I think the writing and the casting and all of that has so much to do with actors becoming their characters. I think if an actor is right for a role, casting sees that and the words that are on the page, depending on how it's written, can really help your character develop.
Do that, and the best you can hope for is that people will ignore you. More realistically, you'd be skinned alive, or possibly sentenced to ten year hard labor writing microcode for waffle irons and toaster ovens.
We're artists. We cry out to be exploited on some level. Write a dissertation on my work. Write a biography about me.
Fashion costs money, but songs are free. You can write them for free and you can sing them for free and they can infect those around you or the people from the future and they can sing them for free too.
In memoir, can you really tell the truth about yourself? You're not going to write about your little peccadilloes, like, "I like a finger in my ass during sex." Or whatever it is. You're not going to come out in typical everyday conversation and say that. That's something that's going to be only for a select few.
Writing should be like skirts. Long enough to cover what it needs to cover and short enough to maintain interest.
I think ultimately it's just time management. You're just doing a lot more stuff. You're doing the same stuff, you're writing and you're producing, but it just comes with a lot of other things. A lot of long term thinking and plotting things out for the future, bringing elements together. I have a lot of support.
You lose somebody you've possibly known for years and on top of that you lose a character that you love seeing on TV so I think that kind of makes it cool that we pay a price too. That it is painful on many levels and its amazing to be writing that moment and crossing that line right on the page and seeing the ugliness of it and having to deal with it. It's a very weird thing.
It is horrible to sit in front of the keyboard and write those scenes because you're losing too. You lose somebody you enjoy working with.
A guitar for me is pretty much strictly in the context of writing songs for my band, coming up with ideas with my band, and then being able to perform those songs as best as I can on stage - that's what the guitar for me has always been.
I find it much easier to write comic-books than lyrics actually because it's a natural dialogue. Writing song lyrics is not natural but over the years I know what I need to know to get it done. I find it quite easy to capture a character and use my own personality and humour.
I had a job on a newspaper in Wisconsin, and I started off as most reporters did back then: writing obits and free ad giveaways.
I love the way Damon Lindelof writes. It's almost like he was channeling me and he had my voice, even though the territory that those lines cover is unpredictable, and goes from raw emotion to laugh out loud funny but always true.
We were talking about television one time, and Damon Lindelof said he felt that, if Ernst Hemingway was writing for media, he would write feature films, and Lev Tolstoy and Fedor Dostoyevsky would write television series because there are some stories you just can't tell in two hours.
Not write, maybe develop. Direct, sure. As an actor, you work on so many films, you sort of start to see who directs well and who doesn't.
I emphasize the dual mission of the Life Cube Project: involving as many members of the community as possible; and encouraging people to write down their goals, ambitions and wishes. I hope that the concept has an impact on these students' lives - that would be my dream.
For me, the main inspiration to write a story or novel is the voice of its central character, or the narrative voice of the story itself.
In terms of a "career," I never have long-term plans, and certainly don't want to spend several years, say, writing a "long" novel.
There is a big difference between wanting to say you wrote a book, and actually writing one. Many people think they want to write, even though they find crafting sentences and paragraphs unpleasant. They hope there is a way to write without writing. I can tell you with certainty there isn’t one.
Someone like John Prine can write a song that tears into your soul, turn it over, and write a song that makes you laugh and feel light as a feather. With someone like him, you're getting a real picture of a person, a real expression.
When it comes to performing and entertaining, the art removes itself from the writing.
Оf course you can only write comedy when you're smoking weed.
I get inspired when I look at Tom Lennon, who did Reno 911! for six seasons while writing huge movies and directing, and also doing other pilots; he did that FX pilot, the Star Trek thing.
Swing your partner, dosey-do, now clap your hands... uh-oh, that's all the square dance moves I know... I'll bluff the rest. Slap your partner in the face, Write bad checks all over the place, Flirt with strangers, annoy your spouse, Get a divorce and lose your house, ...uh... dosey-do.
If you think it's easy to write jokes about fried calamari, you've probably never tried.
