Writing Quotes - Page 430

You won't see me writing about particle physics, or even planetary geology, or chemistry. I practically failed chemistry, and if I had to write a book in any of those areas, I don't think it would go well.

I want to write something so simply about love or about pain that even as you are reading you feel it and as you read you keep feeling it and though it be my story it will be common, though it be singular it will be known to you so that by the end you will think— no, you will realize— that it was all the while yourself arranging the words, that it was all the time words that you yourself, out of your heart had been saying.

You'll never regret writing any letter out of love. However, it's a good idea to reread anything you've written in anger.

Qualities absolutely necessary for a historian: (1) Imagination. (2) Prejudice. (3) The power of writing your own biography at the same time.

A life spent largely among books, and in the exercise of a literary profession, has very obvious drawbacks, as a subject-matter, when one comes to write about it.

For after my marriage I had made various attempts to write fiction. They were clearly failures.

His struggle for a bare living left him no time to take advantage of the public evening school. In time he learned to read, to follow a conversation or lecture; but he never learned to write correctly; and his pronunciation remains extremely foreign to this day.

Making promises to myself, in my personal writing practice, has been important to me all my life. In practical application it is so much easier for me to make promises to others, and keep them, than it is to make promises to myself. "Why is that?" and the answer I gave myself is that in making promises to others I create a model of accountability and reinforcement. I duplicate that in my writing and have grown increasingly better at making and keeping promises to myself.

I am a Leo. I was born in August and I love the sunshine. I'm like a cat. We live in a very contemporary house with windows all around it. Wherever a sunspot is, I go to it with my yellow pad and my fountain pen and I write there.

People are in denial all the time, hiding things. If I tell you a racist or dirty joke and you laugh, you're telling me something about yourself, which you don't want to reveal. Accessing that hidden side is what good acting is all about. And there are only a handful of people in the entire United States who interest me as actors, who surprise me. Even people who write about it, don't know anything about good performance. At least when you work at General Motors, you know something about cars.

When I write a song, I always start on acoustic guitar, because that's a good test of a song, when it's really open and bare. You can often mislead yourself if you start with computers and samples and programming because you can disguise a bad song.

I don't write poems and put them to music. Just let things flow.

I used to be treated like an idiot, now I'm treated like an idiot savant.

This doctrine of Christ and of the apostles, from which the true faith of the primitive church was received, the apostles at first delivered orally, without writing, but later, not by any human counsel but by the will of God, they handed it on in the Scriptures.

Every writer hopes or boldly assumes that his life is in some sense exemplary, that the particular will turn out to be universal.

Egotism exists everywhere, but it has a different flavor in England, where the tabloid culture goes much deeper. It's just the indulgence of vulgarity, the wallowing in vulgarity. As with everything English, there's a sort of irony to it. They write a great deal about these trivial people who have a certain eminence, always with a bit of, "Isn't it ridiculous that we are writing about this person?"

In the Phaedrus, Plato argued that the new arrival of writing would revolutionize culture for the worst. He suggested that it would substitute reminiscence for thought and mechanical learning for the true dialect of the living quest for truth by discourse and conversation.

I have had an inordinate and painful concern for the audience in my writing career.

Music expresses longing and love and joy better than any piece of dialogue you can ever write.

Read non-fiction. History, biology, entomology, mineralogy, paleontology. Get a bodyguard and do fieldwork. Find your inner fish. Don't publish too soon. Not before you have read Thomas Mann in any case. Learn by copying, sentence by sentence some of the masters. Copy Coetzee's or Sebald's sentences and see what happens to your story. Consider creative non-fiction if you want to stay in South Africa. It might be the way to go. Never neglect back and hamstring exercises, otherwise you won't be able to write your novel. One needs one's buttocks to think.

I am writing my second novel for children for Simon and Schuster.

When she came to write her story, she would wonder when the books and the words started to mean not just something, but everything.

For me writing and filmmaking is a therapeutic process. It reflects themes that I'm going through at a time in my life.

Reading and writing are in themselves subversive acts. What they subvert is the notion that things have to be the way they are, that you are alone, that no one has ever felt the way you have.

When we accomplish a goal, it instantly loses some of its importance and we tend to lose interest. When we write down too many goals, there is plenty to keep our subconscious mind at work.