Writing Quotes - Page 1114

Writing is probably one-fifth coming up with the stuff, and four-fifths self-editing again and again and again.

Writing is such a damn lonely sickness.

I got a rejection letter from an editor at HarperCollins, who included a report from his professional reader. This report shredded my first-born novel, laughed at my phrasing, twirled my lacy pretensions around and gobbed into the seething mosh pit of my stolen clichés. As I read the report, the world became very quiet and stopped rotating. What poisoned me was the fact that the report's criticisms were all absolutely true. The sound of my landlady digging in the garden got the world moving again. I slipped the letter into the trash... knowing I'd remember every word.

Lunatics are writers whose works write them.

Write something every single day, even if it's just three lines. And it doesn't matter if it's any good - just write something every day.

I can write pretty much anywhere.

coincident with the explosive growth of research, the art of writing science suffered a grave setback, and the stultifying convention descended that the best scientific prose should sound like a non-human author addressing a mechanical reader. ... We injure ourselves when we fail to make our discipline as clear and vibrant as we can to students - prospective scientists - and to the public who pay the taxes.

There's a fine line between writing the poem and the poem writing itself. You have to be there and not be there, too.

When you start to write, things begin to come into focus in a way they don't when you're not writing. It's a very good way to find out how much you don't know because you learn specifically what you need to know that you don't know at the moment by writing.

I could not do what I do without the kindness, consideration, resourcefulness and work of librarians, particularly in public libraries... What started me writing history happened because of some curiosity that I had about some photographs I'd seen in the Library of Congress.

I feel that what I do is a calling. I would pay to do what I do if I had to. I will never live long enough to do the work I want to do: the books I would like to write, the ideas I would like to explore.

Once I discovered the endless fascination of doing the research and of doing the writing, I knew I had found what I wanted to do in my life. Every book is a new journey. I never felt I was an expert on a subject as I embarked on a project.

I write on the typewriter. I like it because I like the feeling of making something with my hands. I like pressing the key and a letter comes up and is printed on a piece of paper. I can understand that.

I can fairly be called an amateur because I do what I do, in the original sense of the word - for love, because I love it. On the other hand, I think that those of us who make our living writing history can also be called true professionals.

The source of our suffering has been our timidity. We have been afraid to think....Let us dare to read, think, speak, write.

In time I began to understand that it's when you start writing that you really find out what you don't know and need to know.

There are people who are trying to write history for the general reader who can be quite tedious. That said, I do feel in my heart of hearts that if history isn't well written, it isn't going to be read, and if it isn't read it's going to die.

I remember researching a really complicated article and having trouble keeping track of all the different perspectives. I ended up drawing a diagram to help myself follow how the ideas were interrelated. I looked at the diagram when I had finished and thought, "Oh, maybe I don't need to write the article now - maybe I've done my job as a journalist. I can convey my understanding through the diagram."

I give myself the luxury of time in shaping a song. It's very common for me to work three months or more on a single song. Plotting takes time and effort, for there are many false turns. I fill up pages and pages with my mistakes, thereby eliminating them. Eventually a trail is broken through this mountain of mistakes. Sometimes it's as easy as putting eggs in a basket; other times it's like trying to pound a ton of sand into a diamond.

I use three main tools in writing: instinct, hard work and dumb luck. Dumb luck is missing a train and, while you wait for the next one, writing a key word, line or verse. When this happens often enough you begin to believe in Fate.

I admire the ballad form most of all. Stories are irresistible. I've always had a passion for stories, the endings being of particular importance.

I said that I'm only there to write the truth, I'm not going to cover anything up, but I'll put everything in context and get as close to the truth of this person as I can.

I think that's part of being a comedy writer. You have to be confident. If you're sitting around worrying about, like, oh my God, what are people going to think, then you're not writing comedy. You have to write what makes you laugh, and then the world hopefully laughs as well.

IF YOU PRETEND THE CHARACTERS CANT SPEAK, AND WRITE A SILENT MOVIE, YOU WILL BE WRITING GREAT DRAMA.

Freud believed that our dreams sometimes recapitulate a speech, a comment we've heard or something that we've read. I always had compositions in my dreams. They would be a joke, a piece of a novel, a witticism or a piece of dialogue from a play, and I would dream them. I would actually express them line by line in the dream. Sometimes after waking up I would remember a snatch or two and write them down. There's something in me that just wants to create dialogue.