Writing Quotes - Page 546

I usually write from my own experience, and that's definitely a true statement for me. I think having a song about desiring to live and wanting to get it right, which many of my songs do, often I have to clarify that I haven't figured it out yet.

And then, 'Why is a raven like a writing desk?' Those things just became so important to the character. You realize that the more you read it, if I read the book again today, I'd find 100 other things that I missed last time. It's a constantly changing book.

The - writing is a kind of act of aggression, and a person who is not aggressive in his normal, may I say, intercourse with humanity might well be an aggressive writer.

In a democracy in the 20th and 21st century, if you can't base your fiction upon ordinary people and the issues that engage them, then you are reduced to writing about spectacular unreal people. You know, James Bond or something, and you cook up adventures.

You write because you don't talk very well, and maybe one of the reasons that I was determined to write was that I wasn't an orator, unlike my mother and my grandfather, who both spoke beautifully and spoke all the time. Maybe I grew up with too many voices around me, as a matter of fact.

Writing fiction is like music. You have to keep it moving. You can have slow movements but there has to be a sense of momentum, of going someplace. You hear a snatch of Beethoven and it has a sense of momentum that is unmistakably his. That's a nice quality if you can do it in fiction.

Try to develop actual work habits, and even though you have a busy life, try to reserve an hour, say - or more - a day to write. Some very good things have been written on an hour a day.

I don't write as much now as I used to, but I write. The lines still come, maybe periodically, and I'll go through these little bursts of time where I write a lot of things then a long period of time where maybe I don't write anything. Or these lines will come into my head and I'll write 'em down in a little book, just little sets of lines, but I won't try to make stories or poems out of them. I'm doing a lot of that now, just the lines.

See, I have no journalism in my background, so I wasn't practised at research or writing non-fiction, nor at handling the truth in a journalistic way. Journalists know when to call a halt and write something, but I kept on looking for answers.

They must be real people. And this means that every word in every line of speech must be accurate and full of some kind of meaning which stretches not only forward in the book but stems from before in the book.

The basic rule [of writing] given us was simple and heartbreaking. A story to be effective had to convey something from the writer to the reader, and the power of its offering was the measure of its excellence. Outside of that, there were no rules.

Three hours of writing require twenty hours of preparation. Luckily I have learned to dream about the work, which saves me some working time.

Writing to me is a deeply personal, even a secret function and when the product I turned loose it is cut off from me and I have no sense of its being mine. Consequently criticism doesn't mean anything to me. As a disciplinary matter, it is too late.

Why can I write 'South' with some assurance that you'll know I mean Richmond and don't mean Phoenix? What is it that the South's boundaries enclose?

I get letters every week from people who live in rural Texas or rural Mississippi and who feel totally alone. They feel like they must be the strangest person in the world. They don't fit in to the religious milieu of their communities. It doesn't make any sense to them. They read some of my columns and they know that there's somebody in the world at least as crazy as they are, and so they write and say is there anybody else?

The trouble with Christianity was that by about 150, there were hardly any Jews left in the Christian church, and so from that time until the last part of the twentieth century, the only people reading the gospels and interpreting the gospels and writing commentaries on the gospels were gentiles who were simply ignorant of the Jewish background, and I just thought they were prejudiced.

What a fantastic honour to be given the opportunity to write a column in the first ever 'Sunday Sun.'

It is excellent discipline for an author to feel that he must say all that he has to say in the fewest possible words, or his readers is sure to skip them.

Writing is hustling of another kind.

A barbarian who could not write a sentence of grammar and hardly could spell his own name.... One of our tribe of great men who turn disease to commodity...he craves the sympathy for sickness as a portion of his glory.

Since September 11, the Mirror has reached back to its roots, and decided, it seems, to be something of its old self again. I received a call asking if I would write for it again, which I've done. It's a pleasure to be able to do that. It's become an important antidote to a media that is, most of it, supportive of the establishment, some of it quite rabidly rightwing. The Mirror is breaking ranks, and that's good news.

I had a lot of fun writing things that died during dress rehearsal. Sometimes I remember the crazy ones that died even more fondly than the ones that did really well.

See how God writes history. No technical knowledge is required; only a calm day and a calm mind.

My pen.’ Funny, I wrote that without noticing. ‘The torch’, ‘the paper’, but ‘my pen’. That shows what writing means to me, I guess. My pen is a pipe from my heart to the paper. It’s about the most important thing I own.

When I write, my brain moves faster than my hands so I'm always trying to picture things.