I just being able to write songs I'm proud of and finding some women to play with is exciting.
I suppose if I didn't write for a living and it couldn't be published, I would have wanted to write anyway. I think there's something about the act of writing that organizes thoughts and memories.
Writers often have a 'drunk' that is different than anyone else's. That's why it's so insidious and so damning. First of all, because they can write when they're drinking - or they think they can. A lot of writers will tell me - and this is the latest one I've heard - you drink while you're thinking about what to write, but when you actually write, you sober up.
I think that we definitely deal with that issue and don't ignore it, the issue of drink, but that's not where it ends. I just think that what the fear is that you think alcoholic writer or whatever and you forget the intelligence that can be present. I mean so many people just write off someone who drinks as one thing.
I started writing nonfiction because nonfiction is well-suited to subjects that, if you wrote them as fiction, people would say, "I don't believe this. This is a little outlandish".
Grading creative writing is always an ethical dilemma. But what you brought up about grading personal stories versus the research paper is of course a truly volatile issue in teaching memoir or the personal essay, because there's no pretense that the narrator is a character.
I don't know a lot of writers, even writers who have been on the bestseller list for a few weeks, or writers who have gotten movie options, who can live on just their writing income. Once you break it down to the years it took to write the book, place it, promote it, and you pay the agent, pay the taxes, the annual income is not enough to live on comfortably. I do not have a starving artist inclination. I'm from the working class. I don't feel creative unless I feel like my house is going to be there and I'm going to be fed. I can't worry about money and write. Maybe some people can.
And I don't know where to find Ashley Danfield and all the other lovely commentators who show me live courtroom trials. To me, you know, I'm obsessed with it. Like I think maybe if I wasn't an actor I'd be a litigator. But, you know, it's always just shocking to see what happens in real life because most of the things that you see on those trials if you tried to write them into a TV series you would say oh gosh, no one would believe that would ever happen. But yet they always do in real life.
Write hand-written notes daily and commit to supporting the growth and self-esteem of children, because it makes such a big difference in terms of their capacity for learning.
When I post a review to book-blog.com it probably takes me - apart from writing the review, of course - 20 or 30 minutes to finish all my related tasks.But that's irregular, depending on how quickly I'm reading.
Research is all well and good, but I definitely enjoy writing the most. I will happily sit at my computer and work on a single paragraph for hours. And there's no better feeling than when your writing is going well.
I started to write book reviews as a means of recording my thoughts about what I'd read before all memory of them vanished.
In researching literary agents I did what the books tell you to do: I looked at the acknowledgments page of a book that was similar to mine. Happily, that author thanked his agent. I looked up the agent on the web and found out that he not only represented authors writing books similar to mine, but I knew some of his clients! So, I sent in the manuscript, and they decided to represent it.
If it has horses and swords in it, it's a fantasy, unless it also has a rocketship in it, in which case it becomes science fiction. The only thing that'll turn a story with a rocketship in it back into fantasy is the Holy Grail.
I tell my students, if you're interested in marine biology or llama farming, follow that string. Yes, it will probably take you a longer time to write that book, but it's not a race. That's another great thing about being a writer: you don't age out.
If you have some other profession that allows you your evenings or weekends, terrific, stick with that. Having a profession other than writing also has the potential side benefit of providing you with material, something to write about.
When I left the theatre and turned to writing, one of the big pulls was that, unlike the theatre, I didn't have to wait to be hired before I could do my art. That was huge. But you still have to figure out how to support your habit; it's rare and lucky when art pays the bills.
I loved short stories, and they were all I wanted to write. I love the compression of them and the exactitude needed to get a whole world into such a small space.
I kept writing short stories and sending out my manuscript, and it kept coming back like a bad penny. It was rejected all over town, quite often in very complimentary terms, but rejected nonetheless. Agents would return it saying that they loved it but didn't think they could sell it, or they would ask if I could change the collection into linked stories.
I just can't fathom tweeting, and I'd rather spend my time writing a book than a blog, but I rather grudgingly agreed to a Facebook page. I had a brief, intense romance with Facebook. It's weirdly addictive, but anything that time-sucking is a danger for a writer who writes as slowly as I do. Now I post only occasionally and nothing very confessional. I think I'm carbon dating myself as I speak.
If you had told me twenty years ago that I would write a novel set in Russia, much less two, I simply wouldn't have believed you. I had no familiarity with Russia or its history, but part of what drives me as a reader, and more and more as a writer, is curiosity, the desire to explore unfamiliar terrain and inhabit alternate lives.
The trajectory of my writing has moved further and further away from autobiography. My first stories in Confessions of a Falling Woman worked familiar territory - places I had lived, people I knew, my life as an actor in New York - and many were prompted by or grounded in personal experience.
Once I had started, I discovered the secret pleasure of writing a novel. It's such an immersive, deep commitment. With short stories, you're continually having to start again from scratch, but with a novel you only need one good idea every few years.
I always think, OK, this is good, but I'll do it better next time. "And so we beat on, boats against the current. . ." It may not be the recipe for a life of contentment, but that imperfectability is what makes writing such an engaging endeavor, something you can do for the rest of your life and not get bored.
If I were writing about Picasso and pointed out that he painted women because he was interested in the female form, that would seem like an obvious point. I don't know why people revolt when I point out that Rockwell painted the male figure and was interested in it.
