Whenever I get asked to write orchestra music or music that is for a lot of players, I try to make it a little sad.
Writing orchestra music, you need for the emotional content to come from everyone doing everything together, adding up as it goes, a crowd mentality.
I think one of the things I was shocked about was how interested the world is in 'American Idol' and how people, writers, they write about 'Idol' all the time, and I guess I didn't expect that.
I am so territorial, that [from the start] I just felt like whatever I was gonna do I was gonna write it myself, its my personal preference to always be in control of everything I do in life.
My most recent novel didn't start out scaring me, but as I got deeper into writing it, it scared me. It's not so much where the story's going. It's where it came from. I always come out of it thinking, Okay, that got it all outta me. The next one's gonna be nice and simple, and it's not gonna scare me, and that never seems to happen.
The difference of human being behind the guy on the page is in writing, I'm no longer conscious of personal repercussions because for that moment they don't exist. At times, I tell myself, Well, I can always go back and change that or take it out, and I find out that I rarely do. Couple little things here and there: Do unto others. Be a good scout. With all the ironies that entails, I go by that. That's a good way to live.
The main event is freedom. I often wonder if I had the complete freedom to not have to write, if I would write. That's the one mystery that I hope I get to experience. It might be a good idea to retire, since as this delusion of an economy progresses, it seems that if you make ten grand a year or a hundred grand a year, there's absolutely no difference.
I've gone more than 40 years without having to use an alarm clock or go to an office. At this point, I don't think I'd be capable of not writing. I don't think I could deprive myself of that sky. It would be like putting an animal in a cage.
People are writing shorter jokes. The style I've started with was almost trying to keep jokes under 140 characters before Twitter.
I would eventually like to write and star in my own stuff. I think I have a good comedic sense, so I'd like to follow that road. I don't know what the future holds, but whatever I do, I'll commit.
I always write and create. I'm never not creating. I'm always creating a show, every year, whether it gets picked up or not. I always sell a pilot or an idea. I like to be in control.
If you look at the content of songs people write, it's usually about the things they know best.
I won't read a new graphic comic novel until the writer has completed the entire series. I got burned a few times when I got turned on to a book, plowed through it only to find out the author was in the middle of writing the next.
People keep referring to me as a standup, and that just doesn't sit well with me because a lot of my friends are standups and they're brilliant at writing jokes, and I'm not.
I think it's really important to not talk about how you're going to release something until you've finished it. People are like, "What are we going to make? What are we going to do with it?" and it's just like, "I don't know, we're just making music. Then we'll talk." You can't always write something you're happy with; you can't force it.
I'm still kind of a hapless character in my everyday life. But when it comes to the writing, my influences are very old influences. I love American music of absolutely all stripes, including show tunes, advertising jingles, theme tunes from quiz shows, all kinds of American music.
I think all writing is political. All writing shows a preoccupation with something, whatever that thing might be, and by putting pen to paper you are establishing a hierarchy of some sort - this emotion over that emotion, this memory over that memory, this thought over another. And isn't that process of establishing a hierarchy on the page a kind of political act?
I think all writing is about writing. All writing is a way of going out and exploring the world, of examining the way we live, and therefore any words you put down on the page about life will, at some level, also be words about words. It's still amazing, though, how many poems can be read as being analogous to the act of writing a poem. "Go to hell, go into detail, go for the throat" is certainly about writing, but it's also hopefully about a way of living.
I think all writing is an attempt to complicate and subvert the dominant narrative. Writing personalizes statistics. It puts a face and a name on a number. I suppose in that sense it's always political.
New York is great for writers insofar as you can pay someone to bring you food, to take your washing out and bring it back clean. It enables you. Writers always feel guilty when they're doing anything but writing, and New York allows you to really write all the time if you want to - though my kids put a limit on it.
Writing a poem is a more personal experience, I think, than writing prose. And perhaps reading a poem is a more personal experience than reading prose, though that's harder to say.
Writing fiction, for me, is a more indirect form of self-exploration than writing verse. When I'm working on a novel I'm moving characters around and I'm thinking about plot and there's a lot of other things going on at the level of structure and story. With a poem, a single idea or line or emotion can sometimes be enough - there's often a sense, in the best poems, of capturing a single instant. Perhaps poems differ from prose in the degree of solace they can offer - by speaking so personally, so directly, about shared experience. A few lines of poetry can provide comfort.
Publishing a book is a great thing, and I'm grateful, but it's also a horrible, exposing thing. Once you've published a book, you never write quite as freely again. You're aware, from that point onward, of the kinds of things critics might say about it. You're aware of the kinds of things your publishers might like and dislike about it. You're half-aware of marketing strategies - of all the stuff around the book. Whereas with your very first piece of fiction, if you're lucky, those things barely occur to you at all.
The whole point of writing poetry or fiction is that you get to agonize over whatever it is you want to say, and you finally say it, and you get it as perfect as you can make it. Then you're forced to babble freestyle.
The whole process of having to put the thing into the world seems so antithetical to the act of writing. Poetry is slightly easier, because there's less money and fewer people involved. You just let a book of poems trickle out in the world, and it finds its own people. Novels are much harder, and you don't think you should have to do some of the things you're made to do.
