The writing in Mission to Paris, sentence after sentence, page after page, is dazzling. If you are a John le Carr fan, this is definitely a novel for you.
In my office in Florida I have, I think, 30 manuscript piles around the room. Some are screenplays or comic books or graphic novels. Some are almost done. Some I'm rewriting. If I'm working with a co-writer, they'll usually write the first draft. And then I write subsequent drafts.
When I write I pretend I'm telling a story to someone in the room and I don't want them to get up until I'm finished.
On the eve of the Civil War, James Parton could write that 'the political history of the United States, for the last thirty years, dates from the moment when the soft hand of Mr. Van Buren touched Mrs. Eaton's knocker.'
[Elizabeth Moon's] antagonists are always evil moustache-twirlers. She could write a book about a golf open and the main rival to the hero would turn out to have clubs made from compressed kittens.
This is the sort of book that justifies fatwahs. If WWIII occurred right now, we could die happy knowing Baxter would never write again. If a dinosaur killing asteroid was headed for Earth and I knew Baxter had another book coming up, I would campaign for letting the rock hit, since it is obviously the work of a benovelent deity trying to save us from another Titan.
It is possible to combine a story line and plot line in the same work. Usually the storylines comes first, serving as a background to the plot line, but not always.
Fiction writers come up with some interesting metaphors when speaking of plot. Some say the plot is the highway and the characters are the automobiles. Others talk about stories that are "plot-driven," as if the plot were neither the highway nor the automobile, but the chauffeur. Others seem to have plot phobia and say they never plot. Still others turn up their noses at the very notion, as if there's something artificial, fraudulent, contrived.
I like all music. Well, I don't like music that was created to make money. I don't really like bands that don't write their own music
We do very little re-writing in the office. We often take on people who show great promise and who we hope will develop into somebody important and someone good.
If there is any difficulty in what I write, it is because of the material I use. The thought is always simple.
Writing really is a difficult craft and there are many parts to master.
Let authors write for glory and reward. The truth is well paid when she is sung and heard.
At some point, I had to make a decision: I could practice more and become a really great guitar player or I could work on writing better songs. There are only so many hours in the day, and I found writing songs more fulfilling than working on becoming this virtuoso guitar player.
The music industry is not what it used to be. Being in a good band is great, and I've been lucky to be in great bands. I've done solo stuff, and that's been great. I also produce rock bands and I do co-writes, where I write with different singers in bands and songwriters.
I will write another book if I feel like it.
I don't know if there is any one secret to successful writing, but one important step is to move beyond imitation and discover what you can write that no one else can - that is, find out who you are and write that in an appropriate narrative and style.
Some of my educated Filipino friends were aspiring poets, but their aspirations were all in the direction of the United States. They had no desire to learn from the bardic tradition that continued in the barrios. Their ideal would have been to write something that would get them to Iowa, where they would study creative writing.
The Olympic Games are for 'the youth of the world,' but they're organized and scored by countries. It's no surprise that countries treat them as vehicles of national pride, and assume that their people will be most interested in their own athletes. So anybody who was saving up to write an angry letter, blog post, or op-ed about NBC's chauvinistic coverage: don't bother! They're actually more above-the-fray than most. Also, their coverage is not shown anywhere except America - I know, it's because I can't get it that I'm watching Women's Air Pistol - so can't ruffle feathers elsewhere.
I don't have a cellphone or a computer. I deliberately circumscribe my mental life within the periods that I write about, and the power of Perfidia is that it's the result of complete immersion. I was there for the two years that it took me to write that book.
I wanted to see if I could write a good book.
Am I surprised that Joe Klein [pseudonymous author of Primary Colors which he denied writing] lied? No, because in my opinion reporters lie all the time.
I probably spend more time writing than reading science fiction. I find that science-fiction literature is so reactive to all the literature that's gone before that it's sort of like a fractal. It's gone to a level of detail that the average person could not possibly follow unless you're a fan. It iterates upon many prior generations of iterations.
I don't look at scripts. I just write them.
You write in order to change the world.
