Writing Quotes - Page 741

I loved to write; in my late teens I had a 'zine. But it wasn't until I went back to school, later on in my 20s, that I actually saw that I had writing talent.

I had many reasons for writing memoir but among them was the hope that every Latino child and adult would find something familiar in it.

In the same way, I can wake up with a very positive idea of what I want to do for my collection, and be completely desperate at night regarding the same thing. And I do a lot of other things too: Writing for me is almost as important as drawing my collection.

It was by coincidence that I ended up opening my first shop in 1968, and I haven't stopped since. I now find myself trying to do everything. I couldn't live without creating my collections, without writing, drawing and reading. But I couldn't either live without being close to my children on a daily basis and also to my grandchildren, and to all the people I love. I guess I am like every woman today, one who juggles her work and family life.

I couldn't have opened a store without putting books with the clothes. I am still writing as I have always done, and have published my ninth book "L'envers à l'endroit" last year. I am currently working on a dictionary of my favourite words.

When I write, I'm sort of old-fashioned in the sense that I like to write something that I feel I could just perform alone, obviously, because I do that a lot in concert.

I started trying to write songs when I was 8 or 9 years old.

I like to record with people. I don't particularly enjoy standing alone and recording my own voice or my own stuff. It's sometimes fun to do for demos and stuff, but I really enjoy the social act of recording records, because writing it is so lonely. And it has to be.

I'm sort of old-fashioned in the sense that I like to write something that I feel I could just perform alone, obviously, because I do that a lot in concert. So I try to make a song where there is as much that is as distinct as I can get it, just if I'm playing it or if I'm singing it. That makes me really do a lot of stuff in the guitar work when I sit and try to figure out how to indicate what sort of dynamic I'm aiming for. Where, rhythmically, I want to go. That's sort of what ties a lot of different records together, is that it's usually always based around me singing and playing a guitar.

I love when rappers have a off-beat, very abstract timing, and he certainly did.And any rapper who really approaches rapping with the art form of songwriting melodically - I know a bunch of rappers who actually go in before they write the lyrics and come up with the melody. And you can hear and feel that difference so much when that's the case.

I have been writing songs since I was 9 years old, so writing has and always will be my first love and passion.

I see manuscripts and books that are spoiled for the literary reader because they are one long stream of top-of-the-head writing, a writer telling a story without concern for precision or freshness in the use of language. Some of this storytelling reads as if it were spoken rather than written, stuffed with tired images that pop into the writer's head because they are so familiar. The top of the head is fit for growing hair, but not for generating fine prose.

Most of the time, tough, combative, adversarial dialogue is much more exciting than physical action.

Dialogue, contrary to popular view, is not a recording of actual speech; it is a semblance of speech, an invented language of exchanges that build in tempo or content toward climaxes.

A writer writes what other people only think.

Readers take in dialogue one thought at a time. A frequent mistake of beginners is to combine thoughts, which may be suitable for other forms of writing but not for dialogue. Another mistake is speechifying. Three sentences at a time is tops, yet many beginners write speeches that go on and on.

To create tension, dialogue needs to be stretched out. That is, characters should not be immediately responsive.

The worst thing you write is better than the best thing you didn't write.

I don't feel pride like that with my own stuff. When I listen to my own music I'm happy with it, but when for example, I hear the beginning of "Last Stand" and I hear Kwabs sing the first line that I helped to write, I just think, wow. I can't believe I was involved in that. I can't even explain what it was like being in that room while we made that. That was really some magic.

I'm doing interviews and there are pictures of my face, so it's not like I'm hiding who I am. As soon as you say what your name is, everybody writes that in every interview, and it kind of annoys me. My name's SOHN. It's not really much more complicated than that, and there are loads of artists in the world who have one-word names. I'd like to somehow be able to close a door somewhere.

Originally I was not writing songs for myself

Beethoven was just music, and it didn't matter if he could hear it or not - he could feel it. He could hear it in his mind. He could write it down hearing it in his mind. He was just music. Yeah, he's one of my favorite writers of all times.

My philosophy on writing a song for myself is that I always, always, always want to write a song. I always want to write a song. I realize that as a record producer or a singer or whatever I might not, if I recorded on myself or someone else, the first time out I might not give it the right treatment, so that the world or many people will accept it and it'll be a public hit, or anything like that.

When you write a song, a song has longevity

The music business has made a 360. It's a whole 'nother game. It's not nearly what it was. And I fear for it, because, you know, with the advent of the computer and online and downloading and all these things, they have destroyed - that stuff has destroyed the record business, not the music business, but the record business. The music business is well, and it's alive and thriving. Now, I hope something happens to turn it back around to the point whereas it's - you're earning a living from writing your songs, from your work, you know, because it's not like that anymore.