Writing Quotes - Page 687

When you write biographies, whether it's about Ben Franklin or Einstein, you discover something amazing: They are human.

I write in a small office at home.

Writers do not write what they know. They write what they can imagine.

When art writing seems incomprehensible, chances are it is.

When you write something new about science, other scientists may not like it but they pay attention because it is subject to proof. When you write something new about art, it is subject only to the reader's discomfort, and will probably be rejected.

I have never pretended to be a great writer. I am totally immodest about being a great reporter and a good news writer. I write fast and I write accurately, nearly as accurately as anybody can be, and that's my skill.

It is in a small village in the Pyrenees where no one knows me 7that my life will come to a close.... There is not enough time remaining for me to write all the letters I would like to write.

The words of my book nothing, the drift of it everything.

Everybody is writing, writing, writing - worst of all, writing poetry. It'd be better if the whole tribe of the scribblers - every damned one of us - were sent off somewhere with tool chests to do some honest work.

I've been on the Web from the beginning of the Web. The good part about writing about technology is that you never run out of ideas, because it's changing so fast. The bad part is that it's changing so fast that there's a million new products and ideas every day and every week.

I was trying to foster a great working relationship between those two departments [design and the writing teams], because classically in animation the two don't get along.

I like to write first-person because I like to become the character I'm writing.

I like to be surprised. The best writing is when it defies me, when it starts going a different way than I had planned.

I won't read novels while writing novels.

I write to find out what the story means to me, that is what I try to do especially with the first draft.

Love stories are probably all Ive ever been able to write or want to write.

The reading of a poem should be an experience. Its writing must be all the more so.

Grub Street turns out good things almost as often as Parnassus. For if a writer is hard up enough, if he’s far down enough (down where I have been and am rising from, I am really saying), he can’t afford self-doubt and he can’t let other people’s opinions, even a father’s, keep him from writing.

Young writers should be encouraged to write, and discouraged from thinking they are writers. If they arrive at college with literary ambitions, they should be told that everything they have done since their first childhood poems, printed in the school paper, has been preparation for entering a long, long apprenticeship.

I wrote my first play at the age of 10, 55 years ago, and I've always found it a fantastic relief to imagine I know what things would be like from the point of view of other individuals and to send out signals from where I actually am not. Playwrights never need to write from the place where they are.

When I was first starting to write plays, I quite literally had never heard of the idea of studying playwriting. I wouldn't have studied it even if I had heard of it.

I'm trying to write truthfully about life, and naturalism, or the way people normally talk in movies, is a convention. The way I write is about life and is quite truthful, and there is a kind of brutal side to the relationship, and to the feelings, that makes it somewhat painful, but I think it's a very intense portrait of the relationship of two people. And a bit about what people feel like when they're alone, because it all takes place in one day, and during the day, they spend a lot of time alone in their different - you get to imagine what their fantasy lives are like.

All of my plays have puzzled some people, and I'm happy to say delighted a few, but a lot of people have just not seen how quite to look at them. And this film... if you like my writing, you'll like this film. If you don't, you won't like the film. It's pretty faithful to - it's a pretty uncompromising presentation of my way of seeing things, I suppose.

I started writing plays in around 1967, and at a certain point, I thought, 'I'm writing plays, I should learn about acting and what it is.' So I went to the HB Studio in New York, and I was there for about nine months.

I think I'm trying to write truthfully about life, and naturalism, or the way people normally talk in movies, is a convention. It's not the way people talk in life at all.