Writing Quotes - Page 515

No marshmallows. "I don't believe this! I'm going to write the president of General Mills! Don't they have any quality control?" "I'm sure it's just a fluke" "Doesn't make any difference whether it's a fluke or not. It shouldn't have happened. When a person buys a box of lucky charms he's got expectations

I write romance, women's fiction, chicklit. I think it all fits very comfortably under the same umbrella. Basically, I write books for women - books about relationships, books that make you laugh and sometimes make you cry a little.

All writers have strengths and weaknesses. I am terrified of being boring, so I write short, compressed stories that sometimes don't give a reader time to think about what they have read. I struggle to slow down.

Introverts need to trust their gut and share their ideas as powerfully as they can. This does not mean aping extroverts; ideas can be shared quietly, they can be communicated in writing, they can be packaged into highly produced lectures, they can be advanced by allies. The trick for introverts is to honor their own styles instead of allowing themselves to be swept up by prevailing norms.

It's a mystical quality of music, that music isn't really concrete, and it's communicating abstractions about imaginary worlds. At least, my music's like that. It's not real. It's unreal, it's all fabrication. To write a song about Obama would suddenly break the spell.

The Jungian therapist taught me the difference between the ego and the shadow. I realized I'd been so busy being a good girl that I'd completely detached from my shadow. It's something we all have, and it's where all the creative juices are.

I thought, if ever there were a time to write a book about hope, it's now.

All writers who can claim to be called 'living' must be political in a sense. They must have what the Quakers call a concern to understand what is happening in the world, and must engage themselves, in their writing, to promote no comfortable lies, of the sort which people will pay well to be told rather than the truth.

Writing was a chimney for my blazing ambitions.

Saul Bellow once said, 'A writer is a reader who has moved to emulation' — which I think is true. I just started writing and made that jump from reader to writer and learned how hard it was, but also how much fun it was — losing myself in these imaginary worlds.

The two hardest things about writing are starting and not stopping.

I'm not one of those people who writes long soliloquies.

'E.T.' began with me trying to write a story about my parents' divorce.

I believe that the supreme duty of the historian is to write history, that is to say, to attempt to record in one sweeping sequence the greater events and movements that have swayed the destinies of man.

Writers think in metaphors. Editors work in metaphors. A great reader reads in metaphors. All are continually asking, "What does this represent? What does it stand for?" They are trying to take everything one level deeper. When they get to that level, they will try to go deeper again.

If you must write prose or poems, the words you use should be your own. Don't plagiarize or take 'on loan'. There's always someone, somewhere, with a big nose, who knows, who'll trip you up and laugh when you fall.

I write the kind of stuff I'd like to watch.

The stories that have had the deepest impact on me and one of the reasons I was excited to finally get to write my story, it's when I can read the story of others who are following Christ, who are committed, but just are still on the journey. They haven't arrived, and can be honest about that process.

My past is very interesting, and I treasure it, but to write about it, it's just not on my radar.

I knew I could only play Cyrano if he were Americanized. I had no intention of writing the script myself. I was afraid of it. You're playing with fire when you tamper with a classic. So I went looking for a writer. But it was such a personal idea, and anyone I would give it to would make it his own. It's hard to ask Neil Simon to write your idea.

Without a mission and a sense of whom you write for, you aren't worth reading.

Out of frustration, you do drugs when you can't write. On occasion that might work, but usually what happens is that once you've had on drink, you just want another drink.

I ain't no author, man . . . my writing skills are not of "New York Times" best-seller quality, trust and believe it ain't. My vocabulary ain't.

Back then, the business depended on bohemians. ... They needed Kristofferson and Roger Miller ..It was the tail end of something...the last Tin Pan Alley. ...and we were the night shift! They gave us keys, because they knew the best songs weren't written in daylight.... We got our keys taken away several times...me and Guy Clark.

Wikipedia is the best thing ever. Anyone in the world can write anything they want about any subject. So you know you are getting the best possible information.