedback than Writers. The letters I personally find most flattering are not the very rare ones that speak well of my editorials, but the occasional reader who wants to know who writes them. I always happily assume the letter-writers is implying that the editorials are so good that I couldn't have written them myself.

When I'm writing in long hand, it just goes on and on and on. When I was in the saloon business, I would just greet people and talk to them and avoid taxes, and getting behind the bar. What else.

When I'm writing, I thoroughly enjoy it. It just goes on.

I know that DER SPIEGEL is a respected magazine. But I don't know whether it is possible for you to publish the truth about the Holocaust. Are you permitted to write everything about it?

Isaiah the prophet, Isaiah's second son was - his symbolic name was Mahershalalhashbaz. And Isaiah was - the Prophet Isaiah was instructed to write the name in all capital letters as a prophecy. And it means hasten to the spoils, speedy as the prey.

I have even seen the writings suggesting that I am playing a deep game, that I am using the present turmoil to foist my fads on India, and am making religious experiments at India's expense. I can only answer that Satyagraha is made of sterner stuff. There is nothing reserved and nothing secret in it.

Such expression is impossible in a cramped atmosphere. As I have no desire to offer civil disobedience I cannot write freely. As the author of satyagraha I cannot, consistently with my profession, suppress the vital part of myself for the sake of being able to write on permissible subjects. ... It would be like dealing with the trunk without the head.

Vehement writing, even if it is charged with truth, is no answer to violent action.

Give the villagers village arithmetic, village geography, village history and the literary knowledge that they must use daily, i.e. reading and writing letters, etc.

I am not built for academic writings. Action is my domain.

It is also a warning. It is a warning that, if nobody reads the writing on the wall, man will be reduced to the state of the beast, whom he is shaming by his manners.

Gorecki, you know, there's a kind of personal thing there for me. I had, you know, kind of become obsessed with that sort of Soviet Bloc period. And actually, a lot of composers in the Soviet Bloc - Gorecki's not the only one - are writing for the harpsichord as a sort of reaction against enforced Soviet realism, expressionism, sort of enforced modernism.

Write the book you've always wanted to read, but can't find on the shelf.