I wonder what it means about American literary culture and its transmission when I consider the number of American poets who earn their living teaching creative writing in universities. I've ended up doing that myself.
Everyone thinks they're going to write one book of poems or one novel.
Translation makes me look at how a poem is put together in a different way, without the personal investment of the poem I'm writing myself, but equally closely technically.
The pleasure that I take in writing gets me interested in writing a poem. It's not a statement about what I think anybody else should be doing. For me, it's an interesting tension between interior and exterior.
Good writing gives energy, whatever it is about.
I wake up every day super excited to be a woman! It's amazing. I wouldn't have it any other way. There's an incredible diversity of people writing comics right now. As a writer, there are a lot of parts that I was thinking about in terms of the specific experience of being a woman superhero and what that means - the kind of pressures that are on strong women, and how women are able to feel strong in a public world.
There's a certain amount of pressure that goes with writing superhero characters, especially characters that are beloved to audiences. You know that you're always writing into a certain amount of expectations and into an existing fandom, and I try to take the pressure of that in when I first accept a project and then I try to push it aside as much as possible and just focus on the story that I want to tell. It's definitely a little more pressure than writing something of your own, from your own brain, and creating those expectations from scratch. But I also like the challenge of it.
If I look back at the songs I was writing when I was effectively a child, there's a big contrast, so I've learnt a lot along the way. I think it's a confidence thing; the biggest thing that's affected me, both in writing and performing, is a growth in confidence.
I'm self-critical but also, I'm not a very modest person. I'm self-critical in the lead-up to showing anyone anything. You know how people say they write, like, 30 songs and then they'll pick the ones they're going to put on the record? I don't ever get to that point because I self-edit so harshly at the beginning. I would never let anyone hear something that I wasn't happy with. But then once I've made it, I'm also not going to turn around and go, "Oh, yeah, I don't know..." If I'm putting it out, anything creative that I do, I think that it's good, otherwise I wouldn't put it out.
I've always had musicianship as a dream since I was really small. I started to take it a bit more seriously when I learned how to write properly when I was 13 or 14. I saw it as a viable career option when I was 18. I thought, I'm going to start trying it and see how it goes.
I started writing seriously when I was a teenager, around 14 years old.
I do not like to employ secretaries that have more wit than myself. I am afraid to make them write all my nonsense.
I often feel like that with the way I portray myself I come off as looking much worse than any of the other characters. I guess it might also be worth noting that anyone I've had as a main character in a story I've written has had full knowledge that I am a writer who writes about the people in her life.
I think I would have been a lot more miserable and discovered a lot less of things I liked if I hadn't had LiveJournal in high school. I think it's interesting how blogging seems to be shaping a new generation of writers. I feel like growing up with the Internet/blogging/other structures seems to be a reason for the similarities people see in Tao Lin's writing and other young writers, rather than direct.
The pictures feel as essential to me as the text. I was always interested in including pictures with writing.
Obviously this all gets tricky/complicated when your writing reveals so much of your private/intimate life, and the nature of writing on the Internet comes with a lot of focus on your "personal brand."
I've gotten a lot of exposure for my writing. My writing blog has gotten over 1000 unique hits since the Observer piece (quite a lot as before it was something like 20 people a day if I was lucky.) But more importantly the coverage exposed me to and so has allowed me to connect with a lot of new people I really enjoy interacting with.
I guess that my opinion of writing about real people is informed by defenses of Joyce Maynard's memoir, that the experiences were a part of my life as well, and that I have the right to write about my life.
As for not getting things right: I constantly rerun social situations/conversations I experience/have throughout my head, and I'm always writing them down in notebooks or in word documents/the Internet. I feel like these habits and a generally good memory of people/the interactions I have with them (due to studying people having always been my main interest in life) have lead me to being very accurate in things I write in stories/essays.
There's just something "off" about equating the act of spending three years writing a book with the act of someone exploiting themselves by drunkenly flashing the camera for "Girls Gone Wild" or something.
I recognize that memory is far from infallible though. If I feel like I can't accurately describe something, I just leave it out. I also do things like write "he talked about ..." instead of writing direct quotes. But generally I feel like since my stories are very obviously meant to be my perception of an event rather than the objective truth this gives me a lot of leeway.
I don't have much to say about honesty. All that I feel about it that people don't discuss as far as I know is how much effort it is to create truly honest writing, in my opinion. It requires a lot of thinking and effort.
One thing about having mostly absent parents that I think was perhaps "good" for the development of my intellect/writing is that I was given almost total freedom to read/write/look at whatever I wanted. I wonder a lot about how my past experiences, particularly my negative childhood (home life and being severely bullied/ostracized throughout school) as formed my/my thoughts/my writing, though I should also note those things were far from the only thing that had an impact on me/my writing.
I admire Joyce Maynard a lot, specifically her memoir "At Home in the World." Her writing is beautiful and fascinating and seemed to give me validation to the idea that I could write validly in earnest about my life with (my) very feminine point of view, and also that I could unapologetically explore the bad traits of my character (which I find to be more interesting to explore than the good traits), as well as explore other concepts that interest me like private vs public personas, age gap relationships, etc.
I want to say that of course I want my writing to be read and discussed by as many people as possible, but this is different than wanting personal, "celebrity"-like attention. I'm very introverted and sensitive and dislike being talked about, positively or negatively.
