Writing Quotes - Page 623

I never wanted my books to be mistaken for poetry or fiction books; I wanted to write reference books. But instead of referring to something, they refer to nothing.

Good writing is formed partly through plan and partly through accident.

I threw the opening pitch at a Blue Jays game, and after the pitch, the mascot asked me if I wanted him to sign the game ball, which I thought was funny. What would he write? "Best Wishes, Some Guy in a Bird Suit"?"

An awful lot of thriller writers write women rather badly. So just doing it OK gets a lot of credit.

When I'm writing a woman character, I don't think, 'What would a woman do?' I just think, 'What would this character do in this situation?

Write: write letters. Keep journals. Besides your children, there is no surer way of achieving immortality.

A lot of artists are good cooks as I'm too, but coming from a culture that was very concerned with food, I was very interested in that from the start. If you're interested in food, you're interested in lots of different aspects of culture. And it's like being interested in the music from a certain area, or writing, or whatever-food is part of that, too.

One time I said to Jordan [Peele], in a text, "I will pick you up at 2:30. So if you're just standing out in front of the building, we'll go from there to the next meeting. Cool?" And my man just writes, "Wordness to the turdness."

But I love to write music. What I would love to do is give some of the songs I write to someone like Taylor Swift because I feel like she could sing them.

It is one thing to write a good sentence, another to write a good book.

Facebook is the novel we are all writing

I can't define myself as a political writer - I don't think I've earned it, and I don't function as a political writer in the way that many of the writers I admire do. It's not simply a question of context, of where I'm writing from - there is much in American society that urgently needs to be written about. I think your work is always engaged with politics in the looser sense of the word - and that looseness is itself a kind of privilege - because politics and culture are evidently intertwined.

I'm not writing great literature. I'm writing commercial fiction for people to enjoy the stories and to like the characters.

Mother calls up the stairs to ask what in the world I'm typing up there all day and I holler down, 'Just typing up some notes from the Bible study. Just writing down all the things I love about Jesus.

Women do not always have to write about women, or gay men about gay men. Indeed, something good and new might happen if they did not.

For me, writing is inseparable from thinking. I could say the entire undertaking is a vast cerebral construct against my demons. It's the thing that I love. It's my identity.

Still, I kept writing. I had no guarantee that I would someday win awards for writing. Heavens, the only person during that time who seemed to think I could write something worth publishing was my loyal husband. But I always remembered the professor from graduate school who urged me to write and who recommended me for that first writing assignment in 1964. When I protested to Sara Little that I didn't want to add another mediocre writer to the world, she gently reminded me that if I didn't dare mediocrity, I would never write anything at all.

A friend of mine who writes history books said to me that he thought that the two creatures most to be pitied were the spider and the novelist - their lives hanging by a thread spun out of their own guts. But in some ways I think writers of fiction are the creatures most to be envied, because who else besides the spider is allowed to take that fragile thread and weave it into a pattern? What a gift of grace to be able to take the chaos from within and from it to create some semblance of order.

The late evening is the time of times. Then with that unearthly beauty before one it is not hard to realise how far one has to go. To write something that will be worthy of that rising moon, that pale light.

I want so to live that I work with my hands and my feeling and my brain. I want a garden, a small house, grass, animals, books, pictures, music. And out of this, the expression of this, I want to be writing (Though I may write about cabmen. That’s no matter.) But warm, eager, living life — to be rooted in life — to learn, to desire, to feel, to think, to act. This is what I want. And nothing less. That is what I must try for.

It is as hard to find a neutral critic as it is a neutral country in time of war. I suppose if a critic were neutral, he wouldn't trouble to write anything.

I always write a story in one sitting.

Just write the best you can about the things that concern you most. I never lose sight of the fact that just being is fun.

I think the biggest pushback comes from people who perceive me to be a threat. Having bloggers who are dedicated to making up false information about you, having anonymous people write nasty emails and letters, having organizations file legal requests for your work-related emails, and all the other things that happen can be very depressing and discouraging.

I try to tell student writers to read as much as possible, not only literature but philosophy, theory, and to form obsessions. There's a big taboo in fiction creative writing workshops against using the self at all, and I think I try to encourage students to write the self, but to connect the self to something larger, which is to be this thinking, seeing, searching, eternally curious person, and that writing can come out of investigating and trying to understand confusion, and doubts, and obsessions.