In a novel, language is your principal tool, you try to build pictures in the mind of the reader. When you write a screenplay, the language is just a transition, the final goal is a picture on the screen, it's the only thing the audience sees.
Yeah, writers do hate writing.
My only real claim to anyone's attention lies in my writing
Now I think poetry will save nothing from oblivion, but I keep writing about the ordinary because for me it's the home of the extraordinary, the only home.
One thing I've found that I can do that I really enjoy is rereading my own writing, earlier stories and novels especially. It induces mental time travel, the same way certain songs you hear on the radio do ... the whole thing returns, an eerie feeling that I'm sure you've experienced.
I don't know that I make a big distinction between the big pieces and the little pieces, because I don't experience them in that way. I mean, by the same token, you're out touring with a band and then you're writing string quartets, and in a funny way, isn't it all the same, in a way? It's all just music.
I, as a young guy getting out of music school, I didn't like the prospect of spending my life writing music for about 200 people.
Finally, ultimately, you write music for yourself. I mean, I need a public, I need people to play, I need everything else. I'm not working in isolation. But finally the man that writes the music is alone. And I have to respond to those criteria which are almost like inner needs or inner responses.
Storytelling is the art of unfolding knowledge in a way that makes each piece contribute to a larger truth.
Voice really depends on the answer to the question, Who is telling this story? . . . That will color your diction-and determine your metaphors, your sensibility.
Why the hell can't people just write nice happy stories about people having happy sex? That's what I want, and I bet a whole bunch of other people want it too.
I'm much happier just to write myself out of the script entirely.
But, right now, the situation is that almost all of my writing is out of print.
You talk about auteur de cinema having things in their heads and putting them all across, can you imagine Shakespeare writing screenplays?
Whenever something good happens, write it down. Buy a special notebook . . . and use it to list all the good in your life.
Illuminated by the same joyful curiosity and erudition, lyric writing, and plain love of life that made a classic of Archie Carr's The Windward Road.
I think one of the things about writing in the studio is that the song hasn't matured, if you like, so quite often the vocals are early attempts. Whereas once you've taken it out on the road a bit, you learn more about a song.
My abilities grow with each job, whether it's writing or directing. When I stop learing, I'll stop working
Every first-rate editor I have ever heard of reads, edits and rewrites every word that goes into his publication.... Good editors are not 'permissive'; they do not let their colleagues do 'their thing'; they make sure that everybody does the 'paper's thing.' A good, let alone a great editor is an obsessive autocrat with a whim of iron, who rewrites and rewrites, cuts and slashes, until every piece is exactly the way he thinks it should have been done.
I don't feel any real animosity towards critics when they write negative things. I think some are more perceptive than others. Some are very knowledgeable about painting. But it isn't something I have any influence over, so there isn't any point in worrying about it.
I got out of college and I went to get my master's in creative writing at San Francisco State. I was working as an actor at the Actor's Workshop, being abused as a intern.
I went to work in 1962, and by '64 I was writing all the time, every night and every weekend. It didn't occur to me that, having read nothing and knowing nothing, I was in no position to write a book.
The great thing about using the past is that it gives you the most colossal freedom to invent. The research is necessary, of course, but no one writes a novel to dramatically illustrate what everybody already knows.
To be a writer was always my greatest aim. I remember writing a play about Guy Fawkes when I was 10. I suppose it's significant, at least to me, that my first work should be about a historical figure.
Stop it now and take control. Write this on a card and pin it up where you can see it... MY THOUGHTS CONTROL MY LIFE!