Writing Quotes - Page 769

I love writing fiction because I can totally lose myself and I get to make up the rules of the world that I'm writing.

When I write on Twitter, I do other things: I'm working, grading, or reading, and I'm procrastinating, and I'll pop on Twitter and be like, "Hey, what's up? Yogurt's delicious."

I write because I love doing it.

Most of the time, writing is a lot of fun, and not a small amount of self-medication.

My dream was to write a book and see it published. I didn't dare imagine anything beyond that, so, I'm trying to keep my head on my shoulders.

Knowing that a story needs to be told is a great motivator, even if telling a given story comes at a price. Writing Hunger has been the most difficult writing of my life, and it's the rawest and perhaps most necessary. We'll see how people take it. I always strive to write beyond personal catharsis because though I write first and foremost for myself, I do recognize that I need to look outward as much if not more than I look inward, so the reader has something with which they can engage.

I look at my older writing to see where my weaknesses are and then I try to address those weaknesses and make new mistakes.

I read constantly because there is so much to learn from the writing in the world.

I am fine with my books being categorized as African-American literature but I hope they are also considered Haitian-American literature and American literature. All of these things are part of who I am and what I write.

I probably write the same story a hundred different ways. I suppose right now I am looking for the 101st different way to write that same story. And the 102nd, and 103rd and 111th and 133rd.

I write toward both idealism and reality - how things are and how I wish they could be.

When I'm editing my work, I'm looking for everything to fit, to feel seamless, for every detail or line of dialogue or scene to feel necessary and organic. I approach the writing of others in much the same way while always working to preserve the writer's voice. To allow myself to be vulnerable on the page, I tell myself no one is going to read my work. There's no way I could put myself out there otherwise.

I write for myself, first and foremost and I also write for people, mostly women, who just want to be seen and heard and all too often aren't.

The Catcher in the Rye had such a deep impact on me, because it felt like it was just Holden and me. I didn't feel like any other person had read that book. It felt like my secret. Writing that I identify with feels like it's just me and the writer. So I hope that whoever is reading what I do feels like that.

Aberjhani's writing blows the mind and frees the psyche of any rigid assumptions about ancestral heritage. Here, our collective experience is starkly rendered. The transparency of one culture overlays another, and another, to form the daguerreotype of possibilities that is homo sapiens, interacting, almost like the elements themselves, with the created world and modified only by context and its imperatives.

The curly red lines across the African deserts had the fascination of a magnet, and I hoped fervently that the pioneers who were writing their names over the blank spaces, would leave just one small desert for me.

In London, there is a section in a newspaper, the Metro, where people write in and thank strangers for their lovely or kind actions throughout the week. It brings me such happiness reading it and makes me know that, ultimately, human beings are amazing.

I, for one, find writing excruciating. Some mornings, as I'm on my way to my desk, my hands actually tremble with fear. The fear, of course, is that I'll sit down at the desk and discover that what I've written is claptrap. Fear inevitably leads to procrastination.

Don’t ever trust anyone who’s writing a book. They make up lies for a living.

I started a writing class, not in service of writing a script or writing anything specific. I've just really been enjoying that, and oddly the group, not by design, but it just happened to be all women, and there were three women who gave birth this fall while we were all in class, and there's just something really great about getting to know these women through their stories and what they're writing about.

It’s a job. It’s not a hobby. You don’t write the way you build a model airplane. You have to sit down and work, to schedule your time and stick to it. Even if it’s just for an hour or so each day, you have to get a babysitter and make the time. If you’re going to make writing succeed you have to approach it as a job.

[On book promotion:] The reward for writing well appears to be not to be able to do it for a long time.

There's a moment when you say, "Okay, I'm not going to become a dancer. I'm not going to become a painter." So in a sense, I ended up writing about those big conflicts that I felt.

I was raised on government cheese. As an adult, in my first marriage, my husband and I worked real hard just to go bankrupt. I happened to write some jokes about it. I did real well for myself.

I always felt that it was easier to take a funny person and teach them to write television than to take somebody who was a television writer and make them funny.